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Description
The E-Mu UltraProteus is a sophisticated sound module designed for musicians who crave versatility and depth in their sonic palette. As part of the renowned Proteus family, this module stands out with its advanced Z-Plane Morphing Filters. This technology allows for dynamic control over sound shaping, enabling musicians to seamlessly blend and transform audio with precision. Ideal for studio environments or live performances, the UltraProteus offers a wide array of sounds suitable for various genres, from ambient to electronic and beyond.
With a library boasting over 1,200 presets, the UltraProteus provides an extensive collection of sounds, including realistic acoustic instruments, cutting-edge electronic tones, and exotic world instruments. The module features robust editing capabilities, allowing users to tweak parameters and create custom patches. Its user-friendly interface ensures that both novices and experienced sound designers can easily navigate and harness its full potential.
Connectivity is a breeze with MIDI In, Out, and Thru ports, ensuring seamless integration into any setup. Whether you're adding depth to your next track or crafting a unique soundscape, the E-Mu UltraProteus delivers reliability and innovation in one compact unit.
Key Features:
- Advanced Z-Plane Morphing Filters for dynamic sound shaping
- Over 1,200 presets covering a wide range of sounds
- Comprehensive editing capabilities for custom patch creation
- MIDI In, Out, and Thru ports for easy integration
- User-friendly interface for intuitive control and navigation
Product specs
| Brand | E-MU Systems |
| Model | Ultra Proteus Rackmount 32-Voice Sampler Module |
| Finish | Black |
| Year | 1994 |
| Made In | United States |
| Categories | Digital Synthesizers, Rackmount Synths |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 32 Voices |
FAQs
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What type of synthesis does the E-Mu UltraProteus use?
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The E-Mu UltraProteus utilizes digital synthesis, specifically sample-based synthesis, which allows for complex sound design using a variety of pre-recorded samples.
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How many voices of polyphony does the E-Mu UltraProteus offer?
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The E-Mu UltraProteus offers 32 voices of polyphony, enabling it to play multiple notes simultaneously for rich, layered sounds.
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Is the E-Mu UltraProteus compatible with MIDI controllers?
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Yes, the E-Mu UltraProteus is compatible with MIDI controllers, featuring MIDI Input, Output, and Through ports for seamless integration into MIDI setups.
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Can the E-Mu UltraProteus be used in a rackmount setup?
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Yes, the E-Mu UltraProteus is designed as a rackmount module, making it suitable for integration into studio rack setups.
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What are some key features of the E-Mu UltraProteus sound engine?
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The E-Mu UltraProteus sound engine is renowned for its Z-Plane filters, which offer dynamic and complex filtering options for creating unique sound textures.
Videos
Polynominaldotcom
Emu ultra proteus (ultraproteus) 100% sound demo!
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about E-Mu UltraProteus.
Features and functionality
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The instrument bank system requires scrolling through each preset to change banks, unlike newer models like the Proteus 2000, which allows direct bank selection.
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Known for its Z-plane filter, a unique feature that enthusiasts seek for creative sound sculpting.
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The UltraProteus has a unique diagnostic mode that clears RAM during a health check, a feature rare among synthesizers.
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User experience
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Owners experience difficulty finding ROM card presets because they appear under bank 3 and 4, distinct from the default RAM presets in banks 0 to 2.
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The instruments from the ROM card are described as sounding exceptional despite the synthesizer's age, highlighting the quality and longevity of the E-Mu UltraProteus.
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Owners report system freezes with changing error codes, an issue not resolved by replacing the coin battery with a Panasonic CR2330.
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Owners have noted handwritten notes and additional documentation left by previous users, indicating attempts to troubleshoot and restore the unit.
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Setup and maintenance
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Power supply issues often stem from aging electrolytic capacitors; checking for leaks or swelling can help diagnose faults.
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Owners suggest testing power supply voltages (+5, +12, -12/-5) with an oscilloscope for irregularities indicating failing capacitors.
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Dead or faulty RAM batteries can lead to loss of presets, necessitating checks or replacements, often due to aging.
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Comparisons
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Some users prefer the Morpheus eurorack module for similar filter capabilities, citing easier maintenance and modern support.
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Software and compatibility
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Successful SysEx transfers may require a duplex MIDI connection; common software includes SysEx Librarian for MacOS and MIDI-OX for Windows.
