In this video, PBW can be seen using the EPS 16 in the studio with Charizma in 1992, while also talking about using it at that time.

According to a list of equipment which is used in his studio, Crowdspacer, Joakim is also a user of Ensoniq EPS 16 Plus.

At 12:02 Edgar explains how he uses the Ensoniq ASR-10 along with the Ensoniq TS-10 and the Ensoniq EPS-16

"Here is my main studio setup these days: Macintosh computer, Otari 8-track and Soundcraft mixer, Yamaha DX7II and TX81Z, Ensoniq EPS16+, Korg Wavestation, Sequential Prophet 5 and SixTrack, Casio CZ101, Lexicon reverbs, Eventide H3000, delays and other procesors, steel guitar, bamboo and clay flutes, percussion, etc. etc."

Some gear that Mick Harris has used:

Ensoniq ASR10 workstation/sampler. Emu E64 sampler. Novation Bass Station synth. Alesis D4 drum module. Ensoniq EPS 16+ workstation/sampler.

In a Facebook post, Kid606 is shown using the Ensoniq EPS 16 Plus audio sampler.

Mentioned in the "Gear List for Contempt (1999)".

Tweet from Sascha Dikiciyan about the Ensoniq ESP 16.

In this YouTube clip it shows producer E-A Ski using a Ensoniq EPS-16 plus to make a beat.

Used ca. 1990 (a terminus a quo from the release of the EPS 16 Plus) at local studios, as mentioned in this March 31, 2021 Native Instruments blog interview.

What year did you start making beats? What was your gear and process like in the beginning?

I started making beats in 1986 with old Yamaha and Casio keyboards with drum sections. I didn’t do anything too complicated or good but it was my introduction to beats. One of my neighbors had an SK-1 (keyboard) they let me play with. After playing around with that, I started to make pause tapes using cassette recorders to create loops. I was able to make some decent sounding songs with some breaks and choruses. I got serious about making beats and began to go to studios in 1989. I didn’t have any of my own equipment yet so I used what was at the studio. There were some turntables and different little drum machines, a huge mixing console, an MPC60 and I think an Ensoniq EPS-16. This was all along with tape machines, effects, compressors and other outboard gear. I instantly gravitated toward the MPC and fell in love with what could be done with it. I eventually created a decent little pre-production studio in my bedroom. That’s where I taught myself how to scratch and DJ and I would eventually use these skills in my production as well.

Does the approach that you started off with still influence the way you compose now?

Yes, 100%. I come from an era where you would pre-produce things before going to the studio to do the actual recording. I didn’t know it at the time but my pause tapes were pre-productions that saved me time when working on my final productions in the studio. The joy of finding loops and imagining what to do with them is still very fun for me.

In this Instagram photo, DJ Hard Rich shows off his collection of vintage rackmount Ensoniq samplers including the Ensoniq Mirage, Ensoniq EPS M, and Ensoniq EPS 16+.

Evidence from a Facebook post containing an image of a musical device with a distinctive blue screen and a checkerboard pattern above two rows of LEDs confirms that Sweet Valley utilizes the Ensoniq EPS 16 Plus. The visual details such as the "File Loaded" message displayed on the screen correspond to the unique design features of the Ensoniq EPS 16 Plus, a notable piece of equipment in the category of Audio Samplers. This identification was further validated using Google Lens technology.