The MD 211 is a dynamic studio microphone with an omnidirectional characteristic. Due to its qualities such as low handling noise sensitivity, no proximity effect even at very short distances, no distortions at very high sound pressure levels, flat frequency response and small dimensions the MD 211 has earned the reputation of being a high quality studio microphone. High-quality dynamic omnidirectional microphone with an almost linear frequency response

known as the "Tom Jones microphone". Named after his television series "This is Tom Jones" (1968-1971) convincing answer to Beyerdynamic's M100 elegant, cylindrical housing very large transmission range optimized for close-up recording (free-field equalized) only a moderate mid-range boost compared to the MD21 bass reduction below 150 Hz insensitive to structure-borne noise distortion-free transmission even at very high sound pressure rental copies have the model version MD211U (XLR) period of manufacture: 1962-1988 the original brochure from 1962 is available in the Sennheiser archive in our library Preferred areas of use: close-up miking of acoustic instruments, bass drum, speech, singing Dimensions (W x H x D) 22 x 22 x 120 mm / 0.9 x 0.9 x 4.7 inch

Dimensions (W x H x D) 22 x 22 x 120 mm / 0.9 x 0.9 x 4.7 inch

Note: Dynamic microphone as a pressure receiver. Transmission range 50 to 20,000 Hz, omnidirectional, sensitivity 1.6 mV/Pa, impedance 200 ohms. No proximity effect, therefore suitable for reporters. Connection plug DIN or XLR depending on the variant. Versions: MD 211 N = low-impedance MD 211 U = low-impedance, with XLR-3 connector Net weight 0.1 kg / 0 lb 3.5 oz (0.22 lb) VDRG manual 1975/1976 Radio technology (FT) (18/1962, p. 616 / description) Original prospect or advert (Sennheiser Revue, Aug. 1979 + Sept. 1981)