The GOASTT

"I have a ’94 “Foto Flame” Fender Strat loaded with [Seymour Duncan] Hot Rails..."

"I string them with Dean Markleys, mixing light tops and heavier bottoms [.09, .011, .017, .026, .036, .046 on the Strat; and .010, .013, .017, .036, .044, .052 on the 335]. "

During the GOASTT performance of "Too Deep" on WNYC's Spinning On Air at 2:45 the MI Audio Crunch Box is shown.

During the GOASTT performance of "Too Deep" on WNYC's Spinning On Air at 2:49 the Maxon CP101 Compressor Pedal is shown.

"We didn't really need any fancy equipment - we just recorded right into Pro Tools with a RCA 77 microphone, which is an old ribbon-type mic from the '60s.""

"I really like the [Sarno Music Solutions] Earth Drive, which sounds like an amp—more like an overdrive than a fuzz."

"I tour with a couple of Fender DeVilles. That’s my live amp, but I wind up using those in the studio quite a bit. It’s a workhorse, and I know exactly what it’s going to sound like every time."

"I definitely like experimentation. I’ve got a Champ. I like old amps, but I don’t require them."

"With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it? ...GuitarSystems’ Fuzz Tool Jr. [silicon and germanium Fuzz Face clone]..."

In the Moog Sound Lab video titled "Devil You Know," Sean Lennon of The GOASTT skillfully plays the Moog Sub 37 Paraphonic Analog Synthesizer.

Charlotte Kemp Muhl carries the bass on a Sub Phatty

Both singers' voices are affected with a pair of Moog 500 Series Analog Delays

Tim Kuhl drives the rhythm section via electronic drum triggers controlling 6x Minimoog Voyager RMEs.

Robbie Mangano performs with an Electric Blue Minimoog Voyager

During the GOASTT performance of "Too Deep" on WNYC's Spinning On Air at 0:28 the Danelectro Back Talk Reverse Delay is shown.

During the GOASTT performance of "Too Deep" on WNYC's Spinning On Air at 0:28 the POG2 is shown.

During the GOASTT performance of "Too Deep" on WNYC's Spinning On Air at 0:28 the Boss TU-3 Chromatic Tuner is shown.

During the GOASTT performance of "Too Deep" on WNYC's Spinning On Air at 2:45 the Boss DD-7 Digital Delay Pedal is shown.

"Modern preamps sit next to classic UREI 1176 compressors."

"A digital Memotron sits in the shadow of an actual Mellotron M400."

"Nowhere in the room are you more than a few inches from a guitar, be it a classic Fender Jaguar or an aluminum-neck Wandre from the ’60s."

"I bought my first Jazzmaster..."

"I have a Martin, the mahogany ... 00-18? It’s a late ’40s one, and really nice."

"Another guitar I have that’s quite cool is a Martin Terz. It’s from the ’20s. It’s also called a “5.”

"I’m still not settled on which one I like, but I’ve been using the DOD [Phasor 201], which works great."

"I use the reliable Rat, and usually some boutique thing."

"Oh, and I like distortion before some kind of harmonizer, like the POG or the HOG, or even just a ring-mod or octave pedal."

"I’ve been using the new, smaller Memory Mans, because they take up less space."

"But my favorite delay of all time is the pink Ibanez [AD-80] delay. I have, like, 10 of those."

"From there, I go into the [Fulltone] Supa-Trem."