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Pricing and availability
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Description
The Friedman Naked amplifier head is where raw power meets simplicity, designed for guitarists who crave the pure, unadulterated tone of their instrument. This no-frills amp head is built for those who appreciate the essence of rock and roll without any unnecessary embellishments. The Friedman Naked is driven by EL34 power tubes, delivering an unmistakable British sound with plenty of punch and clarity. It provides a straightforward, intuitive interface that lets you dial in the perfect sound quickly, making it a favorite among purists and professionals alike.
Engineered with meticulous attention to detail, the Friedman Naked incorporates a hand-wired circuit board, ensuring top-notch signal integrity and reliability. Its minimalist design doesn't skimp on quality, offering a robust build that comfortably handles the rigors of both studio recording and live performance. The absence of reverb and effects loop underscores its commitment to delivering a direct, uncolored signal path, making it an ideal choice for guitarists who rely on pedals for their effects.
Key Features:
- 50-watt tube amplifier head
- Powered by EL34 power tubes for a classic British tone
- Hand-wired circuit board for superior signal integrity
- Minimalistic design with no reverb or effects loop
- Ideal for use with external effects pedals
- Simple control interface for quick and easy sound shaping
Videos
Michael Nielsen - Big Hairy Guitars
The Best Amp You CAN'T Get
The Best Amp You CAN'T Get
Michael Nielsen - Big Hairy Guitars
Tone Merchants and Dave Friedman of Rack Systems Ltd. Present The Naked Amp feat. JMR
OfficialJMRMusic
Friedman Naked Demo
Mark Day Guitar
Friedman Naked Amp Very Rare Amp! #friedmanamps
TONE WARS
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Friedman Naked.
Comparisons
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The Friedman Naked is described as a blend of Mark IV, Friedman JJ, Marshall JCM800, and EVH 5150 Stealth, combining their strengths while minimizing flaws.
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Some find the Naked sizzly and cutting, suggesting it performs best in recording and live settings despite being less impressive in direct comparisons with other amps.
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Use cases and applications
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Owners note the Naked's ability to deliver a dry, dark high gain rhythm sound that records exceptionally well.
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Other
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The Friedman Naked's rarity is highlighted, with very few units available due to an unfulfilled limited production run.
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Software and compatibility
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ML Sound Lab offers a plugin that replicates the Naked, providing an affordable alternative to experiencing its tone without owning the amp.
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Based on 0 Reviews and 0 Ratings
Artist usage
Add artist
Jeff [Pilson] has an amp called a Naked [by Friedman Amps], which is a custom-made boutique amp that I believe is based on an early Marshall JTM45. I’m always using my Les Pauls, primarily my Dio-era Les Paul that I did the Holy Diver album with. That and my other Les Paul, which is the Custom Shop model that came out last year.
The Naked head has a storied history. Friedman produced the original line more than 10 years ago in very small quantities (around a dozen were made, and most went to Japan). The first Naked was designed with the input of A Perfect Circle guitarist Billy Howerdel. Friedman had previously modded Howerdel’s 1978 Marshall JMP 100-watt head. The preamp in this circuit was key to Howerdel’s tone, and it was influenced by a certain boutique amplifier that Howerdel was a fan of. Howerdel loved the amp so much that he commissioned Friedman to build several amps based on his beloved JMP. Thus, Howerdel’s request for a high-gain, clear-sounding amp with supreme touch sensitivity was the inspiration for the Naked 100-watt head.
Album Usage
The Friedman Naked has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Friedman Naked, it is most commonly used with the following gear.
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