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Based on price data from 5 merchants for "IK Multimedia AmpliTube 5". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
IK Multimedia's AmpliTube 5 is a revolutionary virtual amp simulator that brings an unprecedented level of realism and flexibility to your guitar and bass recordings. Whether you're in the studio or on stage, this software suite offers a comprehensive collection of gear models, including over 400 stomps, amps, cabs, speakers, mics, and rack FX. The redesigned interface is fully scalable and user-friendly, ensuring seamless operation on any display.
At the heart of AmpliTube 5 is the groundbreaking Volumetric Impulse Response (VIR) technology, which utilizes up to 600 impulse responses per speaker to capture a true-to-life 3D sound. With more than 143,000 IRs available, you can explore limitless mic placement options and interactions between speakers, cabinets, and rooms. This feature, combined with IK’s Dynamic Interaction Modeling™, ensures that the tone and feel of every piece of gear are captured with stunning accuracy.
The customizable signal chain, supporting up to 57 simultaneous models, offers creative routing options like wet-dry-wet configurations and dual miking setups. The new Mixer window allows you to blend cabinet and microphone sounds with DI signals, enhanced by 23 built-in effects derived from T-RackS 5, to craft a polished studio sound.
AmpliTube 5 also includes an 8-track DAW for standalone use, ideal for sketching ideas or full-fledged recording projects. With its integration of an UltraTuner, advanced looper, and stage-ready Live Mode, AmpliTube 5 is the ultimate tool for any guitarist looking to push the boundaries of their sound.
Key Features:
- Over 400 gear models, including stomps, amps, cabs, speakers, and rack FX
- Volumetric Impulse Response (VIR) technology with 600 IRs per speaker
- Customizable gear chain with up to 57 simultaneous models
- New Mixer with 23 built-in effects for advanced sound crafting
- Scalable and user-friendly interface
- 8-track DAW for standalone recording
- UltraTuner and advanced looper functionalities
- Compatible with macOS and Windows systems
Product specs
| Software Type | Amp & effects modeling |
| Platform | Mac, PC |
| Upgrade/Full | Full |
| Download/Boxed | Download |
| Bit Depth | 64-bit |
| Format | AAX, VST2, VST3, AU, Standalone |
| Hardware Requirements - Mac | Intel Core i5 / Apple M1 or higher, 8GB RAM minimum |
| Hardware Requirements - PC | Intel Core i5 or higher, 8GB RAM minimum |
| OS Requirements - Mac | macOS 10.15 or later |
| OS Requirements - PC | Windows 10 or later |
FAQs
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What are the main features of IK Multimedia AmpliTube 5?
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AmpliTube 5 includes an 8-track recorder, an advanced looper, a high-precision UltraTuner, and a stage-ready Live Mode. It provides a comprehensive suite of tools for guitarists and producers, including amp and effects modeling.
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What are the system requirements for running AmpliTube 5 on a PC?
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AmpliTube 5 requires a PC with an Intel Core i5 processor or higher, 8GB of RAM, Windows 10 or later, and a compatible ASIO sound card. It also needs 3GB of hard drive space and an OpenGL 2 compatible graphics adapter.
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Can AmpliTube 5 be used as a standalone application?
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Yes, AmpliTube 5 can be used as a standalone application or as a plug-in within a DAW. This flexibility allows for versatile use in both live and studio settings.
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Is AmpliTube 5 compatible with macOS?
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Yes, AmpliTube 5 is compatible with macOS 10.15 or later and requires an Intel Core i5 or Apple M1 processor with at least 8GB of RAM.
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What formats does AmpliTube 5 support for plug-ins?
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AmpliTube 5 supports AAX, VST2, VST3, and AU plug-in formats, ensuring compatibility with a wide range of DAWs.
