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Average Price: $3,605
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$300
$801+
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Description
Introducing the Hiwatt DR504 Custom 50 Head, a classic guitar amplifier head unit for the discerning musician. Renowned for its remarkable tonal clarity and distinct warmth, this vintage all-tube amplifier head harks back to the golden age of rock music. Built to last with the high-quality components, this amplifier underwent a meticulous manufacturing process that ensured its place as a legendary music gear. It's not just an amplifier, it's a piece of musical history that continues to inspire musicians across generations.
Key Features:
- Original all-tube 50-watt Hiwatt head
- Renowned for its tonal clarity and warmth
- Manufactured with high-quality components
- Legendary status in the music world
- Produced from 1970 to late 1980s
Product specs
| Brand | Hiwatt |
| Model | Custom 50 DR504 |
| Finish | Black |
| Year | 1970s |
| Categories | Guitar Heads |
| Color Family | Black |
| Direct Output | No Direct Output |
| Electronics | Tube |
| Impedance | 16 ohms, 4 ohms, 8 ohms |
| Number of Channels | 2 Channels |
| Number of Inputs | 4 Inputs |
| Output Power (Watts) | 50 |
| Power Tube Type | EL34 |
| Reverb | None |
FAQs
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What type of music is the Hiwatt DR504 Custom 50 Head best suited for?
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The Hiwatt DR504 is renowned for its brilliant clean tones and detailed sound, making it ideal for rock, blues, and classic rock genres. Its ability to maintain clarity at high volumes is perfect for guitarists seeking a rich, dynamic sound.
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How does the Hiwatt DR504 Custom 50 Head handle pedals?
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The Hiwatt DR504 is known for its excellent pedal compatibility, offering a clean and transparent platform that enhances the characteristics of effects pedals. This makes it a great choice for players using overdrives, delays, and modulation effects.
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What are the core tonal characteristics of the Hiwatt DR504 Custom 50 Head?
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The Hiwatt DR504 delivers a powerful, clean tone with a tight low end and sparkling highs. It maintains clarity and detail even at higher volumes, making it perfect for players who require a robust and articulate sound.
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Is the Hiwatt DR504 Custom 50 Head suitable for gigging?
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Yes, with its 50-watt EL34 tube power, the Hiwatt DR504 is loud enough for live performances and can cut through a band mix effectively. Its robust build and reliable performance make it a solid choice for gigging musicians.
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What are the input and channel options on the Hiwatt DR504 Custom 50 Head?
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The Hiwatt DR504 features four inputs and two channels, allowing for versatile tonal options and easy switching between clean and overdriven sounds. This setup provides flexibility for various playing styles and performance settings.
Videos
The Guitologist
AMPS THIS BEAUTIFUL Don't Need 'Repair'…Only Love ❤️ - 1971 HIWATT CUSTOM 50 DR504
Reviews
PROS
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Produces sweet, warm tones distinct from Marshall and Vox
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Excellent clean to crunch transition without pedals
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Compatible with both single coils and humbuckers
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Massive transformers contribute to superior sound quality
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Ideal for achieving classic rock tones with huge headroom
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Enhances effects placed before it without needing additional pedals
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Overdrive offers high fidelity overtones and harmonics at high volumes
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Works as an exceptional pedal platform for a wide range of effects
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Vintage aesthetic adds to its charm and appeal
CONS
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Large size may be cumbersome for some setups
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Rarity of the product can make it hard to find and expensive
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Hiwatt DR504 Custom 50 Head.
Use cases and applications
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The DR504, even at 50 watts, remains exceptionally loud and clean, making it suitable for large venues without being mic'd.
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Despite being a collector's item, large amps like the DR504 paired with a 4x12 cabinet can be challenging to sell due to a shift towards smaller, high-quality heads for home use.
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The DR504 excels in delivering clean sounds and serves as an exceptional pedal platform, even at low volumes.
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It can deliver a wide range of tones from heavy grunge shoegaze to twinkly mathrock, showcasing its versatility across genres.
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Owners highlight the DR504's unique ability to perform well at both high and low volumes, maintaining a rich, full sound.
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Features and functionality
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The DR504’s tonal quality is partly attributed to Partridge transformers, known for their superior component quality compared to those used in Marshall or Laney amps.
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The master volume on both models is before another gain stage, impacting how volume adjustments influence the gain structure.
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The immense headroom of the DR504 makes it unsuitable for "edge of breakup" without using a transparent overdrive pedal.
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Value and pricing
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Vintage Hiwatt amps with replaced parts, like non-original transformers, can be devalued in collectors' eyes, impacting their resale value.
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Build quality
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It's been noted that some vintage Hiwatts, like the DR504, may have replacement transformers such as Dagnall, which differ from original Partridge models.
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Partridge transformers are crucial for the authentic Hiwatt sound due to their overspec'd nature, allowing more bandwidth suitable for lead, bass, and keyboards.
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User experience
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Users seeking Gilmour’s tone often prefer the DR103 due to its larger headroom, though the DR504 can achieve similar tones with the right setup.
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Owners who've played hundreds of shows with the DR504 find it maintains a clean and chimey tone at high volumes, yet can deliver beautiful overdrive when desired.
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Owners often find the DR504 louder than many 100-watt amps, emphasizing its powerful output.
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Comparisons
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Modern clones from brands like Reeves and HiTone are considered by some as good as vintage Hiwatts, providing similar tonal quality without the vintage price tag.
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The DR103 offers broader and tighter bass response compared to the DR504, which affects overall tonal depth.
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Unlike Marshalls, the DR504 doesn't require pushing power tubes to avoid sounding thin, making it more versatile at different volume levels.
