Ableton EQ Eight Equalizer Plugin

In this Vine video, Skrillex is seen using Ableton's EQ Eight Plug-In.

At 9:41 in the video, Ableton's EQ Eight can be seen at the bottom of the screen.

At the bottom of this picture, It is seen that 3lau uses EQ Eight on some plugin which is yet to be discovered.

At 0:40 of this video, KSHMR can be seen using the Ableton EQ Eight plugin.

At around 7:45 in this video, Ableton's EQ Eight effect can be seen amongst the effects at the bottom of the screen.

as shown in Future music in studio video.

The EQ Eight Plug In from Ableton Live can be seen on Getter's screen at 0:15

7:32, channel strip for the main sound in “Light”

At 0:42 the Ableton´s built-in Equalizer Eight can be seen inside Ableton Live 9, meaning that Robin Schulz uses this Plugin

In this video you can see Ableton Eq Eight in the right

As seen 18:52 into this video

In this Twitter photo, DotEXE has used Ableton's EQ Eight to recreate the shape of Batman's mask. (This is also a common tactic for "vowel" formants in sound design.)

Ableton EQ Eight can be seen at the bottom at 10:06 in this video.

Visible at 19:29 in this video.

Sleazy's laptop has Ableton running, with Ableton's EQ and Compressor clearly visible.

Can be seen at 0:00.

There has somethings in his project he used this plugin!

On this picture posted to Brillz's facebook, Ableton EQ Eight can be seen on the bottom right.

This Plugin can be seen in this Instagram picture, uploaded by the artists themselves.

At 1:04, Rogue clicks on the cymbal track for his song "Rattlesnake," revealing its plugins. Among these plugins is EQ Eight.

This Plugin can be seen used in this Instagram video.

a video shows Ableton Live and under the plugins that are being used

Spock uses the eq in this video.

This Plugin can be seen several seconds in this Instagram video, uploaded by the artist himself.

This picture posted on Habstrakt's Facebook shows an Ableton EQ Eight with a massive boost at 200 Hz.

This Plugin can be seen in this Instagram picture, uploaded by the artist himself.

In this Instagram video, Ableton's stock EQ Eight Plugin can be seen right behind Xfer Serum Advanced Wavetable Synthesizer. This means that Panic City uses (or at least used once) this Plugin.

This Plugin can be seen in this Instagram video, uploaded by the artist himself.

This Plugin can be seen in this Instagram picture, uploaded by the artist himself.

This Plugin can be seen at 2:17 in this YouTube video, explaining how Cat Dealers work on their projects.

First visible in this video at 10:42.

"I mix with nothing on the master. I just make sure things are turned down enough to not clip, and if something starts clipping, I'll usually hunt down the culprit and try to bring everything back into balance at that moment. In the end, things tend to be peaking between -0.2 and -0.1. The peak doesn't matter though as, when it's time to master (even if things might be peaking very rarely), I'll be able to control the end result through compression and limiting. What matters most is **getting the mix perfect**, or as perfect as your abilities can get it. This is one of those things tied closely to how much you've developed your ear and how good you are at knowing when things sound good and when they don't, and improvement only comes with time, excluding how incredible your monitors and room treatment are (I'm still on headphones). I'm a big fan of very extreme cutoffs when that's the sound I want, because it's usually specific harmonics I want depending on the note being played (EQ8 in Ableton 9 made this fucking easy when they added in a spectrum), because it tends to open up the most headroom in my mix, and my mixes are very busy. But if it doesn't sound as good as a smooth cut off, then I'll do that. I just do what I believe sounds best for what I'm trying to achieve. But generally, I'm all about those 4x cutoffs. And yeah, peaks can come from rogue harmonics shooting out for one reason or another. I'm the kind of guy who boosts specific harmonics +12 or more in the EQ, then catch it all in low threshold compression to get added effects. Also allows me to play melodies through automating the EQ curve, essentially playing the harmonics as their own notes. Crazy peaking if you do that without compression, and limiting doesn't really do the job in those cases. I'll often want those harmonics to push everything else out of the way in that particular instrument/channel, so a compressor does exactly that."

Visible in this August 2, 2019 Twitter post by ProbCause of him producing "Stick Around".