Superlux Audio Superlux PRA 628 MKII

$38.00 to $46.99 Price Tier: Budget

4.5 (6)

1 Review

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2 community setups

1 wishlisted

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Page last updated Jul 01, 2026

Pricing and availability

We compare 600+ stores and found this item at 2 stores. Prices updated January 7, 2026.

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4.5 (1045)

$38.00

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Average Price: $35

Budget/Beginner

$75

$201+

Price Tier

In the Dynamic Microphones category, Superlux PRA 628 MKII is priced in the Budget/Beginner range. This is great gear to get started with or for creators on a budget.

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High-end

Price History

Based on price data from 1 merchant for "Superlux PRA 628 MKII". Prices shown reflect NEW condition. Tracking began Apr 25, 2026.

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Description

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Introducing the Superlux PRA 628 MKII, a dynamic microphone engineered for precision and power in studio recording and live performance settings. Crafted with the demands of professional musicians in mind, this mic is particularly adept at capturing the rich, intricate sound of amplified instruments and wind sections. Its super-cardioid pickup pattern ensures focused sound capture with minimal background noise, making it ideal for both studio and stage environments.

The PRA 628 MKII doesn’t just stop at superior sound isolation; it boasts an impressive frequency response range of 80 Hz to 16,000 Hz, ensuring every nuance of your performance is captured with clarity and depth. With a maximum sound pressure level (SPL) of 150 dB, this microphone is built to handle even the loudest sources without distortion, making it a versatile tool for a variety of recording situations.

Wrapped in a sleek black housing, the PRA 628 MKII combines durability with style. It also comes with practical accessories, including a microphone holder and a convenient carrying bag, ensuring that you're always prepared, whether you're in the studio or on the road.

Key Features:

Super-cardioid pickup pattern for focused sound capture
Frequency response: 80 Hz - 16,000 Hz
Impedance: 200 Ohm
Maximum SPL: 150 dB
Durable black housing
Includes microphone holder and carrying bag

Product specs

Available since	November 2011
Condenser Microphone	No
Polar Pattern	Supercardioid
Microphone Clamp	Yes
Dynamic Microphone	Yes
Complete Set	No

FAQs

What type of microphone is the Superlux PRA 628 MKII?: The Superlux PRA 628 MKII is a dynamic microphone with a supercardioid polar pattern, making it ideal for isolating sound sources and reducing background noise.
Is the Superlux PRA 628 MKII suitable for recording loud sound sources?: Yes, the Superlux PRA 628 MKII can handle high sound pressure levels, with a maximum SPL of 150 dB, making it suitable for recording loud instruments like drums and electric guitar amplifiers.
Does the Superlux PRA 628 MKII require phantom power?: No, the Superlux PRA 628 MKII is a dynamic microphone and does not require phantom power to operate.
What is the frequency response range of the Superlux PRA 628 MKII?: The frequency response of the Superlux PRA 628 MKII is 80 Hz to 16,000 Hz, providing a balanced sound suitable for various recording applications.
Does the Superlux PRA 628 MKII come with a microphone clamp?: Yes, the Superlux PRA 628 MKII includes a microphone clamp for easy mounting on a stand.

Videos

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Dave Goodrum Music

Sennheiser e609 vs Superlux PRA-628 MKII

Dave Goodrum Music

Mic Shoot Out Guitar Amp SENNHEISER E609 E906 vs BEHRINGER B906 vs SUPERLUX PRA628 vs CAD AUDIO D80

AE PRODUCED BY EQUIANO

Cheap mic shootout : Superlux PRA 628 MKII vs PYLE PDMIC78 vs T.BONE MB75

RiffsNReviews

Superlux PRA 628 MKII, t.bone SC140 Stereoset & Accessories | Unboxing

JimijaymesGuitarist

Superlux PRA628MKII vs Shure SM57

Tom Roger Thu

SUPERLUX PRA628 MK2 : UNBOXING AND TESTING

Ari Balzar

Test Superlux PRA628 MkII - Orange OR15 - PRS-DGT

Attaporn Xuto

Reviews

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PROS

Excellent for creative mic placement, especially near speaker cone edges
Pairs well with bright mics for a full guitar sound
Versatile for both live and studio settings, particularly with guitars
Included mount and clip useful for dual miking and attaching to gear
Vintage sound quality, beneficial for certain musical styles and spoken word
Surprisingly good audio quality for its price point
Compact and easy to position without requiring a stand
Durable build quality for home and live use
Comes with a high-quality carrying bag

