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Description
Elevate your studio production with the ART DR-X, a versatile effects processor that's perfect for musicians and audio engineers seeking to enhance their soundscapes. Designed for both live performance and studio recording, the ART DR-X offers a comprehensive range of effects to shape and define your audio projects. With its intuitive interface and robust build, this processor is engineered to deliver precise and reliable sound manipulation, making it a staple in any professional setup.
The ART DR-X features advanced digital processing, ensuring that each effect is applied with clarity and precision. Whether you're aiming to add depth with reverb, create intricate delays, or experiment with modulation effects, the ART DR-X provides the flexibility you need. Its straightforward controls make it easy to dial in the perfect sound, while its durable construction ensures it can withstand the rigors of regular use.
This processor also integrates seamlessly with other studio gear, offering both analog and digital connectivity options. Its versatility makes it a valuable addition to any setup, whether you're just starting out or are a seasoned professional. With ART's reputation for quality and innovation, the DR-X stands out as a reliable tool for creative audio manipulation.
Key Features:
- Comprehensive range of effects including reverb, delay, and modulation
- Advanced digital processing for clear and precise sound
- User-friendly interface for easy operation
- Robust construction for durability
- Analog and digital connectivity options for versatile integration
Videos
TechWith Todd
ART DrX Multi FX Rack Unit - Dr. X Effects Unit by A.R.T.
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Artist usage
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Per "Rock This Town" publication, special issue 1991:
In 1991, the setup was as follows: [Rock This Town special issue 1991]
Sound studio: Analog Synths: Roland System 100/100M/101 (+Roland Midi interface MPU-101);YAMAHA CS-40M (in the Take One video); Oberheim Matrix 1000; Digital Synths: Yamaha DX-7 (2); Ensonic VFX; Roland DDR30; Yamaha tg77; Korg Wavestation; Sequencer: Atari 1040 (Sequ. Cubase 2.0); Samplers: AkaiS9000 (2); AkaiS1000 (8Mg + Hard Drive Mfile 44); AkaiS1000PB (4Mg); Emulator II; akai 1100, e-mu Procussion, roland s-10 for live use @ the mixing desk; Effects: Lexicon 480L; Yamaha SPX90 II (2); Roland SRV-2000; Roland SDE-3000; Alesis Midiverb II; Alesis Quadraverb; ART DRX; spx 1000 (x2); Eventide h3000 se; Mixing: Table TAC Scorpion 32/16; Recorder TASCAM MS16 tracks; Recorder DAT Luxman; Speakers Yamaha NS 10M pro ATC SCM50; QUAD ampli (for NS-10M); Diverse: compressor/limiter, noise gate, parametric eq. Live: Backline: Akai S9000; Roland DDR30; Simons & Roland Pads; Emulator II; TASCAM238 8
Graphic Studio: Commodore Amiga 2500 (6Mg + Hard Drive 40Mg); Commodore Amiga 500; Digitizer SNAPSHOT; Camera Sony CCD V-200E; Laserprint NEC Silentwriter LC890; Monitor NEC Multisync 2A.
Genre Usage
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Used With
Based on how musicians on Equipboard use ART DR-X, it is most commonly used with the following gear.
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