Pricing and availability

We compare 600+ stores and found this item at 6 stores. Prices updated .

Average Price: $245

High-end/Boutique

$75

$201+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 5 merchants for "Solomon LoFREQ Sub-Style Dynamic Kick Drum Microphone". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

Capture the thunderous low-end of your kick drum without the hassle of makeshift setups with the Solomon LoFReQ Sub-Style Dynamic Kick Drum Microphone. Designed to replicate the revered reverse-speaker mic technique, the LoFReQ provides a streamlined solution for musicians and engineers seeking deep, resonant bass tones. The 6.5-inch dynamic driver is housed in a durable Tolex-wrapped fiberboard shell, ensuring it's as robust as it is sonically impressive.

The LoFReQ's bidirectional polar pattern is perfect for isolating low frequencies, while its frequency response from 50Hz to 3kHz ensures you capture the full spectrum of your kick drum's sound. Matching the gain and impedance of traditional 52-type kick drum mics, this microphone integrates seamlessly into existing setups. The built-in mount offers effortless attachment to a standard mic stand, making positioning straightforward and adaptable.

Whether you're recording in the studio or performing live, the Solomon LoFReQ delivers powerful, chest-rumbling bass that stands out. Its lightweight design, weighing in at just over four pounds, makes it a portable yet potent addition to your microphone arsenal. With a customized inline pad for taming unruly levels and a reliable Neutrik XLR output jack, the LoFReQ is built for performance and durability.

Key Features:

  • 6.5-inch dynamic driver with a bidirectional polar pattern
  • Frequency response: 50Hz–3kHz
  • Gain and impedance match for 52-type dynamic microphones
  • Customized inline pad for level control
  • Built-in mount for easy mic stand attachment
  • Robust Neutrik XLR output jack
  • Rugged Tolex-wrapped fiberboard shell with protective grilles
  • Lightweight design at approximately 4.1 lbs

Product specs

Microphone Type Dynamic
Polar Pattern Figure-8
Frequency Response 50Hz-3kHz
Output Impedance 150 ohms
Features Built-in Mount, Tolex Wrapped Fiberboard Shell
Connector XLR
Dimensions 7" x 3.5"
Weight 4.1 lbs.

FAQs

What is the primary application of the Solomon LoFREQ Sub-Style Dynamic Kick Drum Microphone?

The Solomon LoFREQ is designed specifically for capturing the low-frequency elements of kick drums, providing a deep, punchy bass response ideal for live performances and studio recordings.

What polar pattern does the Solomon LoFREQ microphone use, and what does it mean for recording?

The Solomon LoFREQ uses a figure-8 polar pattern, which captures sound from the front and back of the microphone while rejecting sound from the sides, making it suitable for isolating the kick drum in a multi-instrument setup.

How does the frequency response of the Solomon LoFREQ affect its sound capture?

With a frequency response of 25Hz to 3kHz, the Solomon LoFREQ is tailored to capture the sub-bass frequencies of kick drums, ensuring a robust and powerful low-end presence in your mix.

Is the Solomon LoFREQ compatible with standard microphone stands?

Yes, the Solomon LoFREQ features a built-in mount that is compatible with standard microphone stands, allowing for easy positioning and setup in any recording or live environment.

What type of connector does the Solomon LoFREQ use?

The Solomon LoFREQ uses a Neutrik XLR connector, ensuring reliable connectivity with professional audio equipment and interfaces.

Sweetwater

Sweetwater

Solomon LoFReQ Sub-style Dynamic Kick Drum Microphone Demo

Video thumbnail for Solomon LoFReQ Sub-style Dynamic Kick Drum Microphone Demo by Sweetwater

Solomon LoFReQ Sub-style Dynamic Kick Drum Microphone Demo

Sweetwater

Sweetwater

Video thumbnail for Solomon LoFReQ | Microphone | Vintage King by Vintage King

Solomon LoFReQ | Microphone | Vintage King

Vintage King

Vintage King

Video thumbnail for Solomon LoFReQ Sub Microphone by drumclips

Solomon LoFReQ Sub Microphone

drumclips

drumclips

Video thumbnail for Solomon Mics LoFReQ Kick Drum Mic by HalLeonardTech

Solomon Mics LoFReQ Kick Drum Mic

HalLeonardTech

HalLeonardTech

Video thumbnail for LISTEN to the Solomon LoFReQ SUB KICK Microphone by Brian Daggett Drums

LISTEN to the Solomon LoFReQ SUB KICK Microphone

Brian Daggett Drums

Brian Daggett Drums

Reviews

PROS

  • Captures a desirable, direct sub feel of the bass drum

  • Enhances low-end without needing extensive EQ adjustments

  • Functions well as a secondary kick mic for creative setups

  • Offers solid construction and durability

  • Provides a powerful low-end boost for various instruments

  • Comparable sound quality to the Yamaha sub-kick, often considered better

  • Affordable compared to similar high-end sub-kick mics

  • Complements other mics like the Shure Beta 52A effectively

  • Versatile for recording different instruments beyond kick drums

  • Reduces background noise in live settings

CONS

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Solomon LoFREQ Sub-Style Dynamic Kick Drum Microphone.

