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Average Price: $198
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$249
$700+
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Description
The Boss Dr. Sample SP-202 takes your audio sampling to an entirely new level, blending portability with professional-grade features. Perfect for DJs and musicians alike, this compact audio sampler offers a robust set of capabilities that make it a staple in any setup. The SP-202 is equipped with four distinct sampling modes, enabling you to capture and manipulate audio with precision. Whether you're in the studio or performing live, the intuitive interface ensures seamless operation right out of the box.
Its user-friendly design is complemented by a maximum of 32 seconds sample time, allowing you to layer and create intricate soundscapes. The SP-202 also boasts on-the-fly sample triggering, making it ideal for dynamic performances. With the ability to store up to 16 samples internally, this sampler is a powerhouse for creativity. Connectivity is a breeze with RCA and microphone input options, offering versatility in how and where you sample your sounds.
Key Features:
- Four distinct sampling modes: Lo-Fi, Standard, Long, and Extended
- Maximum of 32 seconds sample time
- On-the-fly sample triggering for dynamic performances
- Internal storage for up to 16 samples
- RCA and microphone input for versatile connectivity
- Easy-to-use interface suitable for live and studio environments
- Compact and portable design for musicians on the go
Product specs
| Brand | Boss |
| Model | SP-202 Dr. Sample |
| Finish | Black |
| Year | 1998 - 2001 |
| Made In | Taiwan |
| Categories | Samplers |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input |
| Number of Pads | 8 Pads |
| Polyphony | 4 Voices |
FAQs
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What kind of sampling capabilities does the Boss Dr. Sample SP-202 offer?
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The Boss Dr. Sample SP-202 provides four sample rates ranging from 31 kHz to 4 kHz, allowing for 20 to 260 seconds of sample time depending on the quality setting. This makes it ideal for creating lo-fi loops and grooves.
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How many pads does the Boss SP-202 have, and what are they used for?
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The Boss SP-202 features 8 pads, which are used to trigger samples. These pads allow for real-time performance and sequencing, making it a versatile tool for DJs and producers.
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Is the Boss SP-202 equipped with MIDI capabilities?
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Yes, the Boss SP-202 includes a MIDI input, allowing it to be integrated with other MIDI-compatible gear for synchronized performances and expanded control options.
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What is the polyphony of the Boss Dr. Sample SP-202?
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The Boss Dr. Sample SP-202 offers 4-voice polyphony, enabling users to play up to four samples simultaneously, which is suitable for layering sounds in a live or studio setting.
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Can the Boss SP-202 be used for live performances?
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Yes, the Boss SP-202 is designed for live use, offering real-time sample triggering and manipulation through its pads, making it a popular choice for DJs and live electronic performers.
Videos
AudioPilz
Bad Gear - Boss SP-202 - How Low Can You Go???
Reviews
PROS
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Warm analog sound adds character to music
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Multiple lo-fi options enhance drums and samples
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Built-in effects like pitch shift and filters offer creative manipulation
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Portable and battery-powered for on-the-go sampling
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Innovative BPM function for easy loop syncing
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Unique charm and simplicity in operation
CONS
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Limited sample volume control and no quantize feature
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Effects cannot be resampled; limited usability
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Only stores 8 sounds without external memory card
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Polyphony and overall functionality are very limited
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Learning curve due to lack of intuitive programming features
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss Dr. Sample SP-202.
Features and functionality
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The SP-202 lacks a sequencer and resampling, limiting its standalone capabilities for complex beat-making tasks.
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It has a four-voice polyphony, reduced to two when effects are applied, impacting its versatility in multi-layer samples.
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The SP-202's available sampling time is a critical factor, influencing how users plan their sessions.
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Software and compatibility
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The SP-202 is less convenient with DAWs, as noted by users who find it challenging to integrate effectively into a digital setup.
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Use cases and applications
Comparisons
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The SP-202's pitch shift and lofi1 sound are still praised, but newer models like the SP-303 and SP-404 offer more comprehensive features.
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The SP-202 is often compared to the SP-404; the latter is preferred for broader functionality, though the SP-202 offers a distinct pitch-shifting quality.
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Value and pricing
User experience
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The SP-202 is heavily recommended for its pitch-shifting capabilities, especially for those focused on producing lo-fi beats.
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Sampling directly from a record player into the SP-202 imparts a gritty sound, enhancing the lo-fi character of jazz samples.
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Enthusiasts express affection for the SP-202's quirky nature, suggesting a unique charm despite its limitations.
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Build quality
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Owners report the SP-202 has wobbly knobs across multiple units, though they function correctly despite the loose feel.
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Critic Reviews
4.5 out of 5
Based on 9 Reviews and 36 Ratings
1065
Super Lo Fi
Super Lo-Fi and limiting sampler, but it has a lot of charm that just makes you fall in love with it. I originally started searching for one of these when I listened to cLOUDDEAD as a teen, and feel in love with the bit crushed pads they had going on. You admittedly can't do much on these things, the most you can do when editing a sample is using a "mark" button to mark the start and stop points. No individual control of pitch, volume or anything like that, what you record in is mostly what your stuck with. However where this thing shines is the actual sampling part of it, it is already a tinge Lo-Fi on its standard setting but you can go down 3 more lower quality sample rates. Lo-Fi 1 is probly the best middle ground if you want that bit crush sound, I find Lo-FI 2 to have a bit to much volume drop and artifacts.