Videos
ikmultimedia
AmpliTube 3 - Overview
Reviews
PROS
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High-quality, authentic amp tones rival physical gear
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Extensive library of amps, cabs, and effects
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User-friendly interface with visual setup
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Seamless integration for digital home practice
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Excellent for shaping unique guitar tones
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Versatile sound options from guitar to bass
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Efficient on resources, negligible CPU load
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Allows testing of additional features before purchase
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Suitable for both beginners and advanced users
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Great substitute for physical amps in limited space
CONS
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Some features require additional purchases
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Bugs reported on M1 Macbook compatibility
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Limited distortion quality compared to competitors
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MIDI functionality can be inconsistent
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Confusing navigation between modes and menus
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about IK Multimedia AmpliTube 5.
Setup and maintenance
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Increase input levels by 15-17 dB in AmpliTube 5 for livelier sound; experiment with input sliders and Slash boost pedal for clean gain.
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Comparisons
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AmpliTube 5 offers broader amp options but requires more tweaking than Neural DSP for comparable sound quality.
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AmpliTube 5 is noted to load slower in DAWs like Reaper compared to Neural DSP, impacting workflow efficiency.
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TH-U is praised for faster loading times and comprehensive features compared to AmpliTube 5, offering a more efficient user experience.
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Features and functionality
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Cabinet, mic, and room configurations significantly impact tone; try pairing Mesa Vintage 30s with 421 and 57 mics for dynamic sound.
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The integrated looping function in AmpliTube 5 is highlighted as a valuable feature for creative experimentation.
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Adjusting room size, mic type, and placement can enhance the "live" sound, with increased room mic levels significantly affecting tone.
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Mods and upgrades
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ToneX integration can simplify setup and improve sound, with users recommending the 64 Vox AC30 and Bad Cat EOB captures.
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User experience
Use cases and applications
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AmpliTube 5 excels with vintage sounds; Fender amps provide a strong clean foundation for signal chain building.
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AmpliTube 5's extensive tweaking options are better suited for those who enjoy customizing their tones, contrasting with Neural DSP's simpler setup.
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One user successfully replaced all pedals and amps with AmpliTube 5 Max, using a Behringer FCB1010 for live performance with expression control.
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Value and pricing
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Owners recommend purchasing AmpliTube 5 Max during bundle discounts, as it significantly enhances value, especially for niche tones like Dimebag Darrell's.
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AmpliTube 5 Max frequently goes on sale for $79 to $99, making it a better purchase during discount periods rather than at full price.
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Critic Reviews
4.5 out of 5
Based on 25 Reviews and 175 Ratings
1059
Great Amp Simulation!
I am a pro musician and AmpliTube 5 is a great tool for me to find new tones for recording and live. I love how there are brands like Mesa/Boogie and Fender. My one complaint is that I wish there was a drop tune pedal. Overall, AmpliTube 5 sounds amazing and I would recommend it to all producers and guitarists.
984
Almost perfect
After completely migrating to a totally digital guitar rig with the Universal Audio Apollo and Softube Plugins I decided to change to Amplitube 5 with the Axe I/O interface. The Axe I/O is a superb interface, but using Amplitube 5 standalone app with a M1 Macbook was not that pleasing with multiple bugs such as:
- Axe I/O controller software always asking for updates when it was up to date;
- Impossible to open projects directly from project files, must run amplitube in default mode and then open project after saying no to save the current default project I didn't even touch;
- Sometimes when running dual amps the app simply crashed, I would say 30% of times;
- No count in for recording (maybe there is, I just couldn't figure it out);
- Expression control pedals as wah and volume wouldn't get recorded (again, maybe I'm just dumb);
- Effect pedals and racks we're on the avarage side, none of them really stood out, octaves are just bad IMO.
- Very confusing to switch between record mode, looper mode and live mode, as changing between them also changed the whole rig;
- Older legacy amps and effects just can't compete with newer stuff, but everything is mixed up;
- Navigating amp or effects section is not smooth, since the drop down menus won't stay collapsed if you switch menus from amp to pedals for example.
- Only a few wah pedals have auto-off option...
