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Average Price: $407
Standard/Professional
$100
$501+
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Budget
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Price History
Based on price data from 3 merchants for "Golden Age Project EQ81 MKIII 4-band Equalizer". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the Golden Age Project EQ81 MKIII 4-band Equalizer, a versatile unit that brings the classic 1081 console module vibe to your recording setup. The EQ-81 MKIII is built around a class-AB equalizer circuit that mirrors the EQ section from the 1081 module. It doesn't possess the high and low pass filters but makes up for it with its warm, punchy, sweet, and musical sound character.
The EQ-81 MKIII's stepped frequency controls offer a wide selection of frequencies from 33 Hz to 15 kHz. The BASS and TREBLE frequency bands can be switched between shelving and bell, while the MID frequency bands feature a bell type with a switchable Hi Q setting. It offers a control range of +/-18dB and the ability to set all four bands in an off mode.
The standout feature of the Golden Age Project EQ81 MKIII is its versatility. It can be used as a standalone EQ or connected to the insert jack of one of the Golden Age Project preamps. When combined with a PRE-73 preamp using a UNITE rack kit, you can achieve a 19-inch 1081-style unit at a budget-friendly price, without compromising the sound quality.
Key Features:
- Vintage Style electronics with no integrated circuits in the signal path when the Insert connector is used
- 4-band with inductor based mid frequency bands
- Stepped frequency selection from 33 Hz to 15 kHz
- Control range up to +/-18 dB
- Each band has an off mode
- Tantalum capacitors in the EQ signal path
- Can be used with Golden Age's preamps with an insert jack or as a standalone unit
- TRS jack for the INSERT mode in-and output connection
- IC-based in-and output stage for the LINE IN mode with balanced TRS and XLR connectors
- Selectable ground lift jumper
- External power supply to avoid interaction with the audio circuits
Owner's manual
Golden Age Project EQ81 MKIII 4-band Equalizer User ManualProduct specs
| Type | Solid State |
| Number of Channels | 1 |
| Number of Bands | 4 |
| Q Type | Switchable Hi Q |
| Boost/Cut Range | ±18dB per band |
| Freq Range High | 3kHz-15kHz |
| Freq Range Hi-Mid | 1500Hz-10kHz |
| Freq Range Lo-Mid | 230Hz-1600Hz |
| Freq Range Low | 33Hz-330Hz |
FAQs
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What type of equalizer is the Golden Age Project EQ81 MKIII?
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The Golden Age Project EQ81 MKIII is a vintage-style, solid-state 4-band equalizer designed for precise tonal shaping and enhancement in studio recording environments.
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What is the frequency range of the high band on the EQ81 MKIII?
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The high band on the EQ81 MKIII covers a frequency range from 3kHz to 15kHz, allowing for detailed control over the high frequencies in your audio signal.
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Can the Q type be adjusted on the EQ81 MKIII?
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Yes, the EQ81 MKIII features a switchable Hi Q option, enabling more precise control over the bandwidth of each frequency band for targeted equalization.
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What is the boost/cut range available on each band of the EQ81 MKIII?
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Each band of the EQ81 MKIII offers a boost/cut range of ±18dB, giving you significant flexibility in shaping the tonal balance of your audio.
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Is the Golden Age Project EQ81 MKIII suitable for use in professional studios?
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Yes, the EQ81 MKIII is designed for professional studio use, offering high-quality components and a vintage-style sound ideal for enhancing recordings.
Videos
JeffreySchmidtMusic
Golden Age Project EQ-81 MK3 - Review & Demo
Reviews
PROS
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Rugged, long-lasting build quality
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Provides a classic Neve-style EQ sound
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Exceptional analog saturation and character
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Effective for vocals, guitars, and bass
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High Q option for precise mid-band control
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Versatile shelving options for low and high bands
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Enhances clarity in voice recordings
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Easy to use for those new to analog EQ
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Great value for a standalone inductor EQ
CONS
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Sensitive to electromagnetic interference
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Noticeable background noise in some setups
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Small and closely spaced controls can be fiddly
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Lacks a bypass switch for easy comparison
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High frequencies can be difficult to control
5.0 out of 5
Based on 1 Review and 1 Rating
41029
It's not a perfect 1081 but for the money? 5 stars!
Many with more experience will say that the class AB 1081 sacrifices the sweetness of the 73 for features and that it doesn't even touch the 1084 which is class A and has hiQ on the mid as well as some extra frequencies available... but I always liked having the extra mid band!
As with the GAP eq71 you want to avoid the mk1 eq81 if you want to use it on your desk's inserts or loop it through an interface output back to an input while mixing (although if you have a pre73 you can easily loop in and out of the ou interface assuming you'renot trying to compress pre-EQ and you can run off your inserts with or without compression before the line amp assumingyou're super precise with gain staging, though the results in either instance you won't exactly be getting the effect of a neve 80 series desk with dynamics insertion but you'll get some mojo from the transformer balanced line amp though it will be colored by anything before it).
If you've never used a 1081 know that it's the cleanest neve eq with the most flexibility... but just as with the 3 bands it's impossible to destroy your source material. This eq does exactly as much as it needs to and no more. If you're new to analog EQ this unit is a great starting point.
I personally love the sound of an 81 or ISA eq so I'm coming in with some bias towards the later neve designs. It's very clear but not without character and the frequencies available are perfect for sitting any source in a mix assuming it's not recorded incompetently. Even for corrective EQ this circuit is a champ as the frequencies are perfect for most of the mic placement errors you encounter as a mix engineer. The HiQ settings are just right most of the time. If the 81 won't do it you may need a full parametric or like a urei little dipper! Or just make the idiots who recorded it go back and do it over... just kidding.
Without springing for a great river I feel like golden age is the only game in town for this type of inductor eq in a standalone format for insert use. It's not that good but it's really good, ok? You can rack a pair of these new for half the price of the eq2nv and you will be really happy... you lose a little vibe and may experience some smeariness due to the IC in and out buffers versus class A discrete buffers but really, its minor; the sparkle and harmonic richness is right there. Wealthy connoisseurs will quibble, but I work the cheap seats and I definitely will take the cheapo clone over a plugin. Even a BAE or AMS is kinda out of my reach still. I have a kid to feed.
The wall warts are a bummer but investing in their rackable PSU solves that, running 4 modules from a single conditioner outlet... and once you have 1 of these you'll want more. The rack mount kit is sturdy as heck and pretty cheap at about 50USD.
I have not been this happy with a brand new budget piece for a long time and plan to purchase a few more... and some moe eq73s!
Preferred Settings + Usage:
I will try this on anything. It's great on kick,, bass, guitar (270 and 330 at hiQ for electricguitar muck, 2k7 or 3k3 low for harshness, hi and low shelves or bells to taste), any vocal especially post compression! Try a little sandwich with a 1073 strip shaping the track into a varimu or la2a followed by the eq81 making corrections and boosting 15k as a shelf... and maybe pop a fet compressor in parallel... badaboom
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