On the list present on the album packaging of Syro, you can spot "Soundcraft Ghost" written on the lower left. Since it's not written "Soundcraft LE", we assume it's the standard version. However, it is not specified wether he uses the 24-channel (standard) version or the 32-channel version. Not being specified, we assume it's the standard (or in some cases, most common or earliest) version.

Ian Pooley has been using the Soundcraft Ghost as his recording console for decades, as seen in a recent Instagram post where he mentions working on new projects.

Besides a horde of compressors and valve processors, the biggest contributor to Martin’s sound is his mixing desk: a Soundcraft Ghost. More often than not, Martin uses the desk itself for compression, driving channels into the red in order to reduce dynamics. This creates an undoubtedly messier sound, which ties in with the rest of his production philosophy.

"I do almost all of my music work out of my studio at home. Ok, here goes: I use a pair of Adats, a Soundcraft Ghost for mixing, a bunch of outboard Symetrix and Lexicon processors for dynamics and effects, and an Eventide Ultraharmonizer DSP4000 for pre/post processing and vocal effects. For keyboards I use a mix of older and newer stuff. I have an old Prophet 5, a Casio FZ-1, a Roland MKS-50 with a programmer and an Oberheim Matrix 6. For newer gear, the Roland JP-8000, MC303, and the Novation BassStation are nice for creating new sounds quickly. I also have a little Korg 01/wR with a software programmer that can be coaxed into making some fat sounds (no analog filter tho). I'm pretty religious about not using presets, so I really favor the more programmable synths.

A lot of the recording and arrangement happens inside a PC; I run Logic Audio 2.5 for digital recording, post-processing and midi arrangement. I use an Audiomedia III card for digital transfers to and from a Tascam DA-30 dat. For guitar I use my trusty Les Paul through a Marshall half-stack, with an Oberheim Echoplex on the fx loop. "