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Description
Unleash your sound with the Stomp Under Foot Screaming Panda, a fuzz pedal that brings a distinctive edge to your musical expression. This pedal is inspired by the legendary fuzz sounds of the past, offering a rich, dynamic range of tones that can be tailored to your unique style. Designed with the NOS Soviet transistors, the Screaming Panda delivers both warm, vintage fuzz and aggressive, modern bite. It's perfect for guitarists who crave versatility and character in their fuzz effects.
With its intuitive layout, the Screaming Panda makes it easy to dial in everything from subtle overdrives to full-on fuzz mayhem. The simple yet effective control interface allows you to adjust the volume, tone, and fuzz levels effortlessly. This pedal also boasts true bypass switching, ensuring your signal remains pristine when the pedal is not in use. Built to withstand the rigors of touring, the Screaming Panda is both durable and reliable, making it a trusted companion for any stage or studio setup.
Key Features:
- Incorporates NOS Soviet transistors for authentic vintage fuzz tones
- True bypass switching for pure signal integrity
- Easy-to-use controls for volume, tone, and fuzz levels
- Handcrafted for quality and durability
- Versatile sound range from smooth overdrive to intense fuzz
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Artist usage
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Mentioned in this August 24, 2011 interview with Kit Rae.
KR: Have you ever tried any of the Big Muff clones that are out there? There must be at least thirty different boutique Big Muff circuit replicas or variants out there from various makers. I know a friend of mine from Stomp Under Foot sent you a Screaming Panda few years back, and a couple of other makers have told me they sent you their versions.
JM: Yeah, the first one I got was the DAM one. That was pretty good. Then the Hairpie I like a lot. (KR - The D.A.M. Ram Head, now discontinued, was a highly praised clone made by Differential Audio Manifestations in the UK, and the Hairpie was a clone made by Ronsound in the USA. Ron Neeley, the EH Man, is still making the Hairpie at the time this interview was made)
KR: Have any of those made onto your recordings, or are they just something you play around with or use live?
JM: I don’t know if I have used a Big Muff at all on any recordings in the last…yeah, I seem to never really use them now on record. Now it’s more kind of my live sound. Now I’m just in the studio kind of experimenting with stuff. For rhythm tracks I’ll usually just go straight into an amp. I have a Tweed Deluxe or a Vox AC15. I basically just use those two amps in the studio mostly now, and then experiment with different pedals.
Genre Usage
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Used With
Based on how musicians on Equipboard use Stomp Under Foot Screaming Panda, it is most commonly used with the following gear.
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