Pricing and availability
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Average Price: $65,000
High-end/Boutique
$400
$1001+
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Description
Dive into a legacy of craftsmanship and tone with the 1959 Fender Stratocaster "Number One". This masterpiece, echoing the spirit of legends, is not just an instrument but a piece of history. Crafted with precision and passion, it offers a sound that's as timeless as its design. With hand-wound Custom Shop pickups and a unique "cigarette burn" mark, it stands out not just in performance but in character. Experience the blend of vintage vibe and contemporary playability.
Key Features:
- Rift-sawn maple neck for exceptional playability and comfort
- Select alder body, ensuring a rich, full-bodied sound
- Hand-wound Custom Shop pickups, delivering authentic, vintage tone
- Iconic "cigarette burn" near the low E string, adding unique character
- Master craftsmanship by Fender Custom Shop, guaranteeing unparalleled quality
Videos
Normans Rare Guitars
Guitar of the Day: 1959 Fender Stratocaster | Norman's Rare Guitars
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about 1959 Fender Stratocaster "Number One".
Comparisons
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The American Special Stratocaster is noted to sound closer to SRV's tone than the American Professional due to its jumbo fretwire and other design elements.
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American Performers are essentially rebranded American Specials, with Yosemite pickups being similar to Texas Specials—overwound for high impedance and tone.
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Mods and upgrades
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Users discuss modifying the tremolo bar setup, either by cutting it like David Gilmour or turning it upside down, as seen with Hendrix, to improve playability while seated.
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Tone Hatch’s Texas Spirits pickups are recommended for an SRV tone, allowing for a bridge plate add-on to boost tonal depth.
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Plating the back of any single coil Strat pickups with steel or copper is suggested to enhance low-end tones, creating a beefier sound.
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Van Zandt pickups are highly praised for replicating the classic Stratocaster sound often attributed to Stevie Ray Vaughan.
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Stacking two tubescreamers or pairing one with a blues driver can effectively emulate Stevie Ray Vaughan’s tone.
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Shielding with copper tape significantly reduces noise in partscaster builds, enhancing overall sound quality.
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Setup and maintenance
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Some players note that MIA Stratocasters include a spring in the tremolo hole for adjustable tension, whereas certain MIM models have a hole all the way through, complicating use.
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SRV's Strats often featured super-low pickup height, with pickups nearly flush with the pickguard for lower output but high-volume play through amps.
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Stevie Ray Vaughan’s sound heavily relied on aggressive playing, which led to frequent neck replacements due to extensive fretboard sanding, creating a DIY compound radius.
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Proper grounding is essential to avoid noise issues; expert assistance is recommended if unsure about the process.
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Features and functionality
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SRV's left-handed tremolo system, despite his right-handed playing, possibly emulated Jimi Hendrix and provided a unique playing experience.
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A heavy emphasis on technique and use of the 4th position on any SSS Strat is crucial for capturing SRV's signature sound.
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The American Vintage Reissue II 1962 Strat with nitro lacquer finish and vintage-voiced pickups is praised for capturing SRV vibes without needing further modifications.
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Heavy strings (13s) are often associated with a fatter, heavier tone, although increased force is required for playability.
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A left-handed tremolo system was a distinctive feature of Stevie Ray Vaughan’s Stratocaster setup.
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Artist usage
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In this video, Stevie Ray Vaughan's "Number One" Stratocaster can be seen. 1984 Guitar World interview with Vaughan reveals the guitar to be a heavily modified 1959 Fender Stratocaster.
Besides absorbing the essence of Jimi's spirit, Stevie also took a technical tip from Hendrix (and players like Otis Rush) by mounting a left-handed bridge assembly on his '59 Strat. "I like it better, it just makes more sense to me, " he says. "You don't have to really hold on to it. It's right there." Other modifications oh his main ax include a drastic fret job. "I don't like Fender frets," he explains. "I just can't grab onto the strings. The frets just aren't big enough for me to be able to get into it at all, so I use Gibson Jumbo Bass frets. If I didn't, I'd wear 'em out in no time."
According to the 2003 interview with Richard Mullen, Vaughan's audio engineer, the guitar was mainly used on "Texas Flood". The interview was published in Guitar World, December 2022 issue.
Album Usage
The 1959 Fender Stratocaster "Number One" has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
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