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DeArmond 600 Volume

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Page last updated Aug 11, 2025

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The DeArmond 600 Volume pedal stands as a testament to the elegant simplicity and enduring functionality that guitarists seek in a volume effects pedal. Crafted with precision, this pedal offers seamless volume control, allowing you to manipulate your sound dynamics with ease. Built on a foundation of reliable passive electronics, it requires no power supply, making it a versatile addition to any pedalboard setup.

Renowned for its durability, the DeArmond 600 Volume pedal features a robust construction designed to withstand the rigors of both studio sessions and live performances. The pedal's smooth action ensures precise volume adjustments, whether you're executing subtle swells or dramatic cuts. Its minimalist design focuses on delivering consistent performance without unnecessary frills, making it an excellent choice for musicians who value straightforward functionality.

Key Features:

Passive volume pedal; no power supply required
Smooth, precise action for dynamic sound control
Durable construction for long-lasting use
Ideal for both live performances and studio settings
Compatible with a variety of guitar setups

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Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about DeArmond 600 Volume.

Build quality

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Gear-driven volume pedals, like the Dunlop DVP, are considered more reliable than string or belt-driven models due to fewer moving parts.
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Features and functionality

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Some modern volume pedals offer additional features like built-in analog effects, e.g., chorus, which can enhance performance versatility.
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Active volume pedals can include features such as buffers and indicator LEDs, offering more functionality compared to passive models.
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Vic Flick

Guitarist

The Vic Flick Sound

Verified via Photo

Visible in this late 1950s photo with The John Barry Seven and mentioned in this April 2012 Vintage Guitar interview.

In the studio, I rarely changed volume, as the sound man had all his knobs adjusted for the mix. Mostly, I used a DeArmond pickup through a DeArmond pedal and then into a Fender Vibrolux amp. I purchased the Fender amp in ’62, just prior to the Bond recording that June. There’s a picture of the amp and an original Maestro Fuzz Tone pedal in my book. I did have a 15-watt Vox at the time, but it fell off a stage.