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Description
The Yamaha PE-200A Preamp Head is a versatile powerhouse designed for guitarists seeking a refined sound. This amplifier head is celebrated for its distinctive analog circuitry, which delivers a warm, natural tone that faithfully captures the nuances of your playing style. Whether you’re in the studio or on stage, the PE-200A ensures your guitar's true voice shines through.
With a user-friendly interface, the Yamaha PE-200A makes it easy to dial in your desired sound. Its robust build is complemented by intuitive controls, allowing you to seamlessly transition from clean to overdriven tones. This preamp head is equipped with a comprehensive set of input and output options, making it compatible with a wide range of speaker cabinets and effects setups.
The PE-200A also features a dynamic EQ section, which provides precise control over your tonal palette. This allows you to sculpt your sound with exceptional clarity and detail, making it an ideal choice for both live performances and recording sessions. The reliability and precision of the Yamaha PE-200A make it a favorite among seasoned musicians and aspiring guitarists alike.
Key Features:
- Distinctive analog circuitry for warm, natural tones
- Dynamic EQ section for precise tonal control
- Comprehensive input and output options
- User-friendly interface with intuitive controls
- Compatible with a wide range of speaker cabinets and effects setups
Videos
Ralf Kilauea
Yamaha Vintage Amp TS200 / PE200
Reviews
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Artist usage
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I was looking at the effects that David Gilmour uses on this site ( https://equipboard.com/pros/david-gilmour/mxr-digital-delay ), and noticed in one of the photos he was using a Yamaha preamp head which I happen to own, is quite rare, and unmistakeable.
Listed among Collins' gear in the May 1991 Musician interview "Bootsy Collins Effects the Funk" by Gene Santoro.
MUFFS 'N' MUTES
BOOTSY'S RIG is far from simple. "On the pedalboard I've got all the old stuff: three Mutrons, one Big Muff, a Yamaha distortion, an old rackmount digital MXR, the small Boss DD-3. I've got a few new Digi-Techs for rackmount: the Time Machine 4000, the Smartshift Bass Harmonizer, a stereo Rat, an FX-500B. I'm using Roland Space Echo — of course. I've only got two Electro-Harmonix Bass-micro synths left, and I can't find no more. At least I've got a million Mutrons and Big Muffs!
"My amps are the QSC 4000: They run my two sets of subwoofers, which are four 18"s in each cabinet. On the mids I've got four cabinets, each with two 15"s, two 12"s and a horn; the highs are four 12"s and a horn. All my speakers are Celestions. The amps running the mids and highs are two Yamaha 2000As and one QSC 4000. I'm still going with three old Alembic preamps, which gives me that warm, clean sound; they're running my highs, mids and lows. I use that for the Bootsy Rubber Band; for Deee-Lite I lighten up. Oh yeah — always the Space Bass. But I'm starting to get into five- and six-string basses, and even fretless, since I've been working with Bill Laswell."
Genre Usage
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Used With
Based on how musicians on Equipboard use Yamaha PE-200A Preamp Head, it is most commonly used with the following gear.
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