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Description

Step into the rich, tonal landscape of the 1970s with the Greco "Dry Z" Humbuckers by Maxon, a true hallmark of vintage craftsmanship. Known for their authentic PAF-style voicing, these pickups are a prized possession among guitar enthusiasts for their ability to deliver that classic rock and jazz sound. Crafted with precision by Maxon, these humbuckers were originally designed to replicate the revered tones of the late '50s and early '60s, making them a perfect match for musicians who crave warmth and clarity in their sound profile.

The Greco "Dry Z" Humbuckers feature a unique alnico magnet construction, which contributes to their signature sound—characterized by clear highs, warm mids, and a tight, well-defined bass response. Whether you're playing rhythm or lead, these pickups excel in both clean and overdriven settings, offering a dynamic range that lets your guitar's natural voice shine through. Ideal for vintage restorations or upgrading your current setup, these pickups remain a popular choice among collectors and working musicians alike.

Key Features:

  • Authentic PAF-style voicing
  • Alnico magnet construction
  • Warm tonal characteristics with clear highs and tight bass
  • Suitable for both clean and overdriven settings
  • Perfect for vintage restorations or modern upgrades
derLuther

derLuther

Greco EGF-1200 1980 Dry-Z Maxon Selmer Bassmaster Plexi Selmer 4x12 Cabinet

Video thumbnail for Greco EGF-1200 1980 Dry-Z Maxon Selmer Bassmaster Plexi Selmer 4x12 Cabinet by derLuther

Greco EGF-1200 1980 Dry-Z Maxon Selmer Bassmaster Plexi Selmer 4x12 Cabinet

derLuther

derLuther

Video thumbnail for Truth of Greco DRY Z (1980 Greco EGF-1200 Super Real :from Koiz Collection) by Tokai Greco Navigator Burny vintage Guitar Fanclub

Truth of Greco DRY Z (1980 Greco EGF-1200 Super Real :from Koiz Collection)

Tokai Greco Navigator Burny vintage Guitar Fanclub

Tokai Greco Navigator Burny vintage Guitar Fanclub

Reviews

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jimmarchi1

WOW

I haven't been able to put my mid 70s Greco MR1000 double cutaway carved top down for weeks. Every time I plug her in I am wowed. I knew she had good CTS 500K pots and Sprague branded black shelled caps already, but being a curious guy I unscrewed the pickup rings and took a look... though the MR1000 was speced for Maxon U-3000 pickups, this guitar appears to have factory original "Dry Z" PAF copies that were made exclusively for Greco and Tokai by Maxon for their high-end guitars from the mid 70s until the mid 80s.

These pickups sound fabulous. They have plenty of bass an treble, but no thump and no harsh treble overtones even with tons of distortion. The fundmental has a great vowel-like midrange and the harmonics just jump out. The strongest harmonics start to sound like a magical ghost note over your sound as you push an amp into overdrive. I get what all the hype is about.

They appear to be built exactly like an old Gibson pickup, at least from the outside. mine have very accurate covers with rounded corners that I am unwilling to remove to investigate further. But the screws and baseplate look very right to me. Not that these things affect tone, just commenting on the attention to details.

I've played some old Gibsons with their original PAFs intact. These Japanese pickups have those elusive overtones in spades and the set is much better balanced tonally and output-wise between neck and bridge. They seem a little hotter than the PAFs I've tried, particularly the bridge, but that's subjective so take it with a grain of salt.

These are the best vintage-voiced humbuckers in my collection right now. I recommend anyone get a set if they can find them... unless you need a hot humbucker. These have lower output than the T-Top in my SG. They will drive your amp without a boost in line, but only at ear-splitting unless you have a little 5 watter with plenty of gain on tap. I would say these are slightly hotter than an overwound Strat pickup and even have some of the clarity of a well-made hot single coil like you might find in an early Tele, but with a much more focused response overall.

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