The Maton 808TE includes a dual pickup system with a Piezo in the bridge and an internal microphone, offering versatile tonal options.

The guitar was noted for producing an amazing tone reminiscent of Leo Kottke, particularly when paired with medium Elixir nanoweb strings.

Truss rod access in the Maton 808TE requires a special tool or a nut driver through the sound hole, making adjustments challenging.

The low E string is set at 5/64 and high E at 4/64, requiring significant saddle sanding, which affects the string angle to the saddle.

A factory setup involves tightening the truss rod three cranks to correct high action, leaving more saddle material and improving neck angle.

Some users report needing to replace frets after three years of heavy gig use, indicating the potential for maintenance based on playing style and frequency.

The Maton 808TE's tone and setup are well-suited for drop D tuning, enhancing harmonic slaps in performance.

The guitar excels as a stage instrument, especially for blues and fingerstyle, as its cedar and Blackwood combination offers a warm and open sound with some bite.

Over time, users have adjusted string height, indicating that gradual customization may be necessary for optimal playability.

A newer Maton model compared to older ones exhibits a better neck angle, suggesting improvements in factory setups over time.

Owners frequently perform three-hour gigs with the Maton 808TE, noting that it reduces hand fatigue compared to other models like the Martin HD-28.

The cedar top of the Maton 808TE may show scratches and wear quickly, which some players view as adding character to the instrument.

The Maton 808TE has minimal finish, leading some owners to apply thin varnish and polish to the Blackwood and cedar for added protection.