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Description
Step into the world of classic British rock with the Dizengoff Audio D4 Tube Microphone Preamp, a loving tribute to the legendary 1960s British tube console that defined an era. Crafted with precision in Chicago, this preamp captures the essence of the iconic EF86 pentode preamp circuit, offering a vintage sound that resonates with warmth and character. Dizengoff Audio is renowned for creating affordable, handcrafted gear that stays true to the classic circuits of yesteryear, and the D4 preamp is no exception.
The D4 is not a mere reissue; it reimagines the original's massive, open sound while adding modern enhancements to the gain structure. Its standout feature is a 12-step rotary attenuator providing 20-60dB of gain, complemented by a trim control for fine-tuning up to ±4dB. This gives you a versatile palette of tones, from smooth cleans to rich tube saturation. Inspired by the tones that propelled bands like The Beatles and Pink Floyd, the D4 invites you to explore a sonic landscape that is both timeless and innovative.
The D4's transformers, based on vintage designs, are crafted with modern materials to ensure low noise and high efficiency. At its core is a Japanese Nippo Steel R-core power transformer, known for its high efficiency and exceptionally low noise, crucial for maintaining an outstanding signal-to-noise ratio. Whether you're chasing that nostalgic sound or looking to create something new, the Dizengoff Audio D4 is your ticket to a rich, vibrant audio experience.
Key Features:
- Solid build quality; vintage gray 2RU aluminum chassis
- XLR input and output with front-panel DI input
- Stepped 12-position gain control: 20-60dB
- Gain trim control for precise adjustments
- 20dB pad, +48V phantom power, polarity reverse
- 20Hz-60kHz frequency response
- THD+N at 1kHz: 1%, +4dBU (10-24kHz bandwidth)
- S/N: -90dBA at maximum (+60dB) gain (10-24kHz bandwidth)
Product specs
| Brand | Dizengoff Audio |
| Model | D4 Tube Microphone Preamp |
| Year | 2010s |
| Made In | United States |
| Categories | Microphone Preamps |
FAQs
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What type of tubes does the Dizengoff Audio D4 Tube Microphone Preamp use?
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The Dizengoff Audio D4 utilizes NOS (New Old Stock) 5879 and 6X4 tubes, which contribute to its warm, vintage sound character.
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Is the Dizengoff Audio D4 suitable for home studio use?
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Yes, the Dizengoff Audio D4 is well-suited for home studios, offering high-quality tube preamplification that enhances vocal and instrument recordings with a classic analog warmth.
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How does the Dizengoff Audio D4 Tube Preamp enhance vocal recordings?
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The D4 preamp provides a rich, warm tonal quality to vocals, thanks to its tube circuitry, which adds harmonic richness and smoothness to the sound.
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Does the Dizengoff Audio D4 Preamp have phantom power for condenser microphones?
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Yes, the Dizengoff Audio D4 includes phantom power, making it compatible with condenser microphones that require external power.
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What are the connectivity options on the Dizengoff Audio D4 Tube Microphone Preamp?
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The D4 features standard XLR inputs and outputs, ensuring compatibility with most professional audio interfaces and recording setups.
Videos
Martin John Butler
Dizengoff Audio D4 Preamp Demo
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Dizengoff Audio D4 Tube Microphone Preamp.
Mods and upgrades
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The Dizengoff D4 is recommended for those seeking a quality tube preamp option around $500, favored for its tonal warmth.
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Use cases and applications
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Multi-mic vocal setups are often discouraged due to phase issues and varying microphone colorations, unlike common practices with guitar amps.
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The 251 microphone paired with a tube preamp like the Dizengoff D4 yields fantastic vocal results, creating a smooth, full sound with presence.
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User experience
Features and functionality
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When experimenting with multiple mics, lining up waveforms precisely is crucial for achieving a clean sound.
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Comparisons
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The Dizengoff D4 is compared favorably against Warm Audio gear, indicating its competitive position in the tube preamp market.
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The Upton 251 is noted for being smoother on the top end after revoicing, providing a less strident sound compared to the Telefunken.
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The Telefunken 251 is described as having an incredible, alive, 3-dimensional vocal sound, but is significantly more expensive than the Upton 251.
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The Bock 251 offers a "pillowy" softness yet retains the presence typical of a 251 mic, making it distinct from other models like the Upton and Telefunken.
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Critic Reviews
Based on 0 Reviews and 0 Ratings
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