Pricing and availability
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Average Price: $85
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$150
$601+
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Description
Dive into the universe of sonic exploration with the Source Audio Soundblox 2 Orbital Modulator, your gateway to unparalleled modulation effects. This pedal is not just an update; it’s a complete overhaul, designed to inspire with its thirteen diverse modulation effects and enhanced user interface. The sturdy aluminum housing ensures it can withstand the rigors of touring, while the intuitive controls invite you to tweak and refine your sound with precision. Whether you're crafting ethereal soundscapes or seeking to add a unique texture to your guitar’s tone, this pedal offers the versatility and quality to elevate your music. Plus, with the ability to save your finely tuned settings in one of two user presets, your perfect sound is always just a stomp away.
Key Features:
- Thirteen modulation effects for a wide range of soundscapes
- Nine tweakable parameters for in-depth sound shaping
- Sturdy aluminum housing for durability
- Two savable user presets for quick access to your favorite settings
- Larger interface for improved usability and control
- Designed for both studio and live performance versatility
Product specs
| Brand | Source Audio |
| Model | Soundblox 2 Orbital Modulator |
| Finish | Orange |
| Year | 2010s |
| Made In | China |
| Categories | Multi-Effects Pedals and Processors |
FAQs
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What types of modulation effects are available on the Source Audio Soundblox 2 Orbital Modulator?
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The Soundblox 2 Orbital Modulator offers a variety of modulation effects including phaser, flanger, chorus, and tremolo, providing versatile sound-shaping options for guitarists.
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Does the Soundblox 2 Orbital Modulator support stereo output?
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Yes, the Soundblox 2 Orbital Modulator features stereo input and output, allowing you to create rich, wide modulation effects suitable for stereo rigs.
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Can the Source Audio Soundblox 2 Orbital Modulator be used with an expression pedal?
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Yes, the Orbital Modulator is compatible with expression pedals, enabling real-time control over effect parameters for dynamic performance adjustments.
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What power supply is required for the Source Audio Soundblox 2 Orbital Modulator?
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The Soundblox 2 Orbital Modulator requires a 9V DC power supply with at least 165mA current, which is standard for many pedalboards.
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Is the Source Audio Soundblox 2 Orbital Modulator suitable for bass guitar?
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Yes, the Soundblox 2 Orbital Modulator is designed to work well with both guitar and bass, offering a range of modulation effects that complement bass frequencies.
Videos
sourceaudioeffects
Soundblox 2 Orbital Modulator - Bass Effects Pedal Demo
Reviews
PROS
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Highly versatile with extensive parameter adjustments for unique modulation sounds
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Clean, pristine tone quality that stands out
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High-definition digital modeling for accurate sound replication
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Capable of replacing multiple pedals with its wide range of modulation effects
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Easy recovery of factory settings for quick experimentation
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Robust build quality ensuring longevity on pedalboards
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Offers unique tones not available in other modulation pedals
CONS
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Complexity requires time and effort to master
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Limited to accessing only two effects live
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Vibe depth may be insufficient for some users
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Tame sounding, lacks extreme modulation options
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Source Audio Soundblox 2 Orbital Modulator.
Features and functionality
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The pedal lacks a dedicated tremolo engine, requiring users to adjust other effects to achieve pure tremolo, which can be cumbersome.
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The Orbital Modulator does not include stereo outputs, which may limit users seeking a stereo setup.
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Owners appreciate the preset feature for live performances, making it easier to switch between modulation settings seamlessly during a gig.
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Software and compatibility
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MIDI sync issues reported with the Orbital Modulator not consistently picking up new tempos when used with a Boss ES8.
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Comparisons
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Compared to similar products, the Orbital Modulator is more compact and affordable than the Strymon Mobius and Eventide Modfactor, but lacks some features like stereo outs.
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Users unable to afford the Strymon Mobius find the Orbital Modulator to be a worthy alternative for comprehensive modulation effects.
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Value and pricing
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Noted for its compact size and MIDI capabilities, the pedal was purchased for $112 used, considered a good deal compared to pricier alternatives.
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Use cases and applications
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The pedal effectively meets modulation needs for punk and indie rock genres, particularly for bands inspired by Brand New and Manchester Orchestra.
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Critic Reviews
4.5 out of 5
Based on 1 Review and 9 Ratings
Very fun and versatile, but not inuitive and sounds digital
I love this pedal for the 2 sounds I spent a good deal of time dialing in: a basic tremelo, and a long lush phaser sound. I have not yet found a chorus or flanger sound I like, but that is probably user error. You can save 2 presets, and I am happy with the 2 I have saved.
Artist usage
Add artist
In this photo, posted Vernon Reid's Facebook, a Source Audio Soundblox 2 Orbital Modulator can be seen.
"work pedal board du jour (something for everyone). from guitar to amp order: 1. catalin bread - antichthon 2. source audio - multiwave distortion 3. z.vex - low fi junky 4. source audio - orbital modulation…"
"It has 11 pedals that live on the top shelf which features a piano hinge to allow it to open up for easy access to the power supplies below. There is a Wampler buffer pedal living down there as well. (Pedals from left to right: Lone Wolf Outsider, TC Electronic Vortex Flanger, Strymon Mobius, Chandler limited Little Devil Boost, Chandler Limited Germanium Boost, Solidgoldfx Electroman Delay, Jam Retro Vibe, Soundblox2 Orbital, Soundblox2 Stingray, Gooch Effects "Too Much Fuzz" custom DZ pedal)"
"Currently rocking this stuff, on my little board. Rockett Animal is nice! Super organic. Abunai 2 always comes back in the mix, and the orbital modulator is sure handy…"
The switcher controls a Fuchs Royal Plush compressor, a Morley Steve Vai Bad Horsie Wah, a Radial Engineering Tonebone Classic, a Marion Henry Electric Fuzz Bucket, a Moogerfooger MF-104M analog delay, a BBE MB-2 Mind Bender vibrato/chorus, Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Source Audio Soundblox 2 Orbital Modulator, a Malekko Omicron Fuzz, a Guyatone MD2 Micro Digital Delay, and a Banzai Cold Fusion Overdrive that he compares to a Klon Centaur and says is key to his sound.
Luke Weiler of Positive Mental Trip has played a Source Audio Orbital Modulator since early 2018. He really loves the Uni-vibe sound but also likes some of the digital chorus, flanger, and phaser sounds in the pedal as well. This pedal is a digital modulation Swiss Army knife and for a digital pedal that does a lot it does a lot very well. Seeing it on Jake Cininger of Umphreys Mcgee’s pedalboard and loving his Uni-vibe sounds and playing and tone overall made luke pull the trigger on this pedal used. Luke has never played it live yet but has used it on many recording sessions and has used it on what are believed to be “keeper guitar tracks” on the new studio album in the works . (“Love Never Dies” 2019)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Source Audio Soundblox 2 Orbital Modulator, it is most commonly used with the following gear.
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