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Description
Crafted for the discerning guitarist, the Mesa/Boogie Studio Preamp is a powerhouse of tonal versatility. This all-tube preamp delivers the legendary Mesa/Boogie sound with a 12AX7 tube-driven circuit, ensuring your guitar tone is both rich and dynamic. Designed for studio and live use, the Studio Preamp offers a wide array of sonic possibilities, from clean and crisp to saturated and creamy overdrive.
Engineered with both functionality and flexibility in mind, the Mesa/Boogie Studio Preamp features dual channel operation. The clean channel provides pristine clarity, while the lead channel offers that classic Mesa/Boogie overdrive, perfect for solos and high-gain riffs. The intuitive control layout allows for easy navigation and sound shaping, with dedicated controls for gain, treble, midrange, bass, and presence.
Whether you're crafting intricate studio recordings or playing live gigs, the Studio Preamp’s 5-band graphic EQ gives you precise tonal sculpting capabilities, allowing you to tailor your sound to any musical context. Built with rugged durability, it is a reliable companion for any guitarist looking to elevate their sound.
Key Features:
- All-tube preamp with 12AX7 tubes
- Dual channel operation for clean and lead tones
- 5-band graphic EQ for precise tonal control
- Independent controls for gain, treble, midrange, bass, and presence
- Designed for both studio and live performance
- Classic Mesa/Boogie tonal quality and reliability
Product specs
| Brand | Mesa Boogie |
| Model | Studio Preamp |
| Finish | Black |
| Year | 1987 - 2002 |
| Made In | United States |
| Categories | Guitar Preamps |
| Color Family | Black |
| Electronics | Tube |
| Number of Channels | 2 Channels |
| Number of Inputs | 2 Inputs |
| Pedal Format | Rackmount |
| Reverb | Spring Reverb |
FAQs
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What are the core tonal characteristics of the Mesa/Boogie Studio Preamp?
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The Mesa/Boogie Studio Preamp is known for its versatile tonal range, offering both clean and high-gain lead tones. It features a classic tube-driven sound with rich harmonics, making it suitable for a variety of musical genres.
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Does the Mesa/Boogie Studio Preamp include built-in reverb?
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Yes, the Mesa/Boogie Studio Preamp includes a built-in spring reverb, which adds a classic, natural ambiance to your guitar sound.
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How many channels does the Mesa/Boogie Studio Preamp have?
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The Mesa/Boogie Studio Preamp features two channels, allowing for easy switching between different tones and gain settings.
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Is the Mesa/Boogie Studio Preamp suitable for live performances?
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While primarily designed for studio use, the Mesa/Boogie Studio Preamp can be effectively used in live settings, especially when paired with a power amp, thanks to its robust construction and versatile sound options.
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What is the format of the Mesa/Boogie Studio Preamp?
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The Mesa/Boogie Studio Preamp is a rackmount unit, making it ideal for integration into studio racks or live performance rigs.
Videos
Leon Todd
Mesa/Boogie Studio Preamp
Reviews
PROS
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Effective with both tube and solid state power amps
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Great for achieving high gain sounds with proper adjustment
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Seamless effects loop integrates well with pedal setups
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Compatible with various power amps, enhancing versatility
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Interactive controls allow for precise sound shaping
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Can achieve legendary tones used by many great bands
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Exceptional clean tones, versatile for various music genres
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Offers a wide range of tones, from classic Metallica to Nirvana
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Durable, American-made construction ensures longevity
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Excellent recording out circuit for direct input recording
CONS
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Shared controls may compromise channel switching
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High gain settings may need careful adjustment to avoid muddiness
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Best high gain tones require pairing with a great tube power amp
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Requires time to dial in sweet spots
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Some users might find the preamp's gain insufficient without additional pedals
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Mesa/Boogie Studio Preamp.
Features and functionality
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The Mesa/Boogie Studio Preamp excels in modularity, allowing for versatile setups with different power amps and speaker cabinets.
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Comparisons
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The Mesa 20/20 power amplifier is praised for its lightweight design and excellent sound quality, making it a cost-effective choice compared to heavier options like the Marshall 9100 and Mesa 2:90.
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The Studio Preamp is essentially the .50 Caliber+ in rackmount form, with a similar preamp section to the Studio .22 combos.
