During the Fire Garden tour, Vai used 2 reverbs in his effects rack.

This Roland SRV-2000 is owned by Billy Corgan

"Interviewer: How did Bob's Place get put together? Did you buy your gear all at once or over time?

Mascis: At first I bought a house and then I started buying stuff. I had a couple things like some API graphic EQs I bought. I had Roland SRV 2000 reverb that I liked to use on the snare drum — those were my first two things I had. But when I got the house I decided that I should get some gear and start recording there. I never thought I would have a recording studio. It's like having your office at home — it always seemed like a bad idea, but then I realized that I couldn't deal with studios anymore and paying that much money and stuff. So I bought the 24-track machine that was the big thing to buy. I bought a couple of more things like mic pres and stuff."

Rack de Cerati en Soda (año 1987). Podemos ver que entre el SDE-1000 y el 2290 se encuentra el SRV-2000. En la página oficial del estudio Unísono, dentro del PDF de equipos que tiene el mismo, podemos ver que figura en la lista (sección "Additional Gear")

In a 1986 issue of Japanese Keyboard Magazine, there are multiple photographs of Tony Banks' rig from the Invisible Touch tour. Among these images is a picture showcasing Tony's rack synths and effects, where the Roland SRV2000 Digital Reverb can be seen under the Akai S612 sampler.

Used for the lead vocals on "Angel Dance", as stated by tracking and mixing engineer in this Mike Poole in this December 2010 Sound on Sound article.

Vocals: Urei 1178, API 550, LT Sound CLX, Roland SRV2000 & RE501, AMS RMX16, TC Electronic D•Two.

"I had the Urei 1178 compressor and the API 550 EQ on Robert's vocal, along with a parallel channel that was even more compressed. So any time he hit a low note that sounded a little muddy and needed some more clarity, I pushed up the parallel channel. There's also an effects send channel with the LT Sound CLX on it, which is a Dbx VCA compressor with a good de?esser in it, and that was used as the send to any effects devices. As a side note, all the little slices you see on the screenshot were not performance edits, but mostly me trying to get the sibilance right. I often take out little clicks and pops and also 'esses' or 'effs' out manually. A de?esser will hit everything in a technical?sounding way, and sometimes you may want to retain the emotive way a certain 'ess' or 'eff' is expressed, but only precisely change the gain, just to correct recording artifacts. 'Angel Dance' is one of the few tracks on which Robert's scratch [tracking] vocal didn't make up the largest component of the final vocal track. On this song, he re?sang the vocals later, and I think he did two passes and we used mostly one, with a few lines from the other pass thrown in. For reverb on his vocals, I used the SRV2000 long reverb and a little bit of RMX16; for delay, either the D•Two or an RE501. I used very little reverb on the tracks on the album in general, apart from on Robert's vocals and the backing vocals. The other ambience you hear may have been a long delay from the 501 or PCM42 or any of the room mics.”

Klaus Schulze utilizes three Roland SRV-2000 MIDI Digital Reverbs in his setup, as detailed on the "Klaus Schulze's Instruments" page.

"For effects, I use an old Roland SRV2000 and three Yamaha D1500 delays."

Per "Rock This Town" publication, special issue 1991:

In 1991, the setup was as follows: [Rock This Town special issue 1991]

Sound studio: Analog Synths: Roland System 100/100M/101 (+Roland Midi interface MPU-101);YAMAHA CS-40M (in the Take One video); Oberheim Matrix 1000; Digital Synths: Yamaha DX-7 (2); Ensonic VFX; Roland DDR30; Yamaha tg77; Korg Wavestation; Sequencer: Atari 1040 (Sequ. Cubase 2.0); Samplers: AkaiS9000 (2); AkaiS1000 (8Mg + Hard Drive Mfile 44); AkaiS1000PB (4Mg); Emulator II; akai 1100, e-mu Procussion, roland s-10 for live use @ the mixing desk; Effects: Lexicon 480L; Yamaha SPX90 II (2); Roland SRV-2000; Roland SDE-3000; Alesis Midiverb II; Alesis Quadraverb; ART DRX; spx 1000 (x2); Eventide h3000 se; Mixing: Table TAC Scorpion 32/16; Recorder TASCAM MS16 tracks; Recorder DAT Luxman; Speakers Yamaha NS 10M pro ATC SCM50; QUAD ampli (for NS-10M); Diverse: compressor/limiter, noise gate, parametric eq. Live: Backline: Akai S9000; Roland DDR30; Simons & Roland Pads; Emulator II; TASCAM238 8

Graphic Studio: Commodore Amiga 2500 (6Mg + Hard Drive 40Mg); Commodore Amiga 500; Digitizer SNAPSHOT; Camera Sony CCD V-200E; Laserprint NEC Silentwriter LC890; Monitor NEC Multisync 2A.

This 1988 Article states he was using a Roland SRV-2000 Reverb.

Daniel Miller is listed as using the Roland SRV-2000 MIDI Digital Reverb in his studio setup, as detailed in his interview with Sound on Sound.

"And I’ve got a Roland SRV-2000 digital reverb, which I use pretty constantly with a few different settings. On ‘San Jacinto’ I use a very large room effect, and on ‘Red Rain’ I use a smaller room."