In this user-uploaded photo from Whicdn, Ray Toro is seen playing a Harmony Bobkat guitar. The guitar's design is reminiscent of Ibanez Talman and Fender Jazzmaster models.

Sufjan Stevens is playing the Harmony Bobkat during his performance of Impossible Souls live from Ithaca in 2009.

In the video Mitski can be seen playing a Harmony Bobkat H17.

Here we can see him using one.

Here, Steve can be seen playing a harmony bobkat throughout the video. This guitar was used throughout the recording of his latest album, and also make an appearance on several songs during his live shows.

I used other guitars besides Dean. I used a Marc Bolan Les Paul with PAF pickups in it and a Joe Bonamassa Signature with [EMG] 57 or 58 humbuckers. I also used my old skull Signature Dean and I used a Fender Strat for soloing. I also used a [Harmony] Bobcat Holiday guitar from 1964 that’s crazy. I found it at Guitar Center. I plugged it into a Mesa Boogie or some version of a Roland Jazz Chorus amp and it was really clean and it was like, “Oh, my god.” I used that on “Love Of the Damned.” I also used a Gibson Hummingbird.

used on the Interiors record

In this photo, Leifsson showed his Harmony Bobkat with goldfoil pickups. There is also Fender Vibro King amplifier visible there.

Top left picture shows Kim playing a Harmony Bobkat at a Pandoras show. Top right picture may also have the bobkat.

Can be seen playing Harmony Bobkat in this post.

"Rick mainly plays with the neck pickup for his rhythm sounds, then hits the bridge for his twang ‘lead’ parts. I asked if he breaks strings much as he really hits his guitar hard, but he says that due to the wooden bridge, that isn’t a problem.This guitar is pretty stock… original tuners and bridge. The only thing Rick has done is make a new scratchplate for it."

Mentioned in this June 5, 2018 Reverb.com interview.

"I'm always experimenting with different pickups, and especially in a Les Paul," he notes. "It's curious how, a lot of guitars—I was really into [Harmony] Bobkats, with the gold foil pickup—and I was thinking that pickup would sound so great in the Les Paul. Which, it does sound great, don't get me wrong. I did a lot of experimenting with it, a lot of the pickups, you take it out of the guitar and put it in another one because you like and you have to realise, you're changing the context," Reis says.

"Like, that pickup sounds good in that guitar, it's the two things working together. So Les Pauls, I've always kind of being looking for the perfect combination, but that said, I've realised there's no such thing, because even when you find it you get bored of it after a while," Reis continues.