In this interview on djpremierblog.com, Dj Premier talks about gear and artist among other things. Interviewer: "Speaking of the product, what kind of equipment do you use to make music? What’s in your production arsenal?" Dj Premier: "MPC50, Turntable, Mixer, AKAI S950 Sampler, [Roland Fantom-XR Sampler Synth] Rackmount Module. The rest are plugins for Pro Tools because a lot of plugins are vintage equipment that we used as far as analog output gear."

At 0:05 you can see the XR module sitting on the stand in Zaytoven's Studio. Also Zaytoven's famous Strobe X pad comes from the XR.

In the article companion to Neal Schon's rig rundown, his Roland Fantom XR synth module is mentioned, which the article says is "for occasional guitar synth layering."

In this blog post, Shimomura writes about a strange dream in which she opened her suitcase on a sea voyage and found a lot of musical equipment inside. She links to a picture of her sound modules to show how it looked like, where the Fantom XR appears.

Jesse used the Roland Fantom XR controlled by the Moog Voyager for string sounds on Maroon 5’s 2005 Headlining Tour, as seen in the January 2005 issue of Keyboard Magazine.

This is mentioned in the gear list on the Ozrics website. Go to 'Band Info' and click Ed's name.

"For her latest award-winning CD Sliver Ship, Suzanne employed one of Roland’s finest synth modules: the Fantom-XR. “Basically, I used the Fantom-XR in two ways,” she explains. “I used it to mock up all of the parts while doing the arrangements for strings, oboe, flute, cello solo, guitar, and bass. Then, for the recording, I created the electronic sonic design for the piece called ‘Snow Crystals’ using the XR’s digital output for a really clean signal. The Fantom-XR is a great tool — very easy to navigate and quite editable.”"

The item can be seen 3:06 into this video

Persing is the founder of Spectrasonics, a company specializing in developing World Class software 'virtual instruments' since 1994. He has produced dozens of the sampling industry's top selling titles and gone on to create the award-winning Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy software virtual instruments. Eric's ground-breaking instruments and sound libraries are the best selling and most widely used in the world. Spectrasonics products are in constant use on thousands of major film, television, music, game and multimedia productions.

In addition to being the Creative Director of Spectrasonics, Eric was a longtime consultant and the Chief Sound Designer for Roland Corporation Japan from 1984-2005, creating the key sounds for many popular Roland synthesizers, samplers, CD-ROMs, expansion boards, processors and groove devices - from the vintage Jupiter and JX series, to the legendary D-50, D-70, JD-800/990, R8, S-series samplers, JV-880/1080/2080, the Sound Canvas, JP-8000/8080, MC-505/909, The V-Drums, XV-5080, Fantom series, the V-Synth and many more.

In this photo, two Roland Fantom XR synth modules are visible in the photo.

Keyboardist Mikko Härkin is confirmed to use a Roland Fantom XR Synth Module, as evidenced by a photograph showing the module positioned directly to his left.

On her job description page, she has a photo of it and mentions it being inherited from her supervisor.