In this video by EMG Backstage, the guitar tech of Anthrax and Helmet's bassist Frank Bello does a brief rig rundown where he points at that Frank uses a simple rig consisting of only 1 effects pedal, the Tech 21 Sansamp Bass Driver DI pedal. "A Sansamp is the only pedal we need. That's a Bass Driver DI and so we use that to get a little overdrive; a little blend of what he wants. That just runs straight into the Hartke LH1000" - [Frank Bello's Guitar Tech](https://youtu.be/W_cYTcr6hBw?t=1m4s)more
In a 2001 interview for Bass Player, Mike Inez is quoted, “I also use the SansAmp to dirty up my sound in my Ultimate Ears inears. I keep them at about 3 or 4, so they’re more like earplugs, while still allowing me to hear my rig and side fills, if needed. Mix-wise, I have the whole band in my in-ears, with a bit more Jerry in the left ear.” The article also reports that Mike Inez "plugs into a SansAmp Bass DI live, which sends his signal three ways (direct, amp, and miked-amp) to the house board."more
"What are you guys using on this album?" Ahren Stringer: "Me personally, I used a Mesa Classic through a SansAmp, Ernie Ball Music Man guitars – a StingRay – and yeah, that’s pretty much all I used. Keep it simple. It’s a great sound; I love it. It’s nice and easy." "And the SansAmp – have you been using those for a while?" Stringer: "Yeah, pretty much since I started playing bass." There is also another article from Bass Guitar Magazine titled "[Ahren Stringer of The Amity Affliction considers bass options](http://www.bassguitarmagazine.com/news/ahren-stringer-of-the-amity-affliction-considers-bass-options/)" where it lists that he uses "Effects Sansamp."more
Simplicity is key for Cronos, as far as gear and getting his sound go. “I’ve always been able to walk up to any amp, with my bass, plug it in and, I’m not kidding you, within five or 10 minutes, I’ve got my sound. It’s because I know what I like to hear. My sound is very specific, but even with just the three buttons of bass, treble and middle, I can get it. It’s in the bass – it’s in the wood, man.” He adds: “I’ve really cut back on a lot of pedals now. I still have two overdrives – the bass Sansamp and a Boss Metal Zone. I sometimes use a digital delay if I’m going to do a solo or something like that. And of course if we’re doing ‘At War With Satan’ I’ll put the phaser in.more
As stated on Philip Bynoe’s web page: “This is another pedalboard used on the Vai Tour. The Pedals are: Morley Distortion Wah Volume, Dunlop DC Brick Multi-Power supply, MXR Stereo Chorus, Tech 21 SansAmp Bass Driver DI, Morley ABY Selector/Combiner Switch, Boss TU-12 Tuner, Line 6 Relay G30 Wireless, and a Boss SYB-5 Bass Synthesizer.“more
Own the Sans Amp pedal that has been in Pat’s pedalboard throughout the last few tours and in the studio. Used on the recording sessions for Saudades de Rock and Take Us Alive, as well as the new Badger Album! You’ll get it when the album is finished and get a bad-ass bass tone when you plug in!more
On this instagram picture, you can see the SansAmp on his pedal board. He probably splits the guitar signal with his Boss Tuner. One output goes to the dirt boxes (Micro Amp, Blues Driver and Fat Fuzz) and the Tremolo and then to the Fender Deville. The other goes through the POG and then to the SansAmp and probably to an Ampeg bass amp. That's how he gets that full, fat sound.more
I have this pedal as my DI for recording into a mixer. It sounds even better than it's rack version "Sansamp RBI". Love it, Love it, Love it. I dig that the company sells it with a tin box as well. Very classy.
You know those scenarios when you hear people rave about pedals so much that you're not too certain whether to jump on the bandwagon? Glad I jumped on this one! Great for tidying up bass tone, sound engeineers love them and they're great to record with for demos, projects etc. and it can be used as an active DI when in bypass! This easily does more tricks than Tony Hawk! Looking to expand to rack versions at some point as well!
Plug in a Jazz Bass. Dial up how much dirt you want on it. dial up the fatness, stop before it starts to bloom. Adjust treble to add or remove pick/finger noise. Play. Done. So easy.
This is one of the best bits of equipment I own hands down. So many different variations, perfect if you want a thick clunky bass tone or want to emphasise any part of your tone. Every bass player needs one!
I use it for, either having different settings than my amp and shifting during a song, or as an overdrive (with a lot of possibilities). It gives a lot of dry attack while respecting (actually enhancing) the sound of my basses (Warwick Corvette $$ and P-Bass fretless 76).
Being used mostly as an emulator to get an SVT sound, I use it as an overdrive. The grit that I achieve out of this little beauty is unparalleled in my opinion. It's the base of my tone, live or in the studio.