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1999 Gibson 1965 Firebird VII Reissue

1999 Gibson 1965 Firebird VII Reissue

$4,175.79 Price Tier: High-end

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Page last updated Jul 04, 2026

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We compare 600+ stores and found this item at 1 store. Prices updated July 4, 2026.

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$4,175.79 5 available Used

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Average Price: $4,176

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$400

$1001+

Price Tier

In the Solid Body Electric Guitars category, 1999 Gibson 1965 Firebird VII Reissue is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

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High-end

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Description

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The 1999 Gibson 1965 Firebird VII Reissue is a revered nod to one of the most unique electric guitars in history. Born in the era of innovation, this guitar captures the essence of its iconic predecessor with a modern twist. The sleek, reverse-body design is not just visually striking but also enhances the guitar's balance and playability, making it a favorite among collectors and players alike. Crafted from high-quality mahogany, the body resonates with a warm, bold tone that’s perfect for any genre.

Equipped with three mini-humbucker pickups, the Firebird VII Reissue offers a versatile sound palette, from crystal-clear highs to rich, throaty mids. The Maestro Vibrola tailpiece adds a touch of vintage vibrato magic, allowing for expressive bends and smooth pitch variations. Its ebony fretboard provides a comfortable playing experience, while ensuring durability and a sophisticated look. Whether you’re a seasoned performer or an enthusiastic hobbyist, this guitar promises to elevate your musical journey with its blend of classic charm and modern functionality.

Key Features:

Mahogany body for rich, warm tones
Ebony fretboard for smooth playability
Three mini-humbucker pickups for versatile sound options
Maestro Vibrola tailpiece for vintage-style vibrato effects
Reverse-body design for enhanced balance and visual appeal

Product specs

Brand	Gibson
Model	Custom Shop '65 Firebird VII Reissue
Finish	Cardinal Red, Copper Metallic, Ebony, Ember Red, Faded Cherry, Frost Blue, Golden Mist Poly, Heather Poly, Inverness Green, Kerry Green, Pelham Blue, Polaris White, Silver Mist Poly, TV Yellow, Vintage Sunburst
Year	1998 - 2016
Made In	United States
Categories	Solid Body Electric Guitars
Body Material	Mahogany
Body Shape	Double Cutaway
Body Type	Solid Body
Bridge/Tailpiece Type	Tremolo Tailpiece
Color Family	Black, Blue, Brown, Gold, Green, Purple, Red, Silver, White, Yellow
Finish Pattern	Sunburst
Finish Style	Metallic
Fretboard Material	Ebony
Model Family	Gibson Firebird
Model Sub-Family	Gibson Firebird VII Reverse
Neck Construction	Neck-Through
Neck Material	Mahogany
Number of Frets	22
Number of Strings	6-String
Offset Body	Offset Body
Pickup Configuration	HHH
Right / Left Handed	Right Handed
Series	Gibson Custom Shop

FAQs

What kind of pickups does the 1999 Gibson 1965 Firebird VII Reissue have?: The 1999 Gibson 1965 Firebird VII Reissue features a triple mini-humbucker pickup configuration, providing a versatile range of tones suitable for various music genres.
Is the 1999 Gibson 1965 Firebird VII Reissue suitable for advanced players?: Yes, the 1999 Gibson 1965 Firebird VII Reissue is ideal for advanced players, offering high-quality craftsmanship, a unique tone, and a neck-through construction for enhanced sustain and playability.
Does the 1999 Gibson 1965 Firebird VII Reissue have a tremolo system?: Yes, this model includes a tremolo tailpiece, allowing for expressive pitch modulation and dynamic playing styles.
What is the neck profile of the 1999 Gibson 1965 Firebird VII Reissue?: The 1999 Gibson 1965 Firebird VII Reissue features a neck-through design with a slim taper profile, providing a comfortable and fast playing experience.
What is the body material of the 1999 Gibson 1965 Firebird VII Reissue?: This guitar is constructed with a solid mahogany body, contributing to its warm tone and rich sustain.
Is the 1999 Gibson 1965 Firebird VII Reissue available in multiple finishes?: Yes, the 1999 Gibson 1965 Firebird VII Reissue is available in a variety of finishes, including Cardinal Red, Pelham Blue, and Vintage Sunburst, among others.

Videos

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Guitarist

Rival Sons' Scott Holiday on his Pelham Blue 1999 Gibson Custom Historic Firebird VII

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Sunshine Guitars - Gibson Firebird VII 1965 Reissue (com Alexandre Blanc)

SunshineGuitarsTV

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Scott Holiday

Guitarist

Rival Sons

Verified via YouTube

Scott Holiday says in this video, “This firebird, I actually bought it before I ever touched it, which is never a smart thing to do, but I had finished our first record, Before the Fire, and used a gaggle of guitars, old Teles, and Esquires, and Strats, and Les Pauls, and just a whole bunch of instruments, never a Firebird though. When I went to go back and play the songs on the record, nothing I had was really defining what I wanted to do. Like it wouldn’t make the sounds of the record. So I started to look for a new guitar and I came across this one. I live in California and I found one online in T-Neck, New Jersey.

It’s a 1999 Custom Shop historic of a 1965 Firebird. And I’ve replaced the pickups with a friend of mine’s pickups. His name is Tom Short. Kind of puts a, it’s not quite a firebird, it’s like a mini-humbucker version in a Firebird cap that he does. He does them for Mark Ford and quite a few other guys.

I use all the settings on all the pickups. I had all the wiring redone, it’s basically like a Les Paul. So I can turn the middle pickup on at any time, off a pop, and then I have one volume for the other two. At any time I can get all three going, or any two, or any configuration. I use all the configurations and kind of change it up nightly with how the room feels and how things feel.

As much as I want to use that vibrato, I just really don’t trust it. The maestro is one of the most tuneful vibratos, and definitely the coolest looking, but probably not the trustiest, so I never use it. I just tuck the bar back.

That Firebird is a real man’s guitar. My wife plays as well, and this guitar just feels like a gigantic machine to her. She can’t really touch it. It’s got a really big neck. It’s quite heavy, the instrument. It’s not really long scale, but it feels long scale from the scale of how the guitar is. It’s a real rock and roll machine. I love it. It’s my number one. This is the guitar I use the most on stage, definitely.”