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Average Price: $1,784
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Description
Empirical Labs EL8X Distressor is a digital-controlled compressor that masterfully blends modern control with vintage character. Inspired by the legendary UREI 1176 compressor, the EL8X Distressor incorporates the classic "all buttons in" feature, known as the British Mode, giving your sound an aggressive, in-your-face presence.
This unit is designed with a myriad of features to shape your tone. Its proprietary Image Link function ensures a consistent stereo image, even under heavy compression, providing a balanced and wide soundstage. You can switch between the original phase-based linking and the new Image Link, or even combine them for maximum control.
The EL8X Distressor offers a range of ratios from 1:1 to ∞:1 and attack times from 20μs to 50ms, allowing for subtle leveling or bombastic pumping effects. Its LED display provides clear visual feedback for gain reduction, input/output levels, and distortion amounts, ensuring precise adjustments.
Built to last with an all-metal chassis, the EL8X Distressor embodies the Empirical Labs' commitment to rigorous standards and dependable use. With a dynamic range over 110dB and a frequency range of 2Hz to 160kHz, this unit handles a wide range of signals with clarity, musicality, and a pristine signal path.
Key Features: - Proprietary Image Link function for maintaining a consistent stereo image - British Mode for aggressive, in-your-face sound - Wide range of ratios from 1:1 to ∞:1 - Attack times range from 20μs to 50ms - LED display for gain reduction, input/output levels, and distortion amounts - All-metal chassis for durability - Dynamic range over 110dB - Frequency range of 2Hz to 160kHz - DC-coupled output for clear, musical tone.
Owner's manual
Empirical Labs EL8-X Distressor User ManualProduct specs
| Number of Channels | 1 |
| Controls | Ratio (Button), Input, Attack, Release, Output |
| Ratio | 1:1 to 20:1 (And "Nuke") |
| Frequency Response | 2Hz-160kHz (-3 dB) |
| Inputs | 1 x XLR, 1 x 1/4", 1 x 1/4" (Stereo Link) |
| Outputs | 1 x XLR, 1 x 1/4", 1 x 1/4" (Stereo Link) |
| Rack Spaces | 1U |
| Height | 1.75" |
| Depth | 10" |
| Width | 19" |
FAQs
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What does the "British Mode" on the Empirical Labs EL8-X Distressor do?
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The "British Mode" on the EL8-X Distressor emulates the sound of classic British console compressors by adding a unique, aggressive compression character, ideal for drums and vocals.
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Can the Empirical Labs EL8-X Distressor be used for both tracking and mixing?
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Yes, the EL8-X Distressor is versatile enough for both tracking and mixing, providing compression and harmonic distortion that enhance vocals, instruments, and overall mixes.
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What are the connectivity options for the Empirical Labs EL8-X Distressor?
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The EL8-X Distressor offers XLR and 1/4" inputs and outputs, along with a 1/4" stereo link option for connecting multiple units.
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How does the "Nuke" ratio setting on the Empirical Labs EL8-X Distressor work?
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The "Nuke" setting on the EL8-X Distressor provides extreme compression, effectively squashing the signal for a heavily compressed, punchy sound.
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Is the Empirical Labs EL8-X Distressor suitable for stereo applications?
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Yes, the EL8-X Distressor includes a stereo link feature, making it suitable for stereo applications when paired with another unit.
Videos
Doctor Mix
Parallel Compression: Kick & Snare With The Distressor
Reviews
PROS
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Clean, clear, natural sounding compression
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Works well with electric and acoustic bass, providing transparency
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Organic sound enhancement, especially for passive bass
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Noticeable improvement in depth/fullness on snare versus software
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Versatile across a wide range of applications (vocals, drums, guitars)
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Offers both subtle and over-the-top pleasing harmonics
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High pass filters in the detector circuit allow low end through without triggering compression
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Opto mode provides smooth and natural sound similar to LA2A
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Can emulate the sound of classic compressors with simple tweaks
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Built tough and considered an industry standard
CONS
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Expensive for individual musicians, better suited for studios
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Learning curve to fully utilize its features and settings
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Empirical Labs EL8-X Distressor.
Features and functionality
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The Distressor's gain reduction LEDs move faster than traditional VU meters, allowing more than 10dB reduction without sounding overly compressed.
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The Distressor includes a 'bump' button in the sidechain circuit, enhancing compression at specific mid-frequency ranges like 5.5-6kHz, acting as a de-esser.
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Engaging the link function, even without a second unit, allows for more THD before running out of headroom and alters compression behavior slightly.
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Use cases and applications
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The opto mode is favored for vocals, especially with dynamic singers, offering forgiveness at high gain reduction.
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Different detector modes, like the ♈️ symbol, provide varied compression sounds, with one acting similarly to a de-esser on vocals.
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The 1:1 compression setting allows users to run signals through the Distressor to impart harmonics and character without actual compression.
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The 'nuke' setting is particularly effective for adding room tone or when used for parallel compression.
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Owners found the Distressor excels at bringing elements forward in a mix, making sources brighter and more prominent without adding dirtiness.
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Using the Distressor after a mic preamp on a mic signal can add warmth and a classy oomph, even without engaging distortion modes or applying gain reduction.
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The Distressor is praised for its versatility, working well on vocals, drums, bass, and acoustic guitars, often becoming a staple in diverse setups.
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Comparisons
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The Distressor can emulate an 1176 compressor with the 4:1 ratio and distortion settings, and replicate vari-mu characteristics at 2:1.
