IN ADDITION TO his work with electronic percussion devices, Erskine has jumped headfirst into the synth and MIDI fray. His home studio contains a Casio FZ1 and CZ101, a Roland Super JX, a Korg DW8000 and Poly 800, a recently MIDI'd Oberheim OBXa, a Yamaha DX100 and Yamaha RX5, PMC1 and TX816.

"It was the sort of vibe we wanted to capture for 'Pacific State', so we sampled up some chords on a Juno 106 — when you put the chorus on it and put on loads of filter so that it's quite muted, you get that warm atmosphere, and we sampled that into a Casio FZ1 keyboard as a chord: one note on the keyboard would play that chord, and the same chord was played on a Roland D50 using the 'warm strings' preset. The pad sound was therefore a combination of those two things layered, with some additional filtering on the FZ1."

In the MusicRadar Tech studio tour video, the Freemasons are shown using the Casio FZ-1 Sampler.

Mastelotto isn't shy with electronics. He used "a fair amount of samples" for composite snare sounds, including three alone for "King for a Day," played on a Roland Octopad, and the overtone of "a very ringy Ludwig similar to a tube-lug snare" sampled on an Akai S900. The drummer and his tech Paul Mitchell bent the samples with a warp function "to a note that sounded good" for each track. Tabourine-shaker, congas, tablas and other oriental percussion came from Casio FZ-1 samplers. A Yamaha RX5 drum machine crops up on the fade of "Hold Me My Daddy"; elsewhere Mastelotto used an MX8 MIDI patch bay to increase the velocity of a LinnDrum fed into a Yamaha QX2 program. An old Simmons SD55's kicks and snares are on "Chalkhills and Children" and "Poor Skeleton Steps Out." There's a Pearl SC-40 on "Cynical Days" -- "similar to a tambourine but more of a bongo" -- and "Garden of Earthly Delights," "for a low kick that bends up like a tabla." "Garden" also employs a Roland TR727 drum loop. And Mastelotto still uses sticks: Pro-Mark 5Bs or 909s, "butt-end."

David Rosenthal is confirmed to have used the Casio FZ-1 Sampler during the Heavy Nova tour with Robert Palmer in 1988-89, as evidenced by a photo from 1989 that is featured on his official website.

Jools Holland's equipment list, from the January 1993 issue of Music Technology:

(Helicon Mountain studios)

Instruments: Casio FZ1 Keyboard Sampler Casio FZ10M Sampler Module w/80-disk sound library Casio VZ1 Synth Hohner Clavinet Korg CX3 Organ w/Leslie 145 Cabinet Yamaha C5 Grand Piano Yamaha DX7 Synth

Recording: Atari 1040ST w/Steinberg Pro24 and C-Lab Creator sequencing software Fisher CD Player Revox PR99 two-track Saturn 824 24-track (Dolby SR on arrangement) Soundtracs Quartz 48-channel in-line desk (96 inputs on mixdown) Casio DA1 DAT Recorder Casio DA2 DAT Recorder XRI XR300 SMPTE Synchroniser

Effects: Drawmer Gate Drawmer Dual Compressor/Limiter Eventide Harmonizer Lexicon 480L Reverb Lexicon PCM70 Multi-effects Processor Roland SDE2000 Digital Delay SA PPE 240 Teac Graphic Equaliser Yamaha REV7 Reverb Yamaha R1000 Reverb Yamaha SPX90 (x2) Multi-effects Processor

Microphones: Neumann U87, AKG, Shure, PZM

In this Youtube video, at 0:13 seconds into the video, you can see the distinctive blue directional pads of the Casio FZ-1 on the top of Dan's synth stand.

"I do almost all of my music work out of my studio at home. Ok, here goes: I use a pair of Adats, a Soundcraft Ghost for mixing, a bunch of outboard Symetrix and Lexicon processors for dynamics and effects, and an Eventide Ultraharmonizer DSP4000 for pre/post processing and vocal effects. For keyboards I use a mix of older and newer stuff. I have an old Prophet 5, a Casio FZ-1, a Roland MKS-50 with a programmer and an Oberheim Matrix 6. For newer gear, the Roland JP-8000, MC303, and the Novation BassStation are nice for creating new sounds quickly. I also have a little Korg 01/wR with a software programmer that can be coaxed into making some fat sounds (no analog filter tho). I'm pretty religious about not using presets, so I really favor the more programmable synths.

A lot of the recording and arrangement happens inside a PC; I run Logic Audio 2.5 for digital recording, post-processing and midi arrangement. I use an Audiomedia III card for digital transfers to and from a Tascam DA-30 dat. For guitar I use my trusty Les Paul through a Marshall half-stack, with an Oberheim Echoplex on the fx loop. "

pictured in morgans studio in this sound on sound article.

can be seen playing it at 3:00 in this music video

"An interview reveals that Alexander James Wright uses a Casio FZ-1 Sampler."