Can be seen in the pic on the second shelf on the left, next to the Roland Space Echo.

Gear

Kurzweil K2500 (two) "I use one K2500 as my controller keyboard and I have an additional rackmount K2500. I use those to control my sound library of real orchestral sounds." Akai S2000 Roland JV1080 "I use this with the orchestra expansion card for some of the orchestral sounds that are mostly in the background — in other words those that don't require so much authenticity. It allows me to layer up sounds without having to use up any of the memory I need for my better CD‑ROM orchestral samples." Studio Electronics ATC1 "This one I use when there's a need for analogue sounds. You can switch from one type of sound to another depending on what cartridge you put in." Roland Juno 106 "I used the Juno 106 for Mercenaries and a bunch of other titles that needed more industrial types of sounds." Tech 21 SansAmp PSA1 "This is great for recording guitar sounds. It has a whole bunch of different guitar distortions and effects and plugs straight into the board — you don't have to go through a separate amplifier, but it creates the sound just as well." Alesis ADAT XT "Occasionally when I have all the samplers filled up and I don't have any more memory I dump them on to different tracks on the ADAT and record them that way." Tascam DA30 DAT recorder JVC Pro Series Digital S video deck "I use this half‑inch deck to sync up films and timecode." Apple Power Mac 4400 running MOTU's Digital Performer "I've been trying various different sequencers to see which one I like the best and, although they all have their pros and cons, I find that Digital Performer works really well for what I'm doing." Digidesign Pro Tools "I don't use Pro Tools that much. Sometimes I will if I need to sync up different dialogue and sound effects to the music, but mostly I do the final mix onto DAT and if necessary I'll load that back into Pro Tools to burn CDs."