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Users frequently compare the Distressor to the 1176 and CLA2, noting its versatility and ability to substitute for these compressors in various settings.
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Some users find Distressor's tonal character synthetic or plastic compared to an 1176, preferring the latter for more natural compression.
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While plugins like UAD come close, hardware Distressors offer unique tonal characteristics, especially noticeable at extreme settings.
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User experience
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Owners describe the Distressor as a "polite" compressor, despite its ability to add distortion, indicating its capability to enhance mixes subtly.
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5.0 out of 5
Based on 1 Review and 26 Ratings
97
Distressor: My go-to for vocals & bass
We have 2 Distressors at 825 Records and I don't think a lead vocal I've mixed has not run through it since I've had them. I also use them on bass, room mics and piano. My favorite feature about the Distressors aside from a magic they possess is the detection and saturation selections.
Artist usage
Add artist
"We have the Distressor compressor, for the recording of vocals." (In the video, he points to two of these units.)
Two EL8-X Distressors can be seen in the rack behind Ludwig in this picture taken from the following Complex article: https://www.complex.com/music/2018/12/ludwig-goransson-2018-ultimate-secret-weapon-interview They can also be seen in the following picture: https://static01.nyt.com/images/2019/11/12/arts/11ludwig1-promo/11ludwig1-promo-superJumbo-v2.jpg
Important note: the yellow marks between knobs prove it's the EL8-X version, with Stereo Image Link and British Mode switches, and not EL8 version.
Mentioned by mixing engineer Michael Brauer as being used on "Violet Hill" in this Sound on Sound interview about the production of Viva la Vida & Death and All of His Friends. It is visible in this photo from the same interview.
Drums: Neve 1083, Urei 1176, ADR Compex, Pye & Chandler EMI compressors
"I put some samples behind the kick and snare. I have built up a collection of a few hundred kicks and snares, so I can try many different types. This is where I spend a lot of time searching for the right sound. I may spend two hours trying to get the drum sound right. This is not to say that the original drum sounds in this track were bad, in fact they were great. So I'm building on top of them, I'm not replacing them. I can't remember the last time I actually replaced a drum sound. I just added a little bit to the kick and snare to enhance them. The snare sound is very important for a song and sometimes I vary it throughout the song, maybe downplaying one of the chorus snares in the verse, but in this particular case the snare sound doesn't change.
"The main drum sound is coming from their snare, which I had up really loud. They had a nice overhead snare sound that already had reverb and stuff on it that was also very important to the sound. The kick and snare both went through my Neve 1083 EQs. I put the room sounds through my great, very vicious, old British Compex compressors. I also put the cymbal room sound through the Compex. The Compex compression makes the sound grainier and more aggressive. The toms, which were really well recorded, went through my stereo Pye compressors to make them more explosive, and were also sent to my stereo 1176 compressors and my Chandler EMI compressors. The 1176 and the Chandler are also explosive, so basically the tom sound was f[***]ing explosive. I maybe added a bit of compression on the hi–hats, and did very little with the mono overheads."
(...) Finally the basses, like the drums, went through Bus B in my multi–bus compression setup, which consists of Distressors going into my Avalon E55 EQ."
Seen in Buck Owen's studio (owned by Korn frontman Jonathan Davis since around 2010) at the 4:45 mark in this YouTube interview with Synergistic Research.
In a Twitter post by @thisisduster, it is confirmed that Clay Parton uses the Empirical Labs EL8-X Distressor, as the equipment is shown in the image captioned "(mixing)."
In the interview titled "How ‘Eastside’ Accidentally Turned Benny Blanco Into a Superstar" by Daniel Wall on YouTube, a pair of Empirical Labs EL8X Distressors can be seen in Benny Blanco's effects rack.
At the 34:51 mark in the "Tim Pierce Rig Rundown Guitar Gear & Studio Tour" video by Premier Guitar on YouTube, the Empirical Labs EL8-X Distressor is clearly visible in Tim Pierce's rack setup, confirming its use in his studio equipment.
Used for vocals on the Racine carrée Tour, as stated by FOH engineer Lionel Capouillez in this February 22, 2015 Light Sound Journal interview.
ZioGiorgio.com: What are you using on Stromae’s voice?
Lionel Capouillez: I use a Distressor on the lead voice. Then I’ve got this de-esser from SPL, it’s so good! Really amazing! Some time ago it fell down and broke … it was horrible. [laughs] I can’t do without it. So the chain on Stromae’s voice is: Midas preamp from the desk, then the signal goes through the Distressor, into the de-esser and turns back to the console.
An image of the FOH rack gear from the interview reveals three EL8-Xs.
In the Rock Feed YouTube video titled "Inside M. Shadows’ AVENGED SEVENFOLD Studio (Full Tour)," the Empirical Labs EL8-X Distressor is visible in a gear rack behind M. Shadows at the 0:26 mark, where the name of the device can be clearly seen. Further confirmation is provided at 0:38, where the other side of the gear is shown.
Album Usage
The Empirical Labs EL8-X Distressor has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Empirical Labs EL8-X Distressor, it is most commonly used with the following gear.
Community setups
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Add recommendation1 alternative for Empirical Labs EL8-X Distressor, curated by the Equipboard community.
$1,996.00
According to Empirical Labs this 30th anniversary edition; >includes all of the upgraded features found on the EL8X (Stereo Image Link, Brit Mode), now coupled with the famous Triad HS-56 transformer at the input stage, known for its ability to add clarity and "size" to sub content.
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