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4.5 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
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"The heart of my rack is an Emu EIV. I wanted something that had enough memory to store data for all the songs, so I wouldn't be waiting if Robert decided to change the order. It meant resampling every old sound and storing it on there, That added up to between 72 and 100Mb. I use an Emu Proteus - specially for the stereo piano preset - and an UltraProteus for basic sounds. I have a MOTU MIDI Time Piece II, and use an Apple Powerbook to make editing and routing of the Time Piece easier.
"I also use the Mac, with Alchemy editing software, to juggle samples round in the EIV. I just send a stereo feed out, much to the dismay of house sound engineers, who usually want a feed pre-master level. I always run up against this, because they seem to think you're going to ride the master volume pedal, but I don't - I just need to fade out the tails of strings and stuff.
"I've just got the keyboard version of the EIV, the E4K. And Perry's going to play keyboards on a couple of songs, so we're both going to have E4Ks. It's a great keyboard for live use - they've really worked out the logistics of using a sampler in a live situation."
In this picture of Shimomura's studio, the UltraProteus is sitting in a rack behind her.
List of equipment in George Michael's studio, from the July 1996 issue of Sound on Sound:
RECORDING
AKG LSM50 cube monitors Aphex Expressor compressor Denon tape deck * Dynaudio Acoustics M1 monitors Lexicon PCM80 effects Lexicon LXP15 effects Mackie 32*8 32:8:2 8‑buss console Otari RADAR 24‑track hard disk recorders (x2) Tascam DA20 DAT * Yamaha NS10 monitors
SOUNDS
Akai S3000i samplers (x2) Akai S3200 sampler * Emu Procussion percussion module Emu Vintage Keys Plus module Emu Ultra Proteus synth module Korg Prophecy keyboard synth Korg Trinity Plus keyboard synth Kurzweil K2000 sampler/synth Roland JV1080 synth module Roland Juno 106 analogue keyboard synth Roland Vintage Synth MVS1 sound module Studio Electronics SE1 synth module * Yamaha SY77 keyboard synth Yamaha TG500 synth module
MISCELLANEOUS
DAC hard drive * Opcode Studio 4 MIDI interface (x2) Powermaster drive *
In a Twitter post, Jun'ichi Masuda can be seen using the E-Mu UltraProteus sound module while composing music.
In the video "Yello ~ Touch, Behind The Scenes" by Yello Fever on YouTube, Boris Blank is shown using the E-Mu UltraProteus in his studio.
"I’ve also got a little Novation that I do some of the analog sounds on, as well as an old [E-Mu] Proteus Ultra. The thing about that is that has another sonic signature. You’re mixing strings out of that with your samples, and the samples I’m using are not streaming. They’re out of the S5000, so I use them as a base and I add to them with other cards. And for me, it’s the combination rather than one thing trying to do it that makes the difference. In the studio, if you’re trying to recreate an orchestra, it’s fine. But we’re making big pictures. Some of the finesse that you would put in the studio you’re not going to hear. People want to hear the signature sound playing a signature part."
"The equipment I am currently using (for those of you out there that care) is as follows: 1. PC running CubaseVST score, Sound Forge, development kit for the appropriate console. Various other bits and pieces of software doing weird and wonderful things. 2. Roland JV1080 with extra sound cards, Roland S-760 Sampler, EMU ProteusFX, EMU UltraProteus, SoundScape hard disk recorder (I'm bored already) and loads of CD-ROMs full of all manner of lovely sounds for you to hear. "
In this video of Martin's studio setup, he can be seen holding up a sheet of paper detailing the mapping of his gear through his audio interface and MIDI router. This includes the E-Mu UltraProteus, listed top right.
"We used Chris' music studio equipment, which were synths and samplers like Kurzweil K2000RS, Roland JV1080, Korg 01R/W, Korg Wavestation A/D, Akai S1000, Emu Ultraproteus, Ensoniq SQ80, Ensoniq VFX, Korg MS10, Oberheim Matrix 1000, Quasimidi Quasar, Roland JD 990, Waldorf Microwave, Yamaha SY77, Yamaha YS 100 and lots more, mixed on a Yamaha ProMix 01 and a Yamaha 02R digital mixing consoles. We loaded my GM midis into Chris' Cubase and from there it was easy to assign new sounds to the GM sounds. Eating pizza in Chris' studio too, awesome times to make game music! Thanks for your interest! :) Cheers, Fabian"
Can be find in the YT comments in the video link below.
Album Usage
The E-Mu UltraProteus has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use E-Mu UltraProteus, it is most commonly used with the following gear.
Community setups
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