What I did like was the ease of use and sound of the amps, super easy to assign midi controlls including expression pedal connected to the CV input of the AXE I/O. I really liked the Fenders and Orange, didn't really like the high gain amps. The tuner is very good and the cabinet section is just amazing with infinite and simple tweak-ability.
If it weren't for a couple of minor annoyances related with operation with M1 macbook, I think this is a really solid product from IK Multimedia well worth it's price.
I was also disappointed the MAX version didn't include the new X pedals.
285
The only good thing about this plug is the Mark V.
The only good thing about this plug is the Mark V module. If you set a high shelf cut at about 6000Hz and lower it enough you can dial everything to sound just like how the real amp sounds in the YouTube demos, although you probably want to boost the DI volume by 15+ dB on the way in so it "clips hard" when you see it on the plugin metres themselves. If you manage to do that though, it will fool a couple people if you dial it right, but neither the real thing nor the plugin will give you any miracles. Well maybe the real 90w head if you take enough time to dial it and dial it well enough, but the real amp itself is the litmus test for any and all aspiring engineers, it takes forever and over thousands of retries to get the tone right. If I were to use a Mark V series amp for tones again though, I would much rather figure out a way to buy the real 90w Mark VII amp head instead.
414
Been using since V3
When I first tried Amplitube (version 2) I walked away unimpressed when comparing it to Peavey's Revalver (3) software. All of the good faith Peavey had built was dashed with Revalver IV, as the ability to pair preamps with different power amps was removed. I began to search for something else to get me where I wanted, and noticed Amplitube had moved to an À la carte format. I loaded it up locked in a tone, and deleted Revalver after about an hour. Solid heavy tones, shimmering cleans, and the added bonus of the Fender, Hendrix and Slash (and others) licenses on top of the ability to test any À la carte offering for three days before buying makes this my primary way to practice at home, where the 2x12 would lead to some angry neighbors.
Regarding version 4: Still does just about everything I could want, especially after upgrading to Max. Dropped a star due to some questionable midi decisions (0out=1in, no tap tempo and some general weirdness when using certain foot controllers), but overall I love it as much as I did when I stopped using Peavey's Revalver software after they stopped letting you pair seperate preamps and poweramps (I guess it isn't even owned by Peavey anymore). The built in looper and multitrack recorder are just icing on the cake.
Version: IK Multimedia AmpliTube 4483
The Virtual Studio has come of Age.
Software is easy to use but will take time to explore all the options.
I purchased iRig UA was released but didn't care for the app as a portable headphone app that much the amps seemed... meh. I am on an extended stay out of town and wanted to do some recording. The cheapest and low footprint option was Amplitube. I had to buy it because I was a dumbass and covered up the serial # on the UA with Velcro and could have received the basic Amplitube for free.
First impression is WOW!!! I don’t seem to miss my Blackstar amp as much. The amps are realistic and have the sponginess and sag I was missing from the amps in the Amplitube Android App. Then again the Android app was free so you get what you pay for. On the other hand Amplitube 4 well, I didn't expect tube like sound from a program; IMO lifelike and realistic.
The effects are usable and pretty good as well. The sound is much better than any Line 6 product I have used or owned and for a lot less money too.
Interface is impressive from setting up effects loops and effects chain, (Amp options, Rack effects, Speakers, Cabinets, and Mike options).
The Looper or Recording options are great but, haven’t used it much yet….the reason I acquired this. I am having too much fun playing around with the amps. My impression is this is great for the bedroom musician or someone that doesn't have space for much gear to the budget recording studio or a traveling person like myself. Everyone from all walks will like it if not love it. Great substitute for the real thing as long it is not live on stage.
Version: IK Multimedia AmpliTube 4557
Analog vs Digital
Extremely versatile! Sounds good, but different than recording a tube amp, which gives a more open sound.
Great for trying out what real amps you might like and all the endless options. I tried the next version of this with Mesa Boogie's Mark III and it sounded amazing. By the time Amplitube 5 comes out, it might be better than the real thing, who knows?
Amplitube should maybe get more credit for being close to as good as a $30,000 recording studio for $300. But at the same time, professional musicians shouldn't substitute it for a real studio anytime soon.
