In the interview they ask "What specifically are your favorite pieces of gear? What can''t you live without in the studio?" To which Mark responds "Moog Minimoog, Yamaha DX-100, a spring reverb, Echoplex Tape Echo, EMS Synthi A, Universal Audio Precision Maximizer, ARP Odyssey and a Waterphone. I probably have used the Minimoog on more tracks that any other synth that I own."

Christopher Franke includes the ARP Odyssey Rev3 in his equipment list on his official website, indicating its use in his musical work.

"We much prefer to quote sounds from our own source rather than steal them. So we will actually sit there with our Odyssey keyboards and spend hours and hours messing around just to get this happy accident to happen. Then you can go and sample that, and it's actually come from you. I don't mind if someone takes something from me, but we prefer to generate our own sounds."

Quoting Toni Halliday in a March 1998 Raygun interview with Curve.

The second photo shows Boris Blank playing an ARP Odyssey MKIII.

Used for the track called "Adi"

In this still from the 'Gimme! Gimme! Gimme! (A Man After Midnight)' music video, Andersson can be seen using an ARP Odyssey synthesiser.

In this interview with Paul Hartnoll he talks about his ARP Odyssey.

in this photo we can see his new arp odyssey..

Tara pictured on stage with her MK 111 Odyssey.

The Arp Odyssey is in the right center of the image.

"@skudge_elias_landbergThrowback. My old studio setup. #throwbackfriday #myoldstudio #setup #arpodyssey #korgmonopoly #roland #system100m #hardware #studio"

In the May 1984 issue of Keyboard Magazine, page 12 confirms that Richard Gibbs used an ARP Odyssey Rev3 during performances with Oingo Boingo.

Used for the lead synth on the 1980 Doctor Who theme, as is visible in this video at 3:33 and as reported by Mark Ayres here.

The bass line was created in a manner not totally removed from the original, with the sound, performed on Peter's beloved Yamaha CS80 synthesiser, assembled across two tracks of multitrack tape. This finished part was then run off onto quarter-inch tape, flipped over, and rerecorded through effects onto another reel to give each note a subtle pre-echo. The final effect was dubbed back to the multitrack.

Other instruments employed included the ARP Odyssey (used for the opening line of the melody), the EMS Vocoder (used to build the complex texture voicing the answering phrase in the main melody), and the Roland Jupiter 4 (set to auto-arpeggiate in octaves, it provided the sound for the middle eight). The chordal parts were created by layering the Jupiter 4 with the CS80.