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Description
Elevate your studio's auditory precision with the blue sky SUB 212, a powerhouse in the realm of active studio monitors. Engineered for audio professionals who demand nothing but the best, the SUB 212 is designed to deliver exceptional clarity and depth across a wide range of frequencies. Whether you're mixing, mastering, or simply enjoying your favorite tracks, this studio monitor provides a meticulously detailed soundscape that brings every note to life.
The blue sky SUB 212 features dual 12-inch subwoofers that deliver a robust low-end response, ensuring that your mixes have the perfect balance of punch and subtlety. Its active design incorporates a built-in amplifier, optimized to match the drivers and enclosure, which reduces distortion and enhances audio fidelity. The sleek and sturdy construction is both aesthetically pleasing and functional, ensuring longevity and consistent performance.
With the blue sky SUB 212, you get a studio monitor that not only meets but exceeds industry standards. It’s a reliable companion for any audio engineer or musician seeking to capture the true essence of their sound.
Key Features:
- Dual 12-inch subwoofers for extended low-frequency response
- Built-in amplifier for optimized performance
- Active design for reduced distortion
- Exceptional clarity and depth for precise audio reproduction
- Sturdy construction for long-lasting durability
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145
400w 2x12" Powered Sub-Woofer
Blue Sky’s SUB 212 is a sealed box, dual 12”, push-pull, 400-Watt subwoofer. It features an anechoic frequency response of 25Hz to 200Hz, +/-3dB. In addition, the SUB 212 also has built-in 2.1 bass management electronics with both a 4th order 80Hz Linkwitz-Riley low-pass filter and a 2nd order 80Hz high-pass filter that is perfectly matched to the response of the SAT 8 (the SUB 212 is also compatible with the SAT 12, SAT 6.5 and SAT 5).
The SUB 212’s unique “push-pull” configuration is designed not only to increase output, but also to reduce distortion. A push-pull subwoofer uses two drivers: one mounted facing forward, the second mounted backward with the magnet facing out. Utilizing two drivers doubles the maximum output, while the push pull configuration reduces even harmonic distortion. Typically, in a more conventional design, at high output levels, second harmonic distortion dominates the distortion spectrum of most subwoofer drivers and is caused by asymmetric operation of the suspension and magnetic structure. In simple terms; the output of the driver is slightly different when the cone is moving away from the magnet, as compared to when it is moving toward its magnet.
Push-pull operation reduces this even harmonic distortion in a clever application of physics. As mentioned before, push-pull uses two drivers, one reversed from the other. The bottom driver has its magnet facing out of the box and is driven electrically out–of–phase from the front driver, which keeps both drivers acoustically in phase. However, when the front driver’s cone is moving away from its magnet, the bottom driver’s (reversed) cone is moving towards its magnet. This puts the even harmonic distortion components of the bottom driver out-of-phase with the front driver. When you combined the outputs of both drivers, the even harmonic distortion of both drivers cancels, reducing the overall distortion of the subwoofer.
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