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Description
The Peavey Supreme 160 is a powerhouse amplifier head designed for guitarists who crave versatility and reliability in their rig. Whether you're shredding on stage or jamming in your studio, this amp head delivers a robust sound that you can shape to fit any genre. With its dual-channel design, you have the freedom to switch between clean and overdriven tones effortlessly, ensuring that your sound remains dynamic and expressive.
Engineered with Peavey's renowned TransTube technology, the Supreme 160 emulates the warmth and harmonic richness of tube amplifiers without the maintenance. This feature is particularly appealing for musicians who want the classic tube sound with the consistency and ease of a solid-state amp. Plus, the built-in effects loop allows you to seamlessly integrate your favorite effects pedals, giving you more creative freedom to craft your unique sound.
Whether you're a professional touring musician or an enthusiastic hobbyist, the Peavey Supreme 160 is built to withstand the demands of frequent use while maintaining its sonic integrity. Compact yet powerful, it offers exceptional tonal quality at an accessible price point, making it an excellent addition to any guitarist's setup.
Key Features:
- Dual-channel design for flexible sound shaping
- Peavey's TransTube technology for authentic tube-like tone
- Built-in effects loop for easy pedal integration
- Solid-state reliability with tube-like warmth
- Durable construction suitable for both stage and studio use
Owner's manual
Peavey Supreme 160 User ManualProduct specs
| Amp Type | solid state |
Videos
Kyle Bull
The OG High Gain Solid State GOAT | Peavey Supreme 160
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In the official documentary "At The Gates - The Making of 'Slaughter of the Soul'," produced by Earache Records, it is confirmed around the 15:45 mark that guitarist Anders Björler used a Peavey Supreme 160 amp head. This setup included a Boss Metal Zone pedal running through a custom cabinet with unspecified speakers, two of which were 12-inch and the other two 10-inch, with two of the speakers reportedly being broken. The rig was miked with four Shure SM57 microphones.
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