On this link, there are Richard David James's comments/replies to some of his fans (back when the account had a different name: "user487363530"). In response to the user @kinbotte, Richard not only confirms that he owns the Elektron Analogue Rytm, but also a bunch of other gear: "ive never found one i really liked. i would love to design my own with someone who could build it for me, I dont really want to spend my time building instruments. Elektron RYTM is prob fave right now, although it doesn't sample which is a shame, dsi tempest, RSF SD140, Pearl fightman[needs mods], Pearl sc40,doepfer a112, Dynacord Add one,loads good plugins these days, sds3, Klone dual perc synth. For synth drum sounds, always best to make your own on a modular+imagination, can make more complex and original sounds than any of the above really, just more of a pain to conjure up."

The pictures featured in this article show a rack inside Subconscious Studios. The SC-40 sits on the Simmons SDS V on the top of the rack.

Mastelotto isn't shy with electronics. He used "a fair amount of samples" for composite snare sounds, including three alone for "King for a Day," played on a Roland Octopad, and the overtone of "a very ringy Ludwig similar to a tube-lug snare" sampled on an Akai S900. The drummer and his tech Paul Mitchell bent the samples with a warp function "to a note that sounded good" for each track. Tabourine-shaker, congas, tablas and other oriental percussion came from Casio FZ-1 samplers. A Yamaha RX5 drum machine crops up on the fade of "Hold Me My Daddy"; elsewhere Mastelotto used an MX8 MIDI patch bay to increase the velocity of a LinnDrum fed into a Yamaha QX2 program. An old Simmons SD55's kicks and snares are on "Chalkhills and Children" and "Poor Skeleton Steps Out." There's a Pearl SC-40 on "Cynical Days" -- "similar to a tambourine but more of a bongo" -- and "Garden of Earthly Delights," "for a low kick that bends up like a tabla." "Garden" also employs a Roland TR727 drum loop. And Mastelotto still uses sticks: Pro-Mark 5Bs or 909s, "butt-end."

The Pearl SC-40 is sitting on top of the Evans Super Echo in the left of the image.

"@skudge_elias_landbergMy Blue SH-101 is finally back in my studio! #rolandsh101 #bluesh101 #buchla #musiceasel #korgms20m #beatsteppro #syncussion #sc40 #rolandre501 #evanssuperecho #inthestudio #autumn #2015"