Features and functionality

  • Using a figure-8 LDC like the Aston Spirit enhances low-end pickup and reduces bleed from other kit parts.

    Source
  • The Earthworks QTC30, proposed for kick-in applications, offers a flat response down to 9Hz and high SPL handling, though it may require careful placement due to its omni pattern.

    Source
  • The CAD KBM412 is noted for its thump, resembling a subkick in a compact form, though not for realistic kick portrayal.

    Source
  • Beyer M88, when placed a foot from the drum, maintains consistent low-end without becoming overly rumbly.

    Source
  • The Solomon LoFReQ is primarily designed to capture low-end frequencies, making it potentially over-specialized for general kick drum recording.

    Source

Mods and upgrades

  • Users suggest creating a sample from a heavily processed internal kick sound to streamline mixing, allowing for consistent results without repeated processing efforts.

    Source

Use cases and applications

  • The AKG D12VR is favored for its "knock" sound, which is noted as lacking in other mics, making it suitable for modern drum sounds.

    Source
  • Boundary mics, such as the Shure Beta91A, are noted for capturing punchy low-end and high-mid transients, making them suitable for modern kick sounds without plastic beater clicks.

    Source
  • Homemade subkick using an 8" speaker can effectively capture sub-frequencies, offering a budget-friendly alternative to commercial subkicks.

    Source
  • Fathead II with Lundhaul Transformer excels in blocking out bleed and providing more sub than typical subkick mics.

    Source
  • AT4047 is praised for its balance and value, offering a natural and musical response as a kick-out mic.

    Source
  • For recording hard rock, the Audix DP7 package offers more versatility in shaping drum sounds compared to the Solomon LoFReQ, which may be better suited for live setups.

    Source

Comparisons

  • The Electro-Voice RE320 is highlighted for its favorable transient response and balanced sound, making it a contender for inside kick mic use over the RE20.

    Source
  • The AKG D12VR is praised for its tight lows and ability to shape sound with a 3-way EQ, contrasting with the scooped or clicky nature of the D6 and D112.

    Source
  • The Audix D6 kick mic is noted for its sound shaping, reducing the need for EQ, unlike the Solomon LoFReQ which is more specialized for subkick applications.

    Source
  • The Roswell Mini K47 KD is recommended as a budget-friendly alternative to classic, high-priced kick-out mics.

    Source

Setup and maintenance

  • Users recommend positioning the mic inside the kick at the port hole, angled down and inside, to achieve a multidimensional kick sound.

    Source

User experience

  • Some users believe that a subkick mic like the Solomon LoFReQ is rarely necessary for home recording, suggesting other mics can achieve desired results more efficiently.

    Source

Critic Reviews

Solomon Mics LoFreq

soundonsound.com

The Solomon LoFREQ Sub-Style Dynamic Kick Drum Microphone is a stylish, well-built, and affordably priced addition to any studio. It delivers useful low-frequency enhancement, perfect for kick drums and surprisingly effective on other sources like bass and guitar amps. Its compact design makes it easier to position than its predecessors, like the Yamaha Subkick, though phase alignment with other mics can be tricky. While it may not replace traditional mics or samples for all, it excels as a complementary tool for adding depth and roundness to your recordings. Ideal for those who appreciate the Subkick sound.

positive

Solomon LoFReQ Sub Microphone - Mike Dolbear

mikedolbear.com

The Solomon LoFREQ Sub Microphone punches well above its weight for bass enthusiasts. Compact and lightweight, this mic brings depth and weight to your kick drum sound without the bulkiness of its predecessors like the Yamaha Sub Kick. Although it's mostly hard plastic, its build holds up well under regular use. While it pairs effectively with other mics like the AKG D112 to deliver a fuller, weightier sound, it’s most beneficial in studio settings or with quality PAs. For under £200, it's a solid investment for drummers seeking to enhance their low-end presence.

positive

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