The effects are not that robust but each of them sounds great, the pitch is extremely nice sounding, super fluid and just works. It's not like the SP-404's pitch where it re-pitches how a guitar pedal would, and I'm glad it is not like that. The filters are quite nice, and when using them on a live input add a slight crackle that is really nice if you like that texture. I'm not quite sure how they implemented the delay on this unit but it sounds kinda odd, and it doesn't seem to ring out after the sound plays unless you are holding the pad down. You can mess with the knob as you are playing a sample to get all sorts of beautiful digital glitches, and for that reason it's probably the effect I use the most other then pitch. The time stretch and ring mod are okay, and I personally don't use them that much, but when I need them I'm glad to have them.
The major downside to this is that you can only store 8 sounds with out the smart media card, which at this point are about as hard to find and expensive as the sampler it self. And with those 8 sounds you don't get much overall sample time. I think it's this reason why you will see a lot of people say you cant make a full track on one of these, and personally i disagree. You can get a long way by just playing a sample loop and a drum break with this thing, and if you started multi-tracking or other stuff you could get extremely far, but because its an SP, people expect it to have that work flow. However there is nothing wrong if you just want to use this thing as something to color your samples and then work with them on a more capable sampler, it really has a lot of character in it. Don't buy this thing thinking it's going to be an SP-404. But I can't imagine a time where I would want to get rid of this thing, it does what it does in a way I love. These things are going up in price however, and honestly if it goes above 200$ I would stay away, its just to simple of a device to pay that much money for.
I will warn that if you are not careful with your gain staging you will get a nasty high pitch whine of sorts, you need to record into this thing a bit hot. I've heard that this can also be helped if you use batteries but I've had a lot of success just recording a bit louder into it so I've never tried that.
115
cool, lofi, sketchy, but horrendously limited, thats why I like it...
a bit hard to sample guitars, but in some sort of its own way, it works...
Preferred Settings + Usage:
reverse esrever
1822
Portable sampler!
The Boss Dr Sample 202 was supposedly designed for loops and DJ's on a budget. It's a big brick of plastic! It offers four low quality sample rates, from 31 to about 4 kHz, providing 20 to 260 seconds of sample time via built-in microphone, Mic or Line inputs. Each Pad to which you assign your samples can have user-selectable sampling rates in order to maximize sample time. It has six built-in effects including Pitch Shift, Filter 1 & 2, Time Stretch, Delay, and Ring Modulation.All really fun to play with! An innovative BPM function calculates the BPM from the sample length for easy loop/BPM syncing. The sampler can be battery powered, and originally came with lots of sampled loops and one-shots to get you going.
This was always a fun and easy to use sampler! I once even sampled one of our friends talking in their sleep with it! I loved that it was portable and easy to use. You can still find them on Ebay every now and then but dont count on much sample storage (even with the hard to find 5v SD card). I really liked that you could run any audio into it via RCA connections and use the filters and such. Fun to have around if you can find it for cheap! Not a bad little sampler at the time it was issued.
957
tool
cool sampler. to be used as a tool rather than to make music on (there's no sequencer, or resample function) - you can still make beats on this though;) imo - no need to get a memory card. the effects get limited when using the card. lofi is VERY lofi, don't get it for that only though.
41010
the original 202 sampler was so fun...
90
god sampler
super god sampler super god sampler super god sampler super god sampler super god sampler super god sampler
Artist usage
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In an Instagram post by Fatboy Slim, the Boss Dr. Sample SP-202 is visible on a shelf in his studio, as shown in the 11th photo of the post. This image was shared by Fatboy Slim on his official Instagram account with the caption, "40 years in showbiz, what a ride. Here’s a few snippets from my coffee table pictorial book 'It Ain’t Over ‘Til The Fatboy Sings'."
Nick used to have a Boss SP-202 and a Boss SP-303 on one of his pedal boards. At some point he moved onto just a 303 (now up on a stage table) and again on to either a Boss SP-404 or Boss SP-404SX (on a table) live for triggering samples.
This is one of many pieces of gear listed in a 2007 Computer Music feature on Venetian Snares.
An SP-202 sampler can be seen sitting next to a Microkorg in this photo from this interview. https://xlr8r.com/gear/in-the-studio-shigeto/
When I started making electronic music I was mainly using software like Cakewalk, Impulse Tracker, Rebirth as well as any additional freeware I could find. The first hardware I bought was the Yamaha CS1x and Boss Dr. Sample 202 plus some random FX pedals. My family wasn't exactly rich so I had to work within my limitations. I think this had a lot to do with how I approach making music to this day. Now I still have a quite simple set-up using a Macbook Pro running Ableton Live and some MIDI Controllers. I don't really use many plug-ins apart from a few go-to's like Michael Norris' SoundMagic Spectral plugins and Native Instruments Reaktor + Massive. For the most part I've found that the built-in Ableton plugins are sufficient.
Album Usage
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Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss Dr. Sample SP-202, it is most commonly used with the following gear.
Community setups
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Add recommendation2 alternative and related items for Boss Dr. Sample SP-202, curated by the Equipboard community.
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The SP-303 succeeded the SP-202. While the 303 didn't have the built-in microphone or the ability to run on batteries like the 202, it was a substantial technical improvement in most every other area.