At 7:49 Mathieu talks about his use of EBow.

There is a picture of him with the EBow on his blog.

Used for Cymatic Scan, as mentioned in the December 1994 The Wire interview "An Interview with Bill Laswell" by David Toop.

Not chord-changes music: Cymatic Scan (Fax)... "That was done really quickly. I don't think he [Tetsu Inoue] realised we were doing it. I set up a bunch of guitars and stuff, like with E-Bows. He works all analogue, so it's like Electro Harmonix pedals and a bunch of keyboards. You just set it all up and because of the effect of the pedals, they all start talking to each another. And that's incredible. It's always different. I'd set up the same with string instruments, which I never touched this way [mimics normal playing position] but I'd just do stuff with them when they were down flat. Because I had a volume pedal and primitive pedals, the pedals were doing all the talking. We did that for like an hour and then I said, 'We got it.' He's like, 'OK, I think I'm ready.' And I said, 'No, we shouldn't mess with that. That was really good.'"

Tom Bromley, guitarist for Los Campesinos!, uses a Heet Sound EBow, as evidenced by a 2010 photo of his pedal board featured on Getty Images.

Titanic uses an EBow throughout the video to create a sustain effect on the guitar tracks.

"I used it a fair bit on ‘Little Fictions’ (the track). The mayhem and craziness at the end of the song came from a wild sample that Craig found, along with me playing. I used this and a piece of hoover tubing, and the idea was to play randomly which is the most difficult thing you can do. I remember Les Dawson playing the piano badly, and later on you realise just how hard it is to actually do that! A friend said the end of the track sounds like galloping horses, and that’s something like what we were trying to get. A lot of sound creation went on in the album and the end of that track is the most obvious example of it. Everything is random on there."

Robert Randolph demonstrates the EBow at 10:35 in this Rig Rundown from Premier Guitar. “It’ll play forever this thing.”

"Um, my EBow, again, life changer."

Per the official Cloudkicker Gear List page, Ben used the Ebow on ]]][[[, Beacons, Fade, Portmanteau, The Discovery, and The Map is Not the Territory

According to Premier Guitar, Triplett uses an eBow when he needs an infinite sustain.

"Donna's pedalboard rig, referred to by her techs as "The Starship", consists of 21 pedals across 3 interconnected boards. It was built by Craig Pattison Rig Design and includes a TC Electronic Flashback Delay, Vortex Flanger and Hall Of Fame Reverb, and a BOSS Blues Driver BD-2, Flanger BF-3 and Loop Station RC-30, among others. Donna's love of feedback is evidenced in her use of an EBow, as heard on the song "ANOTHERLOVE" from Prince & 3RDEYEGIRL's debut album, PLECTRUMELECTRUM and “MR MAJESTIC” from her debut album, DIAMONDS & DYNAMITE. Most recently, Donna has been experimenting with the Empress Echosystem Dual Engine Delay that features up to 35 presets ranging from classic to obscure sounds. She uses the pedal in-stereo creating complex delays by assigning unique settings to multiple cabinets."

From Donna's website.

During a soundcheck, Darts Sekiguchi mentioned using a Heet Sound EBow in a tweet, adding a playful note about feeling lost in a "labyrinth."