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The Studio Preamp and Studio .22+ share the same preamp design, but the .22+ includes an integrated power amp and speaker, enhancing its appeal as a standalone unit.
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The Caliber 50 and 50+ are noted for a different flavor compared to the Studio .22+, with the 50+ featuring 6L6 tubes for a distinct tonal profile compared to the EL84-equipped 50.
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User experience
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Users report that solid-state power amps like Mosvalve MV962 are a budget-friendly option but may lack the depth and warmth of tube power amps like the Engl E840.
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The Mesa Studio Preamp's clean and slightly dirty channels are highly regarded, often preferred over high-gain settings for a more versatile sound.
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EL84 power tubes are noted for their inconsistency and temporary suitability for bedroom levels, with a tendency to fail unexpectedly.
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Studio .22+ users report it excels as a practice amp due to its ability to handle low volumes while remaining versatile enough to drive a 4x12 cabinet when needed.
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Use cases and applications
Mods and upgrades
Setup and maintenance
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Owners emphasize the importance of power sections, with EL34, 6L6, and KT88 tubes preferred over EL84s for consistent high-gain tones.
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The Studio .22+ is prone to heat issues, causing tube sockets to unsolder. Regular maintenance, including cap jobs and addressing these heat concerns, is crucial for longevity.
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Owners of the Studio .22+ should expect power tube replacements every 2 to 3 years, balancing maintenance with its tonal benefits and recording capabilities.
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5.0 out of 5
Based on 4 Reviews and 26 Ratings
557
Classic studio preamp
Sounds amazing.
As a recording Preamp, it sounds better for guitar than going DI into a mic preamp like the Heritage Audio 73.
If you want a Nirvana or Green Day type of distortion tone, this is the preamp to get, along with a DS-1 or DS-2. If you want a slightly thinner, but arguably better distortion tone, plug a Digitech grunge tone directly into a power amp, and it sounds almost exactly like Journey's tone. Judging by Youtube videos, the ADA-MP1 might be a better and cheaper preamp than this Boogie, esp. if you like 80's rock. The studio preamp is more 90's sounding.
Randall Smith, the founder of the company is also cool, because he basically invented high gain and master volume, so without him, Metal wouldn't exist, or if it did, it wouldn't have happened as quickly. Also, I'm just a huge fan of master volume, because I like to play with lots of distortion without going deaf, and master volume makes that happen.
20
Mesa Boogie Studio Preamp-Wouldn't Have Anything Else
For 18 years I was a freelance touring guitarist Over those years I've gone from one extreme to the other- from using old Fender tube amps, Torres engineering hand-wired, point-to-point wired stuff- all the way across the spectrum to using a Johnson Millennium for a couple years, and even tried an Avid "Eleven"-ugh! The music I'm often hired to play requires that I use a lot of effects and/or to use my guitar as a midi controller for rack-mounted synths, and the idea of running a guitar signal into one or more multi-fx units before it gets to the preamp stage of an amp is counter-intuitive to me. Therefore, an amp having an effects loop is necessary to me. I gravitated to Mesa Boogie amps- great tube amps WITH effects loops. I bought the Studio Preamp primarily because of its excellent-sounding "recording out" circuit, compared to any other I've heard, which enables me to elegantly go into a full-range system, with my Eventide "Eclipse" in its effects loop, into a sub- mixer with rack mount synths, and just tell the stagehands "I need no mics, just 2 DI's" Or, I can carry a Cabinet or 2 of appropriate size to be mic'd if I'm not using synths. I can't imagine using another preamp. I have two, just in case one goes out. And I'm always worrying that 2 isn't enough to last me the rest of my life.
244
Mesa Boogie Studio Preamp
From crystal clean to absolute high gain and everything in between, this 2 channel, hand build all tube preamp delivers. Plain and simple. You will just need some time and fiddling to figure out its sweet spots, but as soon as you find them you will have a huge arsenal of sounds, to play everything you want. Metallica, Nirvana, Dream Theater, The Who are just a small sample of great bands with legendary tones who used it both in studio and live. I personally own one for about ten years now and although it's made at 1989 and still running on the original tubes, it never let me down and I don't think it will any time soon. Its notorious, American made Mesa Boogie build quality, is beyond any criticism. All in all, a great sound unit ready for recording, live shows or your bedroom, this thing is an absolute tone beast!!!