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5.0 out of 5
Based on 1 Review and 5 Ratings
53
This is my holy grail... I found one on Ebay around 2005 and immediately fell in love when I plugged in my guitar.
Comprehensive, in-your-face, pure and direct, warm with lots of presence.
41029
do you have an old one?
53
Yes, it's from 1975
53
And a friend of mine did a full recap... that was a big difference. Before that some of the potmeters didn't do a lot :D
41029
luky bastard, if you ever want to let her go please let me know! I have never owned a hiwatt and would not consider anything non-hylight. You just don't see these loud-ass motherfuckers around that often.
41029
Hey! please hit the forum and contribute to the giant amp thread:
https://equipboard.com/forums/guitarists-bassists/topics/a-giant-thread-about-amps
Artist usage
Add artist
The Custom Hiwatt amp is pictured above Brian's head and is identified by the 4 input jacks placed in a square fashion with the 7 knobs lined across the face of the amp making this a DR504.
Blonde Redhead-Route du Rock 2024-ARTE Concert. At 31:56, Kazu is playing keyboard in front of her rig, and high includes a Hiwatt Custom 50 head with Vox cab and a blackface Fender Pro Reverb 2x12 combo.
John Shanks is seen using the Hiwatt DR504 Custom 50 Head in a post on his Instagram, tagged with @hiwattofficial, indicating his use of this amplifier.
I’ve never been much of pedal guy. In the Brides I played a Green Soviet Big Muff and a Vox Wah-Wah pedal, and that was it. In OFF! I use a Hotcake pedal and that’s it. It’s always on, and it’s pretty much always maxed out. I still use one of the same amps I used in the Brides, a Hiwatt Custom 50 from the early '80s, and I play Marshall cabinets.
Hiwatt custom 50 watts amplifier. Vintage Brown color. You can spot it next to Fender compo amplifier behind Hans.
Probably one of the better known amps of the early Loverboy sound, a Hiwatt 50 Watt Amp (Most likely a Hylite era DR105 as some people on various forums have mentioned). Paul used this alternatley with a Marshall in the early days of the band. You can usually pick this amp out on the early albums based on the midrange - if it's buzzier, and a bit more 3D, it's the Hiwatt, if it's more midrange grindy and has a bit more grainy-ness to it, it's the Marshall. A good way to tell the difference is to listen to the first two tracks of the first album and compare them.
Paul's Hiwatt was a Canadian spec model, and most likely was one of those modded by Harry Joyce after import. Canadian Spec Hiwatts were typically modified so the first input was a regular gain input, but the second one added an extra gain stage, giving that thick, saturated goodness that made the sound he had on those early Loverboy records. This is what he meant by "I had the channels ganged" - basically, additional gain stages by connecting channels together, giving it that tone.
Here's Paul Referencing the Hiwatt in the source material, it's hard to find pictures of him using this amp, there used to be one on Google photos for the Hondo guitars he was promoting, but I'm no longer able to find that specific picture anymore.
How did you get the hollow, echoey effect on the solo intro to "Always On My Mind"?
I have this '75 Les Paul with ceramic pick-ups--it's an anniversary copy of the '55 flat-top with the wraparound bridge. I used it with my 50-watt Hi-watt that I've had for five or six years. I'm on the neck pick-up, and I've got the tone off, with full bass, no treble, and the volume up all the way. I have a Boss graphic equalizer that I use to punch it up at 800 cycles. You put this combination together, and you get that smooth Brian May sound. I also triple-tracked it.
Where does your distortion come from?
From my Hi-watt amp. I had the two preamps ganged, and that made it sound like God. It drives either two or three cabinets that use Celestion 12s. I had those enclosures built to copy Marshal bottoms because it was cheaper than buying them. Onstage I have a monitor to the left of my mike--that's what I play to all night.
Also, a forum referenced finding an actual Hiwatt cab that may have toured with Loverboy - http://vintageamps.com/plexiboard/viewtopic.php?f=3&t=11664
Postby charged on Mon Jul 04, 2005 2:04 am For what its worth, there is a guy at my practice space that has a Hiwatt 4x12 cab that has a "Lover Boy" designated serial number plate and it is a Sterling Imports cab.
Cheers Charged
The Black River Republic utilizes the Hiwatt DR504 Custom 50 Head as a key element of their guitar sound, as indicated in their Facebook post.
In the video titled "A Vintage Guitar Parade with The Band Feel's Tyler Armstrong | Rig Rundown" by Premier Guitar, at the 0:24 mark, a Hiwatt DR504 Custom 50-watt guitar amplifier head can be clearly seen behind guitarist Tyler Armstrong, positioned on top of a Marshall Super Bass.
In the video titled "Bones Owens Gear Rundown! - The Incredible Guitars, Pedals & Amps Of His 2024 Euro Rig!" by PMTVUK on YouTube, Bones Owens is shown using the Hiwatt DR504 Custom 50 Head.
In an Instagram post regarding his rig for the Ethel Cain during the Willoughby Tucker Forever Tour, Dakota can be seen using a Hiwatt DR504 Custom 50 Head.
Used for the JIN EP, as is visible in this October 18, 2020 Instagram post.
Thanks for the love on the new @jintheband tune. Here are some random things I found from that recording session. This song was actually completely reconstructed the night we recorded it. We decided the original riff sounded too much like another song of ours, but we didn’t want to give up on it because we were having a particularly good session that night. So we took a few minutes to see if we could come up with something different, which came together quite quickly. Then we tracked it, the end. If you haven’t heard it yet, click the link in my bio :)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Hiwatt DR504 Custom 50 Head, it is most commonly used with the following gear.
Community setups
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