This page about Altec 671B is a stub. You can help improve it:

Altec Lansing Altec 671B

Find out who is using Altec 671B

0 wishlisted

0 saved

Page last updated Aug 10, 2025

Pricing and availability

Store

Reviews

Price

^* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Edit description

The Altec 671B is a dynamic microphone that has made its mark in the world of studio recording and live performance. Renowned for its rugged build and reliability, this microphone is designed to handle the demands of both professional and home studios. With its cardioid polar pattern, the 671B excels in isolating the primary sound source, reducing background noise and ensuring clear, focused recordings.

Musicians and sound engineers alike appreciate the Altec 671B for its versatility. Whether you're recording vocals, amplifiers, or instruments, this mic delivers consistent performance across a range of applications. Its robust construction ensures longevity, while its ability to handle high sound pressure levels makes it an excellent choice for capturing everything from subtle nuances to powerful performances.

The Altec 671B is built to withstand the rigors of frequent use. Its sturdy design means it's not just a studio staple but also a reliable companion for live gigs. If you're looking for a microphone that combines durability with high-quality audio capture, the Altec 671B is a strong contender.

Key Features:

Dynamic microphone with cardioid polar pattern
Suitable for studio recording and live performance
Effective at isolating primary sound sources
Handles high sound pressure levels
Sturdy construction for long-lasting use
Versatile application for vocals, instruments, and amplifiers

Reviews

Add review

Based on 0 Reviews and 0 Ratings

5 star

4 star

3 star

2 star

1 star

Artist usage

Add artist

Thomas Brenneck

Guitarist, Music Producer

The Budos Band

Verified via EMusician

Mentioned in this October 11, 2016 Electronic Musician article.

These days he uses three mics on the drums, which, most people would still think of as a pretty minimalist setup. “We usually have an RCA 77DX or an Altec 639 pretty far overhead,” he says. “About three feet or so above the kit, kind of going for a Motown type of sound. And then a kick and a snare mic. We have a small ribbon mic that we put on the kick. It’s an Altec, like the little brother to the 639B, the 671B. We call it the “Mini Bird Cage.” We don’t put it right in front of the kick, but we’ll put it in that spot off to the side of the kick where you might get a little from the bottom of the snare drum and an indirect kick drum sound. Then also an overhead, and a mic pretty much on the snare drum—on top, to blend in, kind of facing away from the hi-hat, just facing the snare, and trying to only get the crack from the snare. And the cymbals and tom toms are kind of in focus because of the overhead, and we have control over the kick and snare.”

It was used on Charles Bradley's Changes, as mentioned in this April 7, 2016 Mix Online article.

Brenneck captured drums with two Altec birdcage mics: a 639a overhead and a 671 ribbon on the kick. “Very little EQ, very little compression, and then I’d just check the phase and sum them to one track,” he says.