Pricing and availability

We compare 600+ stores and found this item at 4 stores. Prices updated .

Reverb
5.0 (1)
$1,132.83 New
$1,150.00 Used
B&H
5.0 (2)
$1,482.00
Thomann
4.9 (38)
$1,249.00 $1,239.00 $10.00 · All time low
Vintage King
4.9 (18)
$1,621.00

Average Price: $1,325

Standard/Professional

$499

$1500+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 3 merchants for "Coles Electroacoustics 4038". Prices shown reflect NEW condition. Tracking began Apr 7, 2026.

* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Introducing the Coles 4038, a timeless ribbon microphone delicately crafted to retain its original character from the 1950s. This classic piece of studio gear imparts a rich, deep tone that beautifully complements drums, guitar amps, horns, and any sound source that craves a tempered high frequency response. Its provenance from the golden age of the BBC and STC speaks to its enduring quality and performance.

Key Features:

  • Ribbon microphone type
  • Offers a dark, heavy sound
  • Ideal for drums, guitar amps, horns
  • Significantly reduces high frequencies
  • Maintains original 1950s design and build
  • Manufactured by Coles, a trusted name in sound technology

Product specs

Available since April 2011
shockmount included No

FAQs

What are the primary uses for the Coles 4038 Studio Ribbon Microphone?

The Coles 4038 is renowned for its use in studio recording, particularly as a drum overhead or for capturing brass and string instruments due to its smooth, natural sound.

How delicate is the Coles 4038 microphone?

The Coles 4038 is sensitive to strong air movements, which can damage the ribbon element. It's recommended to avoid placing it near kick drums or loudspeaker bass ports.

Does the Coles 4038 require phantom power?

No, the Coles 4038 does not require phantom power, and applying it can damage the microphone.

What is the polar pattern of the Coles 4038 microphone?

The Coles 4038 features a figure-eight polar pattern, which captures sound equally from the front and back while rejecting sound from the sides.

Is the Coles 4038 suitable for vocal recordings?

Yes, the Coles 4038 is often used for vocal recordings, offering a warm and natural sound that is especially favored in broadcast and studio settings.

Vintage King

Vintage King

Coles 4038 | Microphone | Vintage King

Video thumbnail for Coles 4038 | Microphone | Vintage King by Vintage King

Coles 4038 | Microphone | Vintage King

Vintage King

Vintage King

Video thumbnail for Coles 4038 Ribbon Microphone | Reverb Demo Video by Reverb

Coles 4038 Ribbon Microphone | Reverb Demo Video

Reverb

Reverb

Video thumbnail for 5 Ribbon mic comparison Coles 4038 Royer 122 Stager SR-3 SE NRN1 AEA R84 put to the test by CINEMAPHONIC Live Sessions

5 Ribbon mic comparison Coles 4038 Royer 122 Stager SR-3 SE NRN1 AEA R84 put to the test

CINEMAPHONIC Live Sessions

CINEMAPHONIC Live Sessions

Video thumbnail for Coles 4038 -  Passive Ribbon Microphone  - Overview - Review - Samples by purewaveaudio

Coles 4038 - Passive Ribbon Microphone - Overview - Review - Samples

purewaveaudio

purewaveaudio

Video thumbnail for Overhead Microphones - Coles 4038 by Big Bear Studios

Overhead Microphones - Coles 4038

Big Bear Studios

Big Bear Studios

Video thumbnail for New Vs Vintage Coles / STC 4038 Ribbon Microphone by Cole Picks Vintage

New Vs Vintage Coles / STC 4038 Ribbon Microphone

Cole Picks Vintage

Cole Picks Vintage

Video thumbnail for Coles 4038 Ribbon Microphone by Dan Baker

Coles 4038 Ribbon Microphone

Dan Baker

Dan Baker

Video thumbnail for Coles 4038 Unboxing, Review, and Demo! by Steven Zhu

Coles 4038 Unboxing, Review, and Demo!

Steven Zhu

Steven Zhu

Reviews

PROS

  • Excels with various sound sources: drums, guitars, strings, vocals

  • Adds warmth and depth, enhancing musical textures

  • Classic, realistic sound quality; counter to modern processed sounds

  • Flexible with EQ adjustments, maintains musical relevance at extreme settings

  • Captures sources as closer than they are, adding intimacy

  • Compatible with low-cost preamps without loss of quality

  • Dense, well-crafted design ensures durability

  • Natural and detailed frequency response

  • Ideal for both intimate vocals and full band setups

  • Smoothens top ends and fattens sounds effectively

CONS

  • Heavy, requires sturdy stand and shockmount for optimal use

  • Can be too intimate/specific for highly produced pop/rock tracks

  • Needs protection from air blasts, necessitating a pop-filter

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Coles Electroacoustics 4038.

