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Description
Step into the world of timeless tone and vintage vibe with the Gibson ES-250 Electric Guitar. A hallmark of the electric guitar's golden era, the ES-250 is a semi-hollowbody that marries aesthetics with acoustics, offering a sound that is both warm and articulate. This iconic instrument is crafted with a laminated maple body and a spruce top, ensuring a rich resonance that players have cherished for decades. The single Charlie Christian pickup, renowned for its smooth and creamy sound, delivers a robust signal perfect for jazz, blues, and rock enthusiasts alike.
The Gibson ES-250 features a rosewood fingerboard that offers a comfortable playing experience, while the trapeze tailpiece and adjustable bridge provide superior sustain and intonation. Whether you're strumming complex chords or crafting intricate solos, this guitar is designed to respond to your every nuance. Its elegant binding and classic F-holes add a touch of sophistication to its aesthetic appeal, making it not just a musical instrument but a work of art.
For those seeking a guitar that bridges the gap between the past and the present, the Gibson ES-250 is a masterful choice. Its legacy is not just in its craftsmanship but in the countless musicians it has inspired.
Key Features:
- Semi-hollowbody design with laminated maple body and spruce top
- Single Charlie Christian pickup for smooth, creamy tones
- Rosewood fingerboard for comfort and playability
- Trapeze tailpiece and adjustable bridge for enhanced sustain
- Classic F-holes and elegant binding for aesthetic appeal
Product specs
| Brand | Gibson |
| Model | ES-250 |
| Finish | Natural, Sunburst |
| Year | 1939 - 1940 |
| Made In | United States |
| Categories | Hollow Body Guitars |
| Body Material | Maple |
| Body Shape | Non Cutaway |
| Body Type | Hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Color Family | Brown, Tan |
| Finish Pattern | Sunburst |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Family | Gibson ES-250 |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Pickup Configuration | S |
| Right / Left Handed | Right Handed |
| Wood Top Style | Plain |
FAQs
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What is the body material of the Gibson ES-250 Electric Guitar?
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The Gibson ES-250 features a hollow body made from maple, which contributes to its warm, resonant tone ideal for jazz and blues genres.
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How many frets does the Gibson ES-250 have?
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The Gibson ES-250 is equipped with 20 frets, offering a traditional range suitable for a variety of playing styles.
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What type of neck construction does the Gibson ES-250 have?
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The Gibson ES-250 features a set-neck construction, providing enhanced sustain and stability compared to bolt-on necks.
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What type of pickup configuration is found on the Gibson ES-250?
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The Gibson ES-250 has a single pickup configuration, which is typical for early electric guitars and contributes to its classic tone.
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Is the Gibson ES-250 suitable for jazz music?
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Yes, the Gibson ES-250's hollow body and warm tonal characteristics make it particularly well-suited for jazz music.
Videos
Julian Lage
Julian Lage - "Seven Come Eleven" on Charlie Christian's 1940 Gibson ES-250
Julian Lage - "Seven Come Eleven" on Charlie Christian's 1940 Gibson ES-250
Julian Lage
Brian Setzer Plays Charlie Christian's Rare 1940 Gibson
Brian Setzer
SUPER RARE 1940 Gibson ES-250 "Charlie Christian" Demo
Billy O's Dynamite Music
Demystifying the Charlie Christian pickup - Gibson ES-250 example!
Mike’s Arch Angels
Thankful at Thanksgiving for this special Gibson ES-250 from 1940. Darn that Dream.
Mike’s Arch Angels
Charlie Christian “Trinity” comparison. ES-250, 1947 L5C, 1938 Kalamazoo. Gibson “gold” :) Enjoy!
Mike’s Arch Angels
Gibson ES-250 restored! From a horrible 60’s clown burst and mini-hum install to Gibson Black!
Mike’s Arch Angels
Reviews
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Artist usage
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The most notable proponent of the ES-250 was the influential guitarist T-Bone Walker, who used it throughout the 1940s and early 1950s on many landmark electric blues recordings. It was also seen in the hands of Charlie Christian, Alvino Rey and Tony Mottola during the forties. The ES-250, case, cord and the matching EH-185 amplifier cost $250 in 1940.
http://www.riffinteractive.com/lesson.aspx?dir=wolfmarshall/history-of-the-electric-guitar/es250_1
Vincent can be seen playing a Gibson ES-250 in this photo.
In 1945, when he was gigging around the East Coast of the U.S. with pianist Dardanelle Hadley’s trio—and absorbing, in person at various New York City nightclubs, the bebop innovations of Charlie Parker and Dizzy Gillespie that would deeply influence his playing style—Farlow bought his first of many Gibson guitars, a 1939 ES-250 with a chocolate brown/golden sunburst finish and one Charlie Christian–style bar pickup in the neck position. This was the guitar that Farlow would play on all the hallowed trio recordings he cut in 1950 and 1951 with Norvo and bassist Charles Mingus. But by the time that happened, the 250 had undergone significant alterations by Los Angeles luthier Milt Owen, at its owner’s request.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Gibson ES-250 Electric Guitar, it is most commonly used with the following gear.
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