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Description

The Jackson Soloist San Dimas is a powerhouse in the world of solid body electric guitars, built to cater to the discerning musician who demands both quality and performance. This guitar marries traditional craftsmanship with modern innovation, making it a favored choice for guitarists who seek a versatile instrument capable of delivering robust tones and sleek playability.

Constructed with a resonant alder body and a lightning-fast neck-through design, the Soloist San Dimas ensures exceptional sustain and comfort during even the most demanding performances. Its compound-radius fingerboard provides a smooth transition from effortless chord work at the lower frets to seamless bends in the upper register, while the jumbo frets facilitate precision and control.

Equipped with high-output Seymour Duncan humbucking pickups, this guitar offers a dynamic range of sonic possibilities, from warm, melodic cleans to aggressive, biting leads. The Floyd Rose double-locking tremolo system ensures rock-solid tuning stability even during the most vigorous dive-bombs or subtle vibrato techniques. The combination of these features makes the Soloist San Dimas an ideal companion for any genre, from jazz to metal.

Whether you're on stage or in the studio, this guitar is designed to inspire creativity and elevate your playing to new heights. Its sleek contours and ergonomic design make it not just a tool, but a true extension of your musical expression.

Key Features:

  • Alder body with neck-through construction
  • Compound-radius fingerboard
  • Jumbo frets for enhanced playability
  • Seymour Duncan humbucking pickups
  • Floyd Rose double-locking tremolo system
  • Sleek, ergonomic design for comfort and style

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Jackson Soloist San Dimas.

Features and functionality

  • The Jackson Soloist San Dimas may feature a JT6 tremolo, which was typically used from 1987, suggesting a transitional model from San Dimas to Ontario.

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  • Red Jackson logos on headstocks are rare and can significantly increase the guitar's appeal, making it a unique selling point.

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  • The guitar has a switch that increases volume and feedback, indicating the presence of a boost, which requires a battery for active electronics.

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  • The JT-6 bridge includes fine tuners, positioned differently than on a Floyd Rose, which may impact playing technique and setup.

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User experience

  • Some players find the neck width and bridge setup challenging, as the sensitive tremolo requires a floating picking hand to avoid unwanted noises.

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  • Owners describe the SL1 as a "bucket list guitar" and "holy grail," indicating its high desirability among vintage guitar enthusiasts.

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Value and pricing

  • Vintage Jackson Soloists with unique features, like a red logo, can fetch between $4,000 and $5,000 on the resale market.

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  • Used Charvel Model series guitars, similar to the SL1, have appreciated from $150 in the 2000s to nearly $1,500, reflecting a growing vintage market demand.

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Comparisons

  • The SL1 is compared to the Charvel Model 6 and MIJ Ibanez RG, suggesting a preference for its playability and tone over these models.

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Mods and upgrades

  • Swapping the original electronics for a 3-way switch and Seymour Duncan JB/59 pickups enhances the guitar's tonal fatness significantly.

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Artist usage

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See how Gustavo Cerati uses Jackson Soloist San Dimas

Gustavo Cerati

Singer, Guitarist

Soda Stereo

...
Verified via Photo

Trabajaron en esas condiciones durante dos meses, hasta que recibieron un adelanto de regalías de CBS (10.000 dólares) y un aporte personal de "Ohanian Producciones" (5.000 dólares), y en enero Gustavo y Zeta viajaron a Nueva York y compraron una guitarra "Jackson" azul, un bajo "Guild" del misco color, una guitarra "Schecter" negra, una "Linn 9000" y la batería electrónica de Charly, una "Roland" gris.

"Soda Stereo, La Biografía" (Pagina 65.) Marcelo Fernandez Bitar, Editorial El Juglar, noviembre 1988.

Cuando en 2007 Soda Stereo puso en marcha el operativo regreso y comenzó a ensayar en su sala, Gustavo Cerati buscó que las canciones sonaran como en el comienzo, y le encargó a su asistente Eduardo Barakus Iencenella que le consiguiera esta guitarra Jackson Soloist SL 1 azul: la misma con la que se había afianzado como guitarrista en la etapa de Signos. "Estaba arrumbada en un galpón", dijo Barakus, que la recató en muy mal estado y comenzó un proceso de restauración que le llevó 20 días. "Tenía los trastes oxidados, las prensas rotas y el circuito eléctrico dañado. Estaba todo mal. Entonces decidí desarmarla y empezar de cero".

Barakus pulió los trastes, cambió los microafinadores y morsas, pero cuando Cerati la probó enseguida se quejó de que se desafinaba sola. "El problema era que cuando hacía las rítmicas, Gustavo apoyaba la mano sobre los microafinadores. Tuve que diseñar un protector de metal liviano, y mandarlo a hacer a medida por un luthier".

"La historia detrás de la mítica guitarra que Cerati usó en el regreso de Soda Stereo" (Párrafo 1.) Bruno Larocca, La Nacion, 4 septiembre 2018.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

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