Artist usage
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This was Kurt main pre-amp, used for live performances ever since May 2, 1990. Kurt trashed his Sunn amps the day earlier, on May 1st at the Cat’s Cradle, Chapel Hill, NC, and bought the Mesa Boogie, Crown Power Base 2 Poweramp, and an Aria Pro II Cardinal Series CS-350 Guitar on May 2nd before playing at the Milestone in Charlotte NC.
The Mesa Boogie Studio Preamp were run into a Crown Power Base 2 poweramp, Kurt used these to drive anything from a single stack to four 8x12 stacks (depending on the size of the venue). From that point on, the Mesa Boogie was used for the entirety of Nevermind and In Utero tours. During most of the Nevermind tour, the preamp was paired with a Crown Power Base 2 power amp. The Crown Power Base 2 Poweramp never worked out very well and was a particular source of frustration for "Nevermind" tour tech, Nick Close. The output on the Boogie Studio preamp was so hot, the Crown power amp would blow up a lot and have to be repaired. This setup was used until around January 1992, when Kurt kept the Mesa Boogie but switched to a duo of Crest 4801 power amps. Finally, they found amps which could take the beating. Earnie Bailey called these "the amp that wouldn't die"
Cobain said he turned all the midrange up. This was the amp set-up for the latter part of the "Nevermind" tour and all of the "In Utero" tour.
the "In Utero" tour, Same basic amp rig as the end of the "Nevermind" tour.
the Marshall cabs' speakers during the "In Utero" tour were Vintage 30's, Kurt used 8 cabinets, Chris 8, and Pat 4 Pat received Kurt's old 4x12's with the Celestion 75's when Kurt got his new ones with the V30's. The first Studio Preamp Kurt had was given to Pat, and Earnie ordered three more for the "In Utero" tour... two new ones for Kurt and a spare for Pat. "I kept tons of spares of everything on hand to avoid being stranded and unable to get parts, and to make sure the show never stopped due to a dead amp. I really liked the long, drawn out demolition sessions, and the more indestructible the amp rigs were, this part of the show would last as long as the guitar would, sometimes longer" A small,1980s red Marshall 3005 Lead 12 micro stack ministack was on stage, but it was never used. Kurt had one with Red Tolex, Krist and Pat both had ones with Black Tolex, they were used as Props. Pedals included the Sansamp Classic as Kurt's main distortion, Boss DS-2, E-H Polychorus & Echoflanger (whichever worked that day), and Small Clone chorus. Kurt took care of the settings on his pedals, "He knew all the sweet spots really well".
To get Kurt's tones you're going to at least need a closed back 4x12 cab, anything less and you just won't get the required air movement and low end thump. The preamp was set fairly clean, this allowed Kurt to use his distortion boxes to generate all of his signature aggressive distortion tones.
The Mesa/Boogie Studio Preamp can be seen in David Gilmour's rack during the Knebworth concert. Gilmour had previously had Mark I and Mark III heads in his rack and more than likely moved to the Studio Preamp around 1989 after the Venice concert.
Kit Rae documents Gilmour's use of the Studio Preamp on the Knebworth page of his David Gilmour Tone Building site.
Paul McCartney is noted for using the Mesa/Boogie Studio Preamp, as detailed in the "Amplifiers & Pedals" section of the Hog Hill Mill Blog.
On the Mesa Boogie pages of Whotabs.com Pete is quoted to have said "MESA/Boogie have made a very good front-end tube preamp, and I’m using four of those. It’s the best I’ve ever tried; I’ve tried literally everything on the market..." in the October 1989 issue of Guitar Player Magazine. Towards the bottom of the page a photo of Pete's 4 Studio Preamp equipped rack is shown. The who's stencil can clearly be seen on top of the rack.
This early Foo Fighters show pictures Pat Smear using the Mesa/Bogie Studio Preamp through the Crown Power amp, the same rig that he used while playing in Nirvana. 22:28 into the video you can clearly see the rack.
In the Premier Guitar article titled "GALLERY: Iron Maiden's 2010 Touring Gear," Janick Gers is shown using the Mesa/Boogie Studio Preamp during Iron Maiden's tour.
Album Usage
The Mesa/Boogie Studio Preamp has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Mesa/Boogie Studio Preamp, it is most commonly used with the following gear.
Community setups
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