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Description
Dive into the world of professional audio mixing with the Soundtracs 16-8-16, a versatile mixer designed for serious studio recording enthusiasts. This robust and intuitive mixer is crafted to meet the demands of both seasoned producers and budding sound engineers. With 16 input channels, it offers the flexibility needed for complex multi-track recordings, making it ideal for bands, podcasts, and studio sessions alike. Each channel is equipped with comprehensive EQ controls, allowing you to fine-tune your sound with precision.
The Soundtracs 16-8-16 boasts 8 sub-groups, providing unparalleled routing options to streamline your workflow. These groups support dynamic mixing possibilities, ensuring that every nuance of your live or recorded performance is captured with clarity. Additionally, the mixer features 16 direct outputs, which facilitate seamless integration with digital audio workstations (DAWs) and other recording equipment, enhancing your studio setup's efficiency and versatility.
Beyond its technical prowess, the Soundtracs 16-8-16 is built with durability in mind, promising longevity and reliable performance with every use. Its user-friendly interface and straightforward layout make navigating its extensive features a breeze, even for those new to mixing. Whether you're crafting a new track or managing a live session, this mixer delivers the fidelity and control you need to bring your audio projects to life.
Key Features:
- 16 input channels with comprehensive EQ controls
- 8 sub-groups for advanced routing and mixing
- 16 direct outputs for easy integration with DAWs
- Durable build for long-lasting performance
- User-friendly interface for intuitive operation
Reviews
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"The only mixer in the 16-track market designed with the musician in mind — either you people at Soundtracs are musicians or you’ve talked to a lot of people. I’d recommend this mixer to anyone — and tell them that I paid full retail for the 16-8-16 I bought!"
"Well, it's a Soundcraft one-inch 16-track and the little Soundtracs 16-in, 16-out desk which is great value money-wise and for what it can do. It's pretty much the ultimate for home studios and I suppose it's just about workable as a commercial studio. That's my basic set-up, with Dolby Noise Reduction on the 16-track, Little Red monitors and a Quad amp. I don't have many mics, just the UH7, C451 with C85 capsule and a PZM. I've got a few other things in operation, but as it's basically a one-man operation, I'm unlikely to need more than those three mics. If I'm doing drums I have to beg, borrow or whatever. I've also got a Drawmer compressor/limiter and Drawmer Gates - which are the best - and an Ursa Major Space Station, a Rebus rack and a couple of gates and a delay package. Then there's a Dimension D, a TC stereo parametric, Klark Technik Graphic and a Sony PCM F1 for mastering."
"But for the drummer it started a fascination. Next came a Portastudio which Suggsy had "forgot" about and left hanging around the office. Woody liberated that for a while and found it just right for learning more about process and terms. Then the big one: he lashed out on his current Fostex A8 8-track recorder, and a Fostex 350 mixer (only very recently updated by a bigger Soundtracs 16/8/16 desk), plus an ever-increasing pile of outboard gadgetry."
In the Muzines article "The Lizard King" (ES Nov 84), it is noted that David Cunningham's studio setup includes a Soundtracs 16-8-16 mixer. However, it is mentioned that all equipment, including the Linn Drum, is routed directly into a patch-bay rather than through the mixer.
Genre Usage
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Used With
Based on how musicians on Equipboard use Soundtracs 16-8-16, it is most commonly used with the following gear.