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Description
The Roland U-220 RS-PCM Sound Module is a versatile tool for musicians and producers seeking a robust palette of sounds without the bulk of traditional synthesizers. As a PCM-based sound module, it delivers an extensive library of high-quality sampled sounds, ranging from lush strings and orchestral instruments to dynamic drums and basses. Designed with the studio and live performance in mind, the U-220 offers easy integration into any setup with its MIDI compatibility, ensuring seamless communication with keyboards and other MIDI devices.
The sound module is renowned for its six-part multitimbral capability, allowing you to layer different sounds or assign them to different MIDI channels, thus broadening your creative possibilities. It comes equipped with a variety of onboard effects, including reverb and chorus, which enable you to shape and polish your sound directly from the module itself. Compact and efficient, the Roland U-220 fits into any rack unit, making it an ideal addition for those with limited space but unlimited ambition.
Key Features:
- PCM-based sound module with a wide array of sampled sounds
- Six-part multitimbral capability for layering and MIDI channel assignments
- Onboard effects including reverb and chorus
- MIDI compatibility for easy integration with other devices
- Compact design suitable for both studio and live performance setups
- Extensive library of sounds including strings, orchestral instruments, drums, and basses
Product specs
| Brand | Roland |
| Model | U-220 RS-PCM Sound Module |
| Finish | Black |
| Year | 1989 - 1992 |
| Made In | Japan |
| Categories | Digital Synthesizers, Rackmount Synths |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 30 Voices |
FAQs
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What type of sounds can I expect from the Roland U-220 RS-PCM Sound Module?
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The Roland U-220 is known for its high-quality PCM sounds, offering a range of acoustic and synthesized tones suitable for various genres, including pop, rock, and electronic music.
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Is the Roland U-220 compatible with modern MIDI setups?
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Yes, the Roland U-220 features MIDI Input, Output, and Through ports, making it compatible with contemporary MIDI setups for seamless integration into your studio or live rig.
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How many voices of polyphony does the Roland U-220 offer?
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The Roland U-220 provides 30 voices of polyphony, allowing for complex arrangements and layered sounds without note dropouts.
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Can the Roland U-220 be used in a rackmount setup?
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Yes, the Roland U-220 is designed as a rackmount synthesizer, making it ideal for studio environments where space optimization is key.
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What is the primary use case for the Roland U-220 RS-PCM Sound Module?
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The Roland U-220 is primarily used for adding diverse PCM-based sounds to your music production or live performance setup, offering a rich palette of tones from its digital engine.
Videos
Frank Michael Lischka (soundadapter)
Excellent Synthesizer Roland U-220 Inside View and Sound Example
Reviews
PROS
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Contains classic 80s sounds including sampled strings, horns, keyboards, drums
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Good selection of stock sounds for a variety of applications
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Decent patch editing capabilities
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Affordable price point compared to similar products
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Familiar sounds reused in 1991 Sound Canvas, appealing for gaming
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Simple to operate with straightforward control over tone and effects
CONS
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Not ideal for producing modern music styles
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Limited use compared to other modules in a setup
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Small character screen can be a hindrance for in-depth editing
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Limited control options may not satisfy advanced users
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Roland U-220 RS-PCM Sound Module.
Features and functionality
Use cases and applications
Comparisons
Value and pricing
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Generally considered overpriced at $200 CAD, with historical prices ranging from $80 to $100 USD.
Source
Software and compatibility
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Can integrate with a Moog Grandmother via MIDI, with possibilities of using its arpeggiator for polyphonic play on the U-220.
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User experience
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Despite a basic interface, users find creative potential in sequencing and processing sounds through external effects like delay and reverb.
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Owners appreciate the U-220's versatility in delivering essential pop song sounds, with its limited ROM memory impressively utilized.
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One user keeps multiple units for different purposes: home use, band rehearsal, and as a backup, reflecting its reliability.
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3.5 out of 5
Based on 2 Reviews and 15 Ratings
546
Good, albeit quite limited
I've had it for a few months now, and honestly while I like what it has to offer, I couldn't help but notice how rarely I was actually using it in contrast to my other two modules I currently own (at the time of writing this).
A lot of the sounds on it are pretty darn great - really 80s sounding, and in addition a lot of these sounds are classics in the world of gaming, as they were reused in the 1991 Sound Canvas. Really nice bass, brass and guitars, and the other sounds are also not too shabby either (although I've never found an use for them).
It is simple to operate - the small character screen really isn't too big of a hindrance, considering there isn't much you can really control - just whatever tone you want to use, the global reverb/chorus levels, that kinda stuff.
219
A good ol' rompler that can still fill in the blanks
I really like the Roland U-220, I generally find it has a good selection of stock sounds and pretty decent patch editing capabilities that can fit into a lot of general applications, whether it's for an instrument up front or for something to fill in the blanks. Of course, I wouldn't say it's something you should stick onto your hardware list if you make particularly modern music, but for those who love an 80s or early 90s kick on our songs it's practically a perfect small little first rompler!
Artist usage
Add artist
The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.
In an Instagram post, Carlos Nilmmns showcases his new addition, the Roland U-220 RS-PCM Sound Module.
Album Usage
The Roland U-220 RS-PCM Sound Module has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Roland U-220 RS-PCM Sound Module, it is most commonly used with the following gear.
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