Jake Cinninger

Jake Cinninger’s No. 1 guitar—a G&L S500 with two EMG humbuckers and a swamp-ash body—is affectionately dubbed “Swamp Ass.” Like Bayliss, Cinninger outfits it with the “Jake Blade” tremolo plate he commissioned.

He can be seen playing it in many videos. You can get a closer look at him playing it around 2:00

At 17:32 in this rig rundown video Jake Cinninger talks about his Oldfield JC100 amp.

At 17:04 in this rig rundown video Jake Cinninger talks about his backup Overdrive Supreme 50 amp.

At 13:35 in this rig rundown video Jake Cinninger talks about his custom Overdrive Supreme 100 amp.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

Jake Cinninger says he uses a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

One side of the switcher feeds a Mesa/Boogie Five-Band Graphic EQ pedal driving a Fuchs Plush Drive going into the Oldfield amp, while the other routes the signal to a loop switcher that Cinninger purchased from pedalboards.com 11 years ago.

Cinninger’s pedalboard has been 10 years in the making. His signal hits it via 1/4" cable and immediately goes into a Steel Guitar Black Box buffer like Bayliss’. From there it goes to a Boss TU-3 tuner, then an A/B box.

One side of the switcher feeds a Mesa/Boogie Five-Band Graphic EQ pedal driving a Fuchs Plush Drive going into the Oldfield amp, while the other routes the signal to a loop switcher that Cinninger purchased from pedalboards.com 11 years ago.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.

In 2011 in his live touring rig Jake Cinninger of Umphreys McGee was using a BBE Free Fuzz Pedal on his live board.