The Goodrich L-120 LowBoy volume pedal includes two outputs, which can be used for stereo setups or as a separate tuner output.

A common modification involves disconnecting the two output jacks and adding a 1-meg resistor to create an always-on tuner output.

It's recommended to place the volume pedal first in the signal chain, directly after the guitar and before other effects.

The internal string tension significantly affects performance, with loose tension allowing volume leakage and tight tension causing volume drop when foot pressure is released.

Owners have had to replace pots multiple times a year, indicating maintenance can be frequent if the pedal is used heavily.

A common issue is the string breaking, which can be easily fixed by removing the rubber feet and bottom panel to access the interior.

Some users utilize the second output to run through different effects chains, offering more versatility in live performances or recording sessions.

The pedal's reliance on a string to control the pot may feel inadequate for its price, as highlighted by owner frustrations with string-related issues.

The Goodrich L-120's low profile design provides better knee clearance for taller players, especially when wearing boots, enhancing comfort during extended play.

Some users experience a persistent low volume output even when the pedal is fully backed off, indicating a potential design flaw.

Some players prefer the Goodrich L-120 over Ernie Ball due to a more balanced sweep, avoiding overly sensitive volume changes when adjusting their foot.

Owners comparing the Goodrich to the Bloomery note the latter has a dead zone at the start of the treadle, which might be a dealbreaker for some.

Compared to the Telonics multi-taper, the Goodrich requires more frequent pot changes, while the Telonics offers adjustable taper, drag, and impedance for more reliability.