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Average Price: $790

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$500

$1501+

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Description

The Suiko ST-50 Koto Synthesizer is a truly unique addition to any musician's arsenal, bridging traditional Japanese sound with modern electronic capabilities. This synthesizer is dedicated to the authentic recreation of the Koto, a traditional Japanese stringed instrument, offering musicians the ability to explore the rich, resonant tones that have graced Eastern music for centuries. Whether you're composing for film, creating ambient soundscapes, or simply exploring new sonic territories, the ST-50 provides a seamless way to incorporate the distinct sound of the Koto into your compositions.

Its user-friendly interface makes it accessible for both experienced musicians and beginners eager to delve into the world of synths. The ST-50 Koto Synthesizer comes equipped with a variety of control options, including pitch modulation and sound shaping parameters, allowing for a high degree of sound customization. This flexibility is perfect for musicians looking to push their creative boundaries and experiment with traditional sounds in a contemporary context.

Key Features:

  • Dedicated Koto sound synthesis for authentic tonal recreation
  • Intuitive controls for pitch modulation and sound shaping
  • User-friendly interface suitable for all levels of musicians
  • Ideal for a variety of genres, including ambient, film scoring, and experimental music
  • Offers a modern approach to traditional Japanese music instruments

Product specs

Brand Suiko
Model ST-50 Koto Synthesizer
Year 1980s
Made In Japan
Categories Analog Synths, Desktop Synths
Analog / Digital Analog
Polyphony 1 Voice

FAQs

What kind of sound does the Suiko ST-50 Koto Synthesizer produce?

The Suiko ST-50 Koto Synthesizer is designed to emulate the sound of the traditional Japanese koto instrument, providing a unique and culturally rich tonal palette.

Is the Suiko ST-50 Koto Synthesizer polyphonic?

No, the Suiko ST-50 Koto Synthesizer is monophonic, meaning it can only play one note at a time.

What type of synthesis does the Suiko ST-50 use?

The Suiko ST-50 Koto Synthesizer utilizes analog synthesis to generate its sounds, offering a warm and authentic audio experience.

Can the Suiko ST-50 Koto Synthesizer be integrated into a modern studio setup?

While the Suiko ST-50 is an analog synthesizer from the 1980s, it can be incorporated into a modern studio setup, though it may require additional equipment for MIDI integration.

What is the primary use of the Suiko ST-50 Koto Synthesizer?

The Suiko ST-50 is primarily used for creating koto-inspired sounds, making it ideal for musicians seeking to incorporate traditional Japanese timbres into their compositions.

HAINBACH

HAINBACH

The rarest Japanese synthesizer? | Suiko ST-50

Video thumbnail for The rarest Japanese synthesizer? | Suiko ST-50 by HAINBACH

The rarest Japanese synthesizer? | Suiko ST-50

HAINBACH

HAINBACH

Video thumbnail for The ambient dream team: SUIKO ST-50 and Hologram Electronics Microcosm by HAINBACH

The ambient dream team: SUIKO ST-50 and Hologram Electronics Microcosm

HAINBACH

HAINBACH

Video thumbnail for Suiko ST-50 Koto Synthesizer 🇯🇵 | How Does it Sound?... Worth the Hype? by JAde Wii

Suiko ST-50 Koto Synthesizer 🇯🇵 | How Does it Sound?... Worth the Hype?

JAde Wii

JAde Wii

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Suiko ST-50 Koto Synthesizer.

Features and functionality

  • The SUIKO ST-50's interface mimics Koto frets, following a Japanese minor scale, offering a unique cultural approach to music creation.

    Source
  • The ST-50's trill function is noted to become repetitive, but its special chords and vibrato are standout features appreciated by users.

    Source
  • The Microcosm pedal, when used with the ST-50, offers intuitive controls that don't require frequent consultation of the manual, enhancing user experience.

    Source

Use cases and applications

  • Originally designed to train Koto players and accompany poetry, the ST-50 provides a distinct sound palette for traditional Japanese music and modern genres like hip hop.

    Source
  • The ST-50 pairs effectively with the Hologram Electronics Microcosm pedal, allowing for expansive looping and granular processing, ideal for ambient music creation.

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Comparisons

  • The ST-50 lacks MIDI, limiting production potential compared to more modern synths, though it excels in live play or sampling.

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  • The Alesis Wedge is warmer and softer compared to the Quadraverb, which excels at harsh, cold distortion; both are recommended for non-overlapping uses.

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  • The ST-60 is seen as an upgrade over the ST-50 for its sound quality, while the ST-100 offers even more desirable tones according to user preferences.

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Value and pricing

  • The instrument is rare and prices have inflated due to increased exposure, but market trends suggest they may stabilize over time.

    Source

User experience

  • Owners note the ST-50 pairs well with guitar effect pedals and provides a unique playing experience due to its Koto tuning.

    Source
  • An owner recorded an EP while using the ST-50 with the Microcosm pedal, highlighting its capability for live performance and recording in natural settings.

    Source

Other

  • The ST-50's design resembles printing equipment more than an instrument, surprising many with its sound quality despite a cheap-looking case.

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  • Older Suiko models have custom DIN ports, which do not adhere to standard MIDI or audio configurations, posing challenges for connectivity and modification.

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Software and compatibility

  • The ST-60 is the only model in its series with MIDI capabilities, specifically MIDI in, offering limited integration for studio use.

    Source

Setup and maintenance

  • Many units available in the market are in poor condition and require significant restoration efforts.

    Source

Critic Reviews

Suiko ST-50 Koto Synthesizer review on reverb.com

reverb.com

The Suiko ST-50 Koto Synthesizer is a unique find for enthusiasts of vintage Japanese music instruments. Its charm lies in the beautiful, traditional samples of Japanese instruments, creating sounds that range from haunting to magical. However, its niche design—originally meant for the traditional Japanese market—makes it a specialty item. The main downside is the language barrier, as its functions require translation for non-Japanese speakers, though an English manual is offered upon purchase. While its rarity adds to its allure, the ST-50's limited market appeal might not satisfy those seeking a versatile synth.

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