Features and functionality

  • Coles 4038 is more sensitive compared to models like the Royer R-121; even a medium gust of wind can stretch the ribbon.

    Source

Setup and maintenance

  • Using an isolation transformer or phantom power blocker can prevent potential damage when board-wide phantom power is unavoidable.

    Source

Use cases and applications

  • Cloud lifters can mitigate noise issues in older XLR runs, beneficial in concert settings with outdated cabling.

    Source
  • The Coles 4038's darker tone helps manage shrillness in clarinets without heavy EQ, providing a natural warmth.

    Source

Build quality

  • The foam in Coles 4038 cases can compress over time if stored on their sides, potentially affecting storage quality.

    Source

User experience

  • More modern 4038s, post-2005, tend to tolerate accidental phantom power better than older models from the 70s.

    Source

Comparisons

  • The Cascade VinJet was found to be indistinguishable from the Coles 4038 as a drum overhead in one user's experience.

    Source
  • The SE Voodoo VR2 offers a balanced frequency range with more high end than typical ribbons, while remaining smooth and natural, at a more affordable price.

    Source
  • The Stager SR-2N has more high-end presence than the Coles 4038, potentially making it a better choice for some applications.

    Source
  • Beyer M160 has a hypercardioid pattern and similar frequency response to the Coles 4038, with a rise around 4k but lacks the extended low end of the 4038.

    Source
  • NoHype Audio LRM-V is praised for its versatility and warmth, being used successfully on a wide array of sources from guitar cabs to vocals.

    Source

Critic Reviews

Coles 4038 review: The ribbon mic of choice

higherhz.com

The Coles 4038 is an iconic ribbon microphone celebrated for its warm, natural sound and extreme versatility, making it a staple in studios for decades. Its robust build promises durability, and it excels across various applications, from vocals to drums. However, its high price tag, just under $1500, might deter budget-conscious buyers. If you can afford it, the 4038 is a high-quality investment that promises to enhance any recording setup.

positive

Coles 4038 Review

recordinghacks.com

The Tape Op review hails the Coles 4038 as an indispensable studio asset, capable of transforming electric guitar amps into auditory gems and offering rich, crunchy room-mic qualities behind drum kits. Though its smoothing effect on acoustic guitars might be excessive for some, the mic's allure makes its $1050 price tag seem justified. Despite limited vocal testing, the anticipation of owning a pair speaks volumes about its value. An exceptional tool for discerning studios.

positive

Mixdown's Picks: Coles 4038 - Mixdown Magazine

mixdownmag.com.au

The Coles 4038 is celebrated as a legendary ribbon microphone with a timeless design and a rich sonic history. Its exceptional frequency response and easy placement make it a versatile choice for capturing a wide range of instruments, notably excelling as a drum overhead. While its vintage roots are evident, the microphone holds its own in modern recording scenarios, praised for its smoothness and ability to mitigate phase issues and harsh transients. Revered by iconic producers and musicians, the 4038 is hailed as a worthwhile investment for its ability to enhance the sonic quality of any project effortlessly.

positive

5.0 out of 5

Based on 1 Review and 10 Ratings

5 star
4 star
3 star
2 star
1 star
bobguido7

"My favotire mic that I basically use on everything!"

"My favotire mic that I basically use on everything. This mic does something that no other mic does. It hides the nasty and it makes everything sound more texturally complex that it really does in real life"

Artist usage

Add artist
See how Neeraj Khajanchi uses Coles Electroacoustics 4038

Neeraj Khajanchi

Music Producer, Audio Engineer

...
Verified via YouTube

In a video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the Coles 4038 ribbon microphone. This microphone, known for its frequency response of 30 Hz to 15,000 Hz and low distortion under high sound pressure levels, is a staple in professional studio recordings. Its durable construction features a heavy gauge brass body and corrosion-resistant mesh, and it comes with a carrying case and mic stand adaptor, making it a versatile choice for recording sessions.

See how Marc Perlman uses Coles Electroacoustics 4038

Marc Perlman

Guitarist, Bassist

Jayhawks

...
Verified via Mixonline

Used for the acoustic guitar on XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.

Acoustic guitars were miked with an AKG C414EB and a Coles 4038 side by side, and vocals went into Neumann U47 and Shure SM7 mics, also side by side, to provide a range of textures.

See how Ollie Judge uses Coles Electroacoustics 4038

Ollie Judge

Drummer

Squid

...
Verified via YouTube

At the 30-second mark of the video titled "Squid Full Set | From The Basement" on YouTube, Ollie Judge is seen using a Coles Electroacoustics 4038 microphone.

See how Luke Howard uses Coles Electroacoustics 4038

Luke Howard

Keyboardist, Composer

...
Verified via Headphone Commute

Seen used as a stereo pair for an upright Yamaha piano.