CONS

Precise positioning required, sensitive to placement
Clamp and mount feel somewhat flimsy
Body design could be more streamlined for tidier hanging
Stem may become loose, requiring tightening
Not as tight sounding as some may prefer for modern metal live settings
Can make spoken word sound slightly nasal on full range speakers
Does not come with an XLR cable; specific cable diameter needed for clip compatibility

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Superlux PRA 628 MKII.

Comparisons

0 0

The Superlux PRA 628 MKII is mentioned as a worthy budget alternative to the Shure SM57 for micing guitar amps.
Source
0 0

The Shure SM57 is a classic choice for micing guitar amps, suggesting the Superlux PRA 628 MKII is in good company among budget alternatives.
Source

Use cases and applications

0 0

Although primarily for amp micing, the Superlux PRA 628 MKII has been used effectively as a voice mic for streaming.
Source
0 0

Dynamic mics like the Superlux PRA 628 MKII are favored for amps due to their resistance to overload.
Source

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4.5 out of 5

Based on 1 Review and 6 Ratings

5 star

4 star

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1 star

felicia506

182

almost 6 years ago

Surprisingly good microphone.

I wish I could say that when I bought this microphone I did it so because of its tonal signature and all those stuff, because If I need to tell the truth I didn't buy it for those reasons. Back when I bought this microphone I simply bought it because it was cheap and didn't require a microphone stand to place it before the amp. I just dangle it on my amp's speaker. I never expected anything great from this microphone but after I compared it side by side with the Sennheiser E609 and the Shure SM57 owned by some of my buddies I realized that this is one of those sleeper microphones which often get ignored but are actually of great quality. Speaking of its tonality, with this microphone looks can be deceiving. On first look, it looks like a Sennheiser E609 clone but in terms of tonality it's quite far from it, I dare to say to my ears it sounds better than the E609. It has the definition and clarity of the E609 but at the same time, it doesn't have the harshness of the E609. As for its comparison with SM57, it has more low end and more neutral mids than the SM-57. Its tonality reminds me of a lot of the AKG D40 but at the same time, it isn't as bass-heavy as the D40. It doesn't sound like a cheap $50 microphone at all.

jimmarchi1

41029

6 years ago almost 6 years ago

the 57 is barely a microphone unless you modify it, the stock output transformer is total junk

felicia506

182

6 years ago almost 6 years ago

Indeed, and nowadays it's getting curb stomped by microphones made by AKG and Audio-Technica.

tim_harrison

1268

6 years ago almost 6 years ago

I won't describe the sound signature of AKG D40 as bass-heavy. What the AKG D40 does is that unlike other dynamic microphones it doesn't cut the low end of the amp. Its sound signature can be best described as extremely clear and accurate, almost like a condenser microphone. It's a great quality microphone from a sound engineer's perspective because amps mic'd with the D40 sit quite easily in the mix.

Speaking of Audio-Technica, I use the AE2500 dual-element microphone to record my amps. It's hands down the best microphone I've ever used for recording guitars. After using it I just couldn't go back to normal dynamic microphones. Its tonal accuracy is unlike any other microphone I've ever used for miking high gain guitar amps.

felicia506

182

6 years ago almost 6 years ago

That explains why I felt that the D40 was bass-heavy. For anyone used to normal dynamic microphones that have a tendency to cut the low end and have a spike in the upper-mids, microphones like the D40 which keep the low end intact and have an accurate tonality will obviously sound bass-heavy. Looks like I have to get the AKG D40, if its anything like what you have described over here then it'll make my life a lot easier.

Whoa, the AE2500 does look like a cool microphone but at $550 it's way out of my league.