In his YouTube video titled "E-mu Proteus | The Module EVERYONE wanted!", Espen Kraft discusses his E-Mu Proteus 1, exploring the history and programmability of this popular sound module series.

E-mu Proteus is included in list of instruments played by Suzanne Ciani, and the Proteus 1 is the only version of the E-mu Proteus that existed when this album was recorded in 1989.

The Synclavier system may be at the heart of the studio, patched through a Soundcraft Sapphyre LC mixer, but that's not it for "MIDI boxes", as Mark refers to them: the studio also accommodates a Roland S760 sampler, Kurzweil MicroPiano module, an Emu Proteus 1, 2 (source of the famous X‑Files whistle, in combination, apparently, with a sample of Snow's wife whistling!) and 3, Emu Morpheus, Korg M1R and Wavestation SR. But these are adjuncts to the core sound produced by the Synclavier and its large library: "I have all these great samples on the Synclavier's magneto drives." Mark doesn't do much sampling of his own: "There are so many sample disks available that I have people transfer them onto Synclavier format." And is there anything else he'd like to add to the studio? "Well, the only thing that means anything to me is new sounds or new combinations of sounds. All I care about is if somebody has a great new sound library. That's what I'm looking for. Since my background is music, rather than electronics and technology, I just know as much as I have to. There are so many other composers who know about sampling rates and all that technical stuff, but none of that really interests me. So apart from new sounds, I could maybe upgrade the RAM and the number of voices on the Synclavier..."

Marty O'Donnell began to show a video of his studio that he and Mike own in the 1992, this showcase synths and gear he own at the time. This is during a interview he had with Michael Salvatori, highlight from 1:14:37 to 1:16:58.

Following Synths shown are: Emu Proteus 1, 2, 3, Yamaha DX7.

"Adams does his composing at his home studio in Berkeley, which consists of several Yamaha keyboards, including an SY77, SY99 and Electone, Korg Wavestation, Emu Proteus 1 module and Emax II, Kurzweil K2000, Lexicon LXP15 reverb, Macintosh computer with software such as Performer and Blank Software's Alchemy, and a small 16-channel desk ("I can't remember the name. I only use this studio for writing, and I write as much with the sequencer as with pen, paper and piano")."

Included in the list of equipment used by Dan Forden in the liner notes of one of the Mortal Kombat soundtracks.

The BBC Radiophonic Workshop's use of the E-Mu Proteus 1 sound module is documented in the workshop's diary, as noted in the source provided by Whitefiles.

When asked in regards to the modules Josh used on Crash Bandicoot, he said he used a Proteus/1, 2, and 3, Pro-cussion, Vintage Keys, Morpheus, and the Carnaval. Recalls all of them being the standard version. Later replaced either a Proteus/1 or 2 with a Proteus 2000.

From "Musician" magazine, December 1992 found on Prince.org:

LEVI SEACER plays a Gibson Epiphone ("Because my stuff is clean stuff") straight into the board. He has a rack-mounted Zoom unit 9010, a Cry Baby chorus pedal, a Roland GPS and a Boss digital delay pedal. On "Thunder" and "Live for Love" Levi pulls out an Ibanez guitar with double humbucking pickups. Levi uses D'Addario strings.

When TONY U. reaches for a guitar, it's either a Charvel or a hollowbody Epiphone. Tony's strings are either GHS lights or Dean Markleys. He has a Zoom effects processor.

SONNY THOMPSON plays an Oswald bass (though be admits his favorite is an Alembic, "a great bass") with a GB8 effects processor, an Akai Octaver and a Boss Octaver. Sonny uses a Heavy Metal distortion pedal and plugs into a Trace Elliot amp. He prefers GHS heavy strings because "they seem brightest- they keep the boing longest."

ROSIE GAINES plays a Hammond organ onstage, and has a Korg and Roland D-50 MIDI'd to the Hammond. Rosie sings through Shure microphones. Rosie is also leaving the NPG to go out on her own.

TOMMY BARBRELLA plays a Roland A80 and an A50 controller, a Korg T3, an old Prophet which he uses on "Kiss" and a few others "for that old analog sound." Tommy also carries a new Roland JD800, a couple of E-mu E-max 2s, a Proteus 1 and Proteus 2, and a Roland D550.

MICHAEL BLAND's drums are a combination of Sonor, Yamaha and Gretach, with Zililian cymbals and Vater sticks. Trying to get mere details out of Michael is useless. "I abhor shop talk," he says. "I don't know when we change heads, I don't know when we get new cymbals. I don't have any emotional attachments to gear at all."

The instrument appears on the list of instruments on official artist's website (http://olszak.pl/).

Rémi Gazel utilized the E-Mu Proteus 1 sound module at Studios de la Seine to record music for the Rayman 1 PSX soundtrack. This information is detailed in a discussion on Rayman Pirate-Community regarding the sound modules and sample CDs used in Rayman games.

List of equipment at his studio:

KEYBOARDS F Kaim & Son grand piano Korg SG1D master keyboard

SAMPLERS Akai S1000HD Akai CD3000

SOUND MODULES Emu Proteus 1 Emu Proteus 2 Orchestral Emu Proteus 3XR World Emu Morpheus Sequential Circuits Prophet 2002

DRUM MACHINE Roland R8

COMPUTING & SOFTWARE Atari 1040ST Emagic Notator Time + Space sample CD‑ROMs

RECORDING Alesis ADAT (x5) Alesis BRC remote control Soundtracs Jade mixer Drawmer dual gate TC Electronic M5000 digital effects Lexicon PCM70 digital effects