Jon Hopkins talks about how he uses Sound Forge along with Logic Pro to create his music.

In this article from The Wire, the following question and answer takes place:

"Burial: I’ve seen people using sequencers and I’ve tried hard to use them but it’s blocks in different colours and I'm only used to just seeing the waves. I don’t need to listen much to the drums because I know they look nice, like a fishbone, rigged up to be kind of skitty, sharp. My tunes are a bit rubbish and messy but it's all I know. One day I want to make a tune people can have a dance to, I've tried.

Wire: What did you think when people were saying that you hadn’t produced it all in Sound Forge, it’s a scam.

Burial: Who?

Wire: People on the internet, saying he can’t possibly have done that whole album in Sound Forge.

Burial: Really? Yeah well I did. I'll leave those people to their internet or whatever. Yeah I wish sometimes that I’d gone to college to learn music production, but other times I’m like ‘no, fuck, I’m happy I didn’t’."

Judging by the 2010 post date of this, Burial was most likely using Sound Forge 10.

"(Favorite Software) As far as software goes, all I really use is Renoise and Sony Sound Forge. I do all my tunes in Renoise but use Sound Forge almost as much to edit sounds, chop things. I’ve used that for years, since before Sony bought Sonic Foundry. So I’ve always been jumping back and forth to Sound Forge no matter what I was sequencing in over the years."

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Sound Forge 8 is included in the equipment list on his website,

List of Grant Kirkhope's tools includes "Guitar, Keyboard, Cubase 4, Pro Tools HD, GigaStudio, Sound Forge, etc."

"Soundforge. Easy, sounds great and is very versatile."

"I’ve worked both at home and at Midway and Warner Bros. Interactive Entertainment over the years with a variety of different setups. Currently I’m running Pro Tools 8 on an 8-core Power Mac and I have a number of excellent musical plug-ins: Omnisphere, Stylus RMX, Kontakt, Play Libraries (Ministry of Rock, Stormdrum, Symphonic Choirs) and other Native Instruments plug-ins. I also use Vegas and Sound Forge for sound effects and other mixing and editing."

"My main software tools of choice are all PC based and consist of Sony Vegas, Sony Sound Forge, Cakewalk, Nuendo & GigaStudio. I have superfast PC’s which are the latest designs powered and built by both AMD & Intel. I’ve always preferred JBL speakers and Mackie mixing consoles. My keyboard controller is currently a Yamaha Motif – 8 which I really like. Oh yeah… and they don’t call it the Music BUSINESS for nothing! So two other widely used software programs are Excel & Word!"

"With very few exceptions, the music for Diablo was made by packing up the eight tracks on the ASR-10 with as much as I could get into the 16 megs of memory and then controlling them using the Cakewalk sequencer. Even when doing live material through my $150 AKG microphone, I would generally record it as a sample in the ASR-10 first, and often liberally apply the onboard effects, especially the delay. After making an archival pass through my Sony 59ES DAT machine, the tracks would then go to the third of these tools, also resident on my Windows machine - Sonic Foundry's Sound Forge, an editing program which I have spent a great deal of time staring at in my adult life. This piece of software has proved useful for almost every task I have faced in the editing process, and has frequently proven itself as a great tool for the most basic elements of sound effect and musical sample creation."