Version: IK Multimedia AmpliTube 340991
what year is your twins specifically? not saying IK got the '65 twin right, but most silverface twins are miles away from blackface.
557
Haha, I'm still trying to figure that out. It's the 120 watt model. I got it used from a music teacher years ago, and he said it was late 70's or early 80's model. I had to put new tubes in it to get rid of the buzzing.
40991
ultralinear, nothing like a '65 other than the basic preamp gains tructure
557
Haha, I turn it up to 9 and it's still super clean. That's a good point though. I'll have to change my review then. I still think overall, analog always has a more open high end sound in recordings, just by listening to comparison videos on youtube, it always seems to be the case, no matter how good the software is. I think digital is better in some respects, variety being the main thing. I'm always wondering if it's better to drop $1000 on digital equipment or analog gear. Now, I think the answer is both. I'll never be able to afford a real $30,000 Neve console, but it's nice to get the EQ plug-in for $200. On the flip side of that, that console is only going to go up to $50,000 and my plug in is going to be worth nothing, once I get a new computer.
353
great amp modelling
Using Amplitube with the full bundle recently. Especially the details of amps like the ENGL and Mesa/Boogie is astonishing. Of course not a replacement for a real amp, but really great for taking the guitar and the ipad into the garden and playing along.
Artist usage
Add artist
Mentioned on the AmpliTube Slash product page.
I have to say, it’s probably the best amp modeling that I’ve ever worked with. I’ve worked with a few different ones, and this is by far superior.
I’ve used AmpliTube to record a whole bunch of different things as final recordings. I did the ‘Angry Birds Space Theme’ for that version of Angry Birds using AmpliTube through my computer. I just did a new video game with AmpliTube as well. Recently, I recorded some stuff for Universal Studios’ Halloween Horror Nights. So a bunch of the music in the theme I did for them I recorded with AmpliTube.
AmpliTube has really improved. It was always great to begin with, no lie, but it's gotten even better. And it's effortless. Whatever it is, you can do it quickly and efficiently, and have the sound quality be excellent.
I'll take an idea, record it in AmpliTube and then download and send it over to the guys. And I do that all the time. I recommend it because of how quickly you can expedite an idea.
The Angry Birds Space Theme cover was released March 8, 2013, during the era of AmpliTube 3.
Evinced by May's use of his signature AmpliTube pack, which was released during the era of AmpliTube 4.
In an interview w/ Sound on Sound, Rob Swire of Knife Party (formerly Pendulum) mentions how he used IK Multimedia's Amplitube 2 for processing guitars.
In a reddit ama, Tycho is asked:
"Are the spring reverb on songs like “Source” and the fuzz in “Division” coming from the Kemper? 2b. A couple years ago I saw you at Webster Hall in NYC, and Zac was playing through a Twin Reverb (or some Fender Amp). With the rest of the Awake tour, he was going DI, but are you now touring with the Kemper?"
Tycho replies:
"The Kemper does not have spring reverb, but I used it extensively on Epoch. Source is Amplitube 3, which does have spring reverb. Although we have used the Twin for recording, we have never used it live. We always use either Guitar Rig or Amplitube live. That will be changing after this tour though. we are heading back to the studio to rebuild the live show from the ground up and the Kempers will be at the center of it."
"amplitube, big tick nasty shaper, predatohm, campelphat, of course always, it all depends on what you use it on..."
Kill The Noise expressed enthusiasm for IK Multimedia AmpliTube 5 on Twitter, highlighting its effectiveness as an amp simulator plugin.
Alex Skolnick uses IK Multimedia AmpliTube 5, as highlighted by IK Multimedia, where he frequently plays and even has his own presets.
I also use the Fractal Audio Axe-Fx Ultra amp- and effects-modeling unit, and lots of additional software, including IK Multimedia AmpliTube and Peavey ReValver 3, and soft synths such as Native Instruments’ Reaktor 5 and Absynth 4.
Album Usage
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Used With
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