Behringer DSP1124P Feedback Destroyer Pro

$40.00 Price Tier: Budget

4.0 (1)

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Page last updated Jun 14, 2026

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4.0 (8)

$40.00 18 available Used

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Average Price: $40

Budget/Beginner

$100

$501+

Price Tier

In the Effects Processors category, Behringer DSP1124P Feedback Destroyer Pro is priced in the Budget/Beginner range. This is great gear to get started with or for creators on a budget.

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Description

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Tackle unwanted feedback with precision using the Behringer DSP1124P Feedback Destroyer Pro. This versatile signal processor is an indispensable tool for live sound engineers and studio enthusiasts alike. Whether you're dealing with complex live environments or need to fine-tune studio sound, the DSP1124P delivers with its dual 24-band parametric EQs. This unit is designed to automatically detect and reduce feedback frequencies, ensuring crystal-clear audio performance even in the most challenging situations.

The DSP1124P offers a robust set of features, making it a reliable partner for any musician or sound technician. With its advanced algorithms, it can effectively eliminate feedback within seconds, allowing you to focus on what truly matters: your performance. Its user-friendly interface ensures that even those new to signal processing can achieve professional results. The processor is equipped with 24-bit A/D and D/A converters, providing high-resolution audio quality throughout your setup.

Perfect for both live and studio applications, the DSP1124P can also serve as a versatile EQ unit, adapting to your specific sound needs. Its auto-attack, release, and decay functions provide smooth transitions, making it an ideal choice for dynamic sound environments.

Key Features:

Dual 24-band parametric EQs for precise sound shaping
Automatic feedback detection and suppression
24-bit A/D and D/A converters for high-resolution audio
User-friendly interface for quick and easy operation
Versatile applications for both live sound and studio recording
Auto-attack, release, and decay functions for seamless audio transitions

Product specs

Brand	Behringer
Model	DSP1124P Feedback Destroyer Pro
Finish	Black / Silver
Year	2000s
Categories	Utility

FAQs

What is the primary function of the Behringer DSP1124P Feedback Destroyer Pro?: The Behringer DSP1124P Feedback Destroyer Pro is designed to automatically detect and eliminate feedback frequencies in live sound environments, allowing for increased microphone gain without feedback issues.
How does the Behringer DSP1124P Feedback Destroyer Pro handle feedback suppression?: It uses automatic frequency detection and applies narrow notch filters to eliminate feedback, ensuring clear audio performance in live settings.
Can the Behringer DSP1124P Feedback Destroyer Pro be used in a studio setting?: Yes, while it is primarily designed for live sound applications, it can also be used in a studio to manage feedback issues during recordings or rehearsals.
Is the Behringer DSP1124P Feedback Destroyer Pro easy to set up for a live performance?: Yes, the unit is designed for straightforward integration into live sound setups, with intuitive controls for quick feedback suppression.
Does the Behringer DSP1124P require any special maintenance?: The unit is relatively low-maintenance, but it's important to keep it clean and free from dust, and ensure all connections are secure for optimal performance.

Videos

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Dan Nicolae

Bling Bling Behringer MDX1600 & DSP1124p

Dan Nicolae

Behringer DSP-1124P // Bộ Chống Hú Kỹ Thuật Số - Feedback Destroyer Pro - Made in Germany #V347

Hoàng Tùng Audio - Đà Nẵng

Reviews

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PROS

Effectively stops feedback in PA systems
Versatile with a search and destroy mode for feedback suppression
Parametric EQ mode enhances various guitar sounds
Reliable in home, studio, and live settings
Dual-use for mains and monitors improves vocal clarity and volume
Automatically targets and eliminates specific feedback frequencies
Protects speakers from damage during live events

CONS

Initial learning curve can be challenging

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Behringer DSP1124P Feedback Destroyer Pro.

Features and functionality

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The Behringer DSP1124P can introduce a noticeable hiss, which some owners experience as a constant issue unless replaced with a more reliable model like the DBX AFS2.
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It's reported that the DSP1124P can mistakenly cut sustained instrument sounds like a synth, mistaking them for feedback unless the active filter is disabled.
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The FBQ2496 allows for up to 20 parametric filters per channel, offering precise frequency, bandwidth, and gain adjustments.
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Use cases and applications

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The DSP1124P has been effectively used in guitar rack mount cases for its 12-band parametric EQ, offering preset flexibility for various guitar sound styles.
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Owners report successful use for subwoofer EQ, particularly boosting the 30s and 40 Hz region for a live music feel.
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It's been used successfully with mobile vocal mics where feedback frequencies are variable, providing some feedback control without skilled operator intervention.
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Comparisons

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Users have found the DBX AFS2 to provide better performance and reliability compared to the Behringer DSP1124P, especially in environments where feedback control is critical.
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Mini DSP 2x4 is recommended over the DSP1124P for setups with more than two subwoofers.
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Despite criticisms, the FBQ2496 can serve as a multi-band parametric EQ at a lower cost compared to other options like the JBL DriveRack or DBX AFS2.
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User experience

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Some users note that while not ideal for musical performances with experienced techs, feedback destroyers can be beneficial in situations with inexperienced operators needing straightforward solutions.
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An owner has used the DSP1124P on stage since 2002, praising its parametric EQ for handling frequencies not covered by 31-band EQs.
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Owners emphasize the importance of locking down specific frequencies after ringing out to prevent unintentional attenuation of main signal frequencies.
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Setup and maintenance

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Proper setup involves setting the gain stage correctly to avoid hiss, suggesting balanced line level input and attenuation from that point.
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