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Description
Black Math originally started as a passion project. I'm a huge fan of the garage rock coming out of Detroit in the early 2000's. It's common knowledge among guitarists that all of of that sound came from big old NYC Reissues. I've owned several of them over the years, but none sounded quite right. Then I had a revelation, the NYC reissue that was available then is thoroughly different than the one available now. Designed by the amazing Fran Blanche, this version had a bit more compressed and scooped sound. When boosted into saturation it gets an even more compressed, blown out sound. A few adjustments later I arrived to the sound I had heard in so many live videos in one box.
Controls:
BOOST: Pre fuzz Op-amp boost to saturate and overwhelm.
GAIN: Amount of rock. Allows for more treble frequencies to pass at low gain settings.
TONE: Typical tilt tone control. Woolly bass to the left and treble to the right.
LOUD: Amount of loud
BLOWOUT:(Switch) Takes out the diodes in the first clipping stage to pumble the rest of the circuit.
Internal Controls:
MIDS: sets the amount of midrange dip or boost.
Uses standard Boss style power supply (9VDC 2.1mm center negative) and top-mounted jacks. Enclosures are Hand Screen Printed by Pinebox Customs.
Product specs
| Power | 9V |
| Analog/Digital | analog |
Videos
collector//emitter
Mask Audio Electronics - Black Math
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Mask Audio Electronics Black Math.
Features and functionality
Use cases and applications
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Running the Black Math with a compressor before it and a Distortion Plus after creates a highly praised tonal combination.
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Stacking the Black Math with effects like the Dr Scientist BitQuest or EAE Hypersleep delivers complex, evolving soundscapes.
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The Black Math excels in achieving a massive sound, especially when the blowout switch is activated, capturing the essence of Jack White's signature tone.
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User experience
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Users describe the Black Math as versatile, capable of delivering a fuzzstortion sound without the typical volume loss seen with other fuzz pedals.
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Users appreciate the Black Math for consistently delivering desirable tones, unlike traditional Big Muff pedals which often required more effort to find a usable sound.
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Comparisons
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Unlike Big Muff pedals, the Black Math is favored for its unique tonal character and compressed sound, aligning with garage rock styles from early 2000s Detroit.
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The Black Math is inspired by the Frantone muff circuits, aiming to replicate Jack White's live fuzz tone from "Under Great White Northern Lights."
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Artist usage
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Used With
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