See how Dan Mangan + Blacksmith uses Coles Electroacoustics 4038

Dan Mangan + Blacksmith

Singer, Guitarist

...
Verified via Photo

Dan Mangan + Blacksmith can be seen using the Coles 4038 ribbon microphone in a photo shared on their Instagram account, captioned "Singsing."

See how Colossal Squid uses Coles Electroacoustics 4038

Colossal Squid

Drummer, Composer

...
Verified via YouTube

In this YouTube video of Betts peforming live in Paradiddle Mansions, throughout the video a Coles 4038 can be seen placed central to the kick, around 1 meter away from the kit for presumably room mic'ing. A clear shot of the mic is at around 4:03.

See how Aurelio Martinez uses Coles Electroacoustics 4038

Aurelio Martinez

Guitarist, Composer

...
Verified via Photo

In this recording session, Aurelio Martinez is using a Coles 4038 ribbon microphone, as seen in the user-uploaded photo by York Tillyer.

M

Michał Wasyl

Music Producer, Audio Engineer

...
Verified via Photo

Michał Wasyl uses the Coles Electroacoustics 4038 ribbon microphone in the studio, as evidenced by a post from Okolitza Studio on Instagram, which highlights their use of various microphones including the 4038.

See how Jordan Perlson uses Coles Electroacoustics 4038

Jordan Perlson

Drummer

Becca Stevens Band

...
Verified via Photo

Used as an overhead during the recording of a children's record, as is visible in this June 16, 2018 Instagram post.

Some clips from yesterday’s session with the incomparable @magdagiannikou This is definitely the hippest kids’ record ever created, I’m convinced. Always great playing with @boobspaghetti @justinmstanton #mattaronoffbass Couldn’t have asked for a better #officefortheday at @fluxstudiosnyc #bunchafugginpros #makethechildrendance #punkrockdeckthehalls @vicfirth

See how Mark Patterson uses Coles Electroacoustics 4038

Mark Patterson

Composer

...
Verified via Soundonsound

Used for the trombone on Donald Fagen's Morph the Cat, as stated by mix engineer Elliott Scheiner in this August 2006 Sound on Sound interview.

According to Elliott Scheiner, the following mics were used on the Morph The Cat recording sessions.

  • Kick drum: AKG D112.
  • Snare: SM57 (only on top).
  • Hi-hat: Neumann KM81 or 84.
  • Toms: Audio-Technica ATM25.
  • Overheads: Neumann U67.
  • Room mics: Electrovoice RE20.
  • Electric guitar: Shure SM57 right on speaker cone.
  • Piano: 2x AKG C12 mics, about 12 inches from the strings.
  • Trumpet and trombone: Coles ribbon.
  • Tenor sax: Neumann U67.
  • Baritone sax: Neumann FET47.

The lack of specification suggests the ubiquitous 4038.

See how Marvin Stamm uses Coles Electroacoustics 4038

Marvin Stamm

Composer

...
Verified via Soundonsound

Used for the trumpet on Donald Fagen's Morph the Cat, as stated by mix engineer Elliott Scheiner in this August 2006 Sound on Sound interview.

According to Elliott Scheiner, the following mics were used on the Morph The Cat recording sessions.

  • Kick drum: AKG D112.
  • Snare: SM57 (only on top).
  • Hi-hat: Neumann KM81 or 84.
  • Toms: Audio-Technica ATM25.
  • Overheads: Neumann U67.
  • Room mics: Electrovoice RE20.
  • Electric guitar: Shure SM57 right on speaker cone.
  • Piano: 2x AKG C12 mics, about 12 inches from the strings.
  • Trumpet and trombone: Coles ribbon.
  • Tenor sax: Neumann U67.
  • Baritone sax: Neumann FET47.

The lack of specification suggests the ubiquitous 4038.

T

Tim O'Reagan

Drummer

Jayhawks

...
Verified via Mixonline

Used for the acoustic guitar on XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.

Acoustic guitars were miked with an AKG C414EB and a Coles 4038 side by side, and vocals went into Neumann U47 and Shure SM7 mics, also side by side, to provide a range of textures.

Used With

Based on how musicians on Equipboard use Coles Electroacoustics 4038, it is most commonly used with the following gear.

Sennheiser MD 421-II
Sennheiser MD 421-II Dynamic Microphones
9
Shure SM57
Shure SM57 Dynamic Microphones
8
Neumann U67
Neumann U67 Condenser Microphones
7
Neumann U87
Neumann U87 Condenser Microphones
6
Neumann U47
Neumann U47 Condenser Microphones
5
Chandler Limited TG2
Chandler Limited TG2 Effects Processors
4
Avid HD I/O
Avid HD I/O Audio Interfaces
4
Universal Audio 1176LN
Universal Audio 1176LN Effects Processors
4
Shure SM7
Shure SM7 Dynamic Microphones
4
Neumann M149 Tube
Neumann M149 Tube Condenser Microphones
4

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