There are 3 Roland XV5080s that can be seen in Randy Newman studio in this interview.

"Our music productions for film and television, cinema, games, web, soundtracks and many other areas of application are created in a modern sound studio in a completely virtual environment on the computer (with various soft samplers and plugins on a purely digital basis for the best sound quality - or else with the help of the latest hardware technology, mixing consoles, synthesizers, effect devices and digital signal processors for further sound refinement for the highest quality demands without compromise.

You can find some impressions of the studio on this page."

"A UNIQUE OPPORTUNITY!

Ex-BBC Radiophonic Workshop (Blake’s Seven, The Living Planet) and current film and TV composer Elizabeth Parker is selling the famous circular studio she took with her from the BBC when the RW was disbanded.

The studio is virtually complete, including nearly all the equipment she has been using on a regular basis in her profession - up to and including a film project she is finishing in the first half of November before the studio is dismantled. Just add a mother keyboard, mastering, monitoring, and video, and you have virtually the complete set- up used for prestigious projects like the BBC’s World Cup coverage, The Human Body, Weird Nature, Animal Olympics, the Monty Python Holy Grail DVD, Michael Palin TV series, etc.

The custom woodwork and cabling alone is believed to have cost £4500 in the late 1980s, and is probably one of the most famous studio designs in the world. When it was removed from the BBC, the installation and re-design at Liz's private studio was masterminded by Rupert Brun, one of the BBC's most highly respected engineers.

Full documentation is included in the sale. Removal and/or packing and shipping is a serious task, so please bear that in mind before bidding. VEMIA will assist at cost if you need."

"The studio consists of:

The studio desk, custom made for the Radiophonic Workshop, out of limed Ash. (Buyer dismantles and collects). Complete with a vast quantity of high-quality cabling, with every cable, jack, phono and XLR numbered and labelled by Rupert Brun, with full diagrams, spreadsheets, etc. Roland XV 5080 with 8-voice expansion unit for sample playback Emu Proteus 2000 (with Proteus 1, 2, and 3 (World) Expansion Cards) Proteus 2 and Proteus 3 World Modules. Emu 4XT Ultra with maximum memory. Roland 760 Samplers (x3) with maximum sample and playback memory + mouse unit for 2 of them Emu Xtreme Lead 1 with MoPhat Card. Yamaha 01 Digital Mixer. Yamaha 01V Digital Mixer. Yamaha KM802 Mixer. Spirit Folio F1 100mm Fader Mixer. Peavey PC 1600X Midi Command Stations (x3) Alesis ADAT XT 8 track digital recorder + remote control. Denon DRM-550 Cassette Deck. Akai Professional rackmount DP3200 Routers (x3) 48-Way Patch Bays (x3) Iomega 250 Zip Drives (x2 - one still in box) CD Rom Players (x3) - one still in box. Emu Proformance Piano Module. Emu Procussion Module. Opcode Studio 4 Midi Interfaces (x2) [Opcode] Studio 5 Midi Interface. Apple 7600 computer with unused new RAM + 21" monitor Apple 8600 computer + monitor. PPM Meter - West German, made by RTW, Köln, and bought from the BBC. Magneto Optical 230 drive. Apple Mac G4, Dual Processor with 512MB RAM, 40GB hard drive in four partitions, extra internal 230GB hard drive."

'Sin Sin Sin' "This was the first song we ever wrote, and it basically started off as a bass drum doing fours and a bass sequence in eights over the top of it. He sang the whole of the first verse over the top of that, just like that. It was quite incredible. The sequenced section that you can still hear started off as a Reason sound, and then I added the Roland XV5080, and added an SH101 sound and perhaps a Prophet 5 to give it a little bit more of a gritty, gnarly texture. I messed around with that sound quite a lot. We changed the speed of the song many times, and the Reason sound became so strange and deconstructed that it became part of the song."

It has been verified that Frank Klepacki, a renowned guitarist, composer, and music producer, utilizes the Roland XV-5080 sound module in his studio setup. This information is substantiated by a visual confirmation of the XV-5080 positioned beneath the JD 990 within his studio in Westwood, as depicted in a photograph of the former office of Westwood Studios.

Clive has an XV-5080 in this video with Pendragon.

In the user-uploaded photo, DJ Manian is seen using the Roland XV-5080 sound module in his production setup.

Lior Rosner utilized the Roland XV-5080 sound module during his early work at Saban Entertainment/Fox Kids, specifically in the production of soundtracks for shows like "Power Rangers Wild Force." This is evidenced by the frequent use of patches such as "The Andes" from Bank E in episodes like "Unfinished Business," as highlighted in the official Power Rangers video on YouTube.

1:00 aleks synteks uses the roland xv5080, as one of its synthesizers

Didge Digital uses the rackmounted Roland XV-5080, as confirmed by a Facebook photo showing it in the bottom rack next to his keyboards.

Richard Andersson uses the Roland XV-5080 as part of his studio and live rig, as detailed on the official Andersson Music website.

In a photo from the Tactland PDF article/interview available on Mateo Pascual's website, he is seen with a Roland XV-5080 rack sound module in his studio. The unit is clearly identifiable by its distinct front-panel design and labeling, consistent with Roland